78 Books Like Hannah Fowler

I love this book’s two freedom fighters: the historical Sarah Grimké and the fictional enslaved woman Handful.

It’s the early 1800s in Charleston, SC. Privileged white girl Sarah bucks cultural expectations for women, while Handful fights the cruel slavery system. Sarah repudiates her upbringing in order to support abolition, and Handful stakes everything in pursuit of freedom, “to leave or die trying.”

I loved learning about the Grimké sisters, giants in the abolition movement, and the West African story-quilt tradition, whereby women tell their lives through the art of needlework. This book was transformative for me; Sarah’s and Handful’s transgressive courage has helped me through difficult times of my own. If they could face their obstacles, then by golly, I can face mine.

I love this book because of the strange and wonderful 10-year-old female protagonist, a white girl who is “rescued” from Kiowa captivity on the Texas frontier in 1870, a time of Indian raids and pervasive anarchy.

This girl was assimilated into her Indian family and considers her “rescue” a kidnapping; she remembers almost nothing of her family of origin. She is icy-veined, fearless, and creatively violent. The scene where she improvises ammunition from hundreds of dimes (yes, coins) blew my mind.

From this book, I learned about how whites (especially children) who were captured by Indians quickly abandoned their former lives and usually did not want to return if given the opportunity. The language is spare, tough, and beautiful. I did not want this book to end.

I love me a tomboy. And that’s Caddie Woodlawn, who lives on the Wisconsin frontier with her family in the 1860s, where there are still Indians in the woods, and all the richness of nature to explore with her two brothers. Plus lots of mischief to get into. The threat of a proper, domestic young lady’s life looms, but with her father to support her, Caddie resists it.

I love this book because it brings me back to my own childhood, where my siblings and I played for endless days in the woods and creek around our home, making pretend food out of sticks and mud, catching frogs and salamanders, and building forts. The kind of childhood that few children now have in suburban America.

Here's another amazing woman—angry, determined 18-year-old Adair—who travels through Missouri’s brutal Civil War landscape looking for her father. Jailed in St. Louis under horrid conditions for suspected Confederate sympathies, she brawls with a fellow prisoner, strategically worms her way into the prison matron’s good graces, then captures the heart of a Union interrogator who helps her escape.

I am not a horse person, but Jiles’s description of Adair’s relationship with her horse Whiskey is otherworldly and totally converted me. One nightmare scene follows another as Adair makes her way back to her family home, and I love the resourceful lies she concocts to save herself and Whiskey amid guerrilla warfare and martial law.

Beautiful language; Jiles is a poet, and it shows.

The appealing heroine Diony Hall moves with her new husband into the Kentucky wilderness. A beautiful variation on the archetypal plot, “Someone Goes on a Journey,” written in gorgeous prose and featuring many perfectly rendered actual characters such as Thomas Jefferson and Daniel Boone. The story shows determined human nature struggling against hostile nature, the earliest of the great American themes.

From the extensive Draper Collection of interviews with Boone’s son Nathan, and daughter-in-law Olive, Hammon has put together one of the most valuable portraits of Boone and the Boone family that exists, in the authentic words and voice of the younger son. When I was writing the biography I found it invaluable, both for the information it contains, and for a sense of the family connections.

With his expertise about frontier life, Faragher brought Boone's studies to a new level. Making use of the Draper Collection at the Wisconsin Historical Society, he created a portrait of Boone in his times that all future biographers will need to refer to.

Ever since John Filson wrote the first history of the state in 1784, the Kentucky frontier has captured the public’s imagination. Aron goes beyond heroic accounts and stories of triumph to understand how egalitarian aims and the sense that the West could become a “good poor man’s country” failed to pan out for so many. The west did not become the land of opportunity for Native Americans or slaves, nor did it provide a fresh start for many poor white men and women. Two iconic figures, Boone and Clay, serve as familiar bookends, neatly framing Aron’s story and tying their worlds to the one we recognize today.

Lofaro portrays the other side of the coin, describing the amazing career of an American legend – the restless, fearless Daniel Boone, who took the settlers’ side during the relentless expansion westwards onto Native lands. After a personal exploration of Kentucky territory, Boone raised a large body of settlers, guided them to the territory, and created a community guarded by forts he helped to construct. Boone took the lead in fighting the Natives who objected to the intrusion.

To the American mind, this man is the epitome of the American frontiersman and Lofaro’s book reveals all sides of his complex personality while describing the Revolutionary War conflict in the mid-west. Notably, Boone was not without sympathy for the Natives’ plight. Of course, he crossed paths with many British partisans and their Native allies who vigorously attacked the Kentucky settlements. (Appropriately, this book was published in Kentucky.)

In this study Belue creates a sense of the world of Kentucky before settlement, as Long Hunters began to explore the Bluegrass and send reports back east of the streams and savannas, the game, and beauty of the land. While writing Boone, I found this volume especially useful for visualizing the places where Boone hunted in his first and second forays into Kanta-kee.