61 Books Like Halo

Mass Effect was a very big sci-fi series for me growing up, the technology of which continues to influence my novels to this day. This novel serves as a prequel to the first game in the Mass Effect series, covering an event that was only briefly mentioned within the game itself, where Captain David Anderson works alongside the Spectre Saren, a Turian who despises humanity and believes them to be growing too quickly. Saren’s behavior and beliefs lead to him committing atrocities and then blaming Anderson to sabotage the whole reason why they were asked to team up in the first place, setting the stage for the first game.

This has to be one of–if not the–greatest single book I’ve ever read about war in the ancient world. I read the first ten pages, and I was interested; then I read the next forty, and I was utterly hooked. As a description of an elite military force holding out against overwhelming odds it fascinated me, but as a human story of the way Spartan society worked to produce those warriors, imbued with heroism, honour and humour in equal amounts I was simply blown away.

It’s fair to say that this book has been my greatest influence all the way through my writing career. I dare anyone with an interest in the genre to read this and then deny that they were informed, entertained, and (perhaps darkly) amused by the story and its payoff. This is God-tier writing, plain and simple, and, not for no reason, the closest thing the… show more.

When I strapped in to read Red Rising, I was mentally prepared for a modern Dune-style space opera, complete with a chosen-one arc. But what kept me turning pages was Darrow’s humanity.

I was thrilled to discover how he breaks, rebuilds, and keeps fighting to become more than the system that made him. I loved that it refused to give me a perfect hero. Every victory costs something, and every choice leaves a scar.

It reminded me that courage doesn’t always look noble—sometimes it’s messy, angry, and uncertain. But that’s what makes it real.

This book made me feel the weight of change and how hard it is to stay kind while tearing down what’s broken.

I can’t remember if I read WOT or GOT first… but this book was one of my entries into epic fantasy.

It begins with normal people trying to figure out something they can’t fully understand, and fearing being powerless in the face of what’s coming. Jordon really takes his time to slowly build the world, but even then, it feels like it is already established, and it is the reader who is new here.

What made it memorable was the way it balanced massive stakes with human fragility. It explores the theme that power isn’t always just a gift or a curse; it can be a burden that costs the wielders and those who are in orbit of it.

I loved this book because it is another time-slip novel, but mostly because of the characters that Gabaldon has created. Claire is a strong woman both in the present time zone–post-war Britain–and the Scottish Highland time zone of the seventeenth century and the uprising. You sense immediately that she is in danger as the story is told from her point of view. 

I loved learning about the lives of the Scottish highlanders, how the story moves from one-time zone to another, and how the characters overlap.

I love this book because although it seems at a casual glance to be written in the mold of 50s and 60s science fiction, with earthmen fighting bug-eyed aliens, it’s, in fact, a profound exploration of the morality of war, of chances, lost and motives misunderstood and of the ruthless use of children as combatants.

The training regimen of the children is gripping, as is the climactic space battle, but it’s the ending of the novel that gives the story its deep spiritual resonance.

Although heists and team-driven stories are difficult to mess up, I rarely find a gem with fun, snarky, and interesting characters like those delivered by Bardugo.

Clever banter effortlessly drives the storyline from beginning to end. When you start to feel the characters are proving to be one-dimensional and predictable, they begin to change and evolve (albeit a bit slowly for my tastes), which made for a surprisingly satisfying read (I’m including book two in this observation).

Worldbuilding is intelligent enough to keep you trusting the author when you grow concerned that the ending will be unrealistically implausible. Okay, maybe that last observation is my personal pet peeve with modern authors, but Six of Crows pulled off the credibility factor reasonably well.

My personal author coach (David Farland) suggested this read.

The premise of a teenage, self-diagnosed sociopath who works at a morgue but doesn’t want to become a serial killer was far too intriguing to pass by. Well’s background research into sociopath profiling and morgue duties kept me engaged, but never felt intrusive or information-dumpy.

Refreshingly, Wells keeps the teen character intelligent. Instead of the overwritten, arrogant teen who makes stupid decisions, the main character is thoughtful and bright, and recognizes beforehand that his choices driven by curiosity are a tad foolish.

Although I won’t read the sequels because they dive into a subgenre I’m not fond of, I consider I Am Not a Serial Killer one of the most innovative reads of this century.

I had to include this first Harry Potter book because Harry is the epitome of a gifted child and I loved these books from the first.

When my own book, The Meme Machine, came out in 1999, someone rang me excitedly to tell me that my book was number 5 on Amazon!!! (There were not so many books listed on Amazon in those days!!).

I was so thrilled that, of course, I had to find out what the top four were. And guess what – they were the hardback and paperback versions of the first two Harry Potter books, which I’d never even heard of. I bought them immediately and never looked back, receiving each one in the post on its publication day.

What terrific books they were and are.

I, like many others, love Star Wars and was sad when it was announced that the old tie-in novels were being removed from canon. In particular this story made me the most upset. For me, this was the sequel trilogy that we never got.

It captured the universe that George Lucas set up for us so well that I never once felt like Luke, Han, or Leia were anything other than the characters we had seen in the movies. I loved how it took the lore and lovingly crafted it into a new story that fits within the parameters that had already been established without retreading the same old territory or falling into glorified fanfiction.