Here are 61 books that Grizzly Years fans have personally recommended if you like
Grizzly Years.
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From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Tracing the thread of mystery and meaning through our lives can be so hard! Here’s a trick of the memoir trade: The world has a tendency to give us the metaphors we most need.
When I first read Terry Tempest Williams’ book, I was amazed by the parallels she drew between threats to her beloved Bear River Migratory Bird Refuge, her family history of breast cancer, and her soul’s experiences in the Mormon church. Now, I know the perfect images to illustrate our inner world are always in plain sight. This is beautiful and enduring.
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I’m a writer of fiction and creative nonfiction living in northwest Montana’s Yaak Valley. I moved here from Mississippi 35 years ago to live in the mountains and write short stories, novellas, novels, but have gotten sucked into decades of battling a recalcitrant U.S. Forest Service intent on building roads and clearcutting in this incredibly unique ecosystem—the Yaak Valley, is the lowest elevation in Montana, the wettest valley, and an ancient inland rainforest that contains 25% of the entire state of Montana’s “species of concern.” Chief among these are the valley’s last 25 grizzlies: one of the rarest subpopulations in North America. Loving a thing deeply is almost always revolutionary. Revolution: to turn. To change. To revolve, evolve, return. To turn around.
Dr. Barrie Gilbert’s memoir, One of Us: A Biologist’s Walk Among Bears, is nothing if not a magnificent portrait and case study of humility. A half-century of incisive study and research into the baits, and needs and, perhaps most importantly, social complexity and intense attachments and intelligence of grizzly bears should be the lede here—not a single incident from Gilbert’s youth, when he surprised a mother grizzly with cubs while coming over a ridge into the wind. But so goes storytelling. Imbued with the compassion and generosity of the forgiven, Gilbert’s acute and intimate knowledge of the animal Indigenous cultures referred to as “the Real Bear” is unprecedented and unequaled in the tattered and impoverished remains of contemporary society in which so many have lost—are bereft of—any attachment to the wilderness from which we were birthed.
Barrie Gilbert's fascination with grizzly bears almost got him killed in Yellowstone National Park. He recovered, returned to fieldwork and devoted the next several decades to understanding and protecting these often-maligned giants. He has spent thousands of hours among wild grizzlies in Yosemite and Yellowstone national parks, Alberta, coastal British Columbia, and along Brooks River in Alaska's Katmai National Park, where hundreds of people gather to watch dozens of grizzlies feast on salmon. His research has centered on how bears respond to people and each other, with a focus on how to keep humans and bears safe.
As a kid growing up in a small Kentucky town, my buddy and I would ride our bikes everywhere, looking for adventure and sometimes trouble, until my mother directed me to the public library that was just a few blocks from our house. I would spend long summer afternoons there immersed in the complex lives of heroes and villains (and, in some cases, trying to decide which was which) and losing myself in the twisting and turning plots of mystery and intrigue. For me, there is nothing better than a book that takes its time to reveal itself, providing little breadcrumbs of excitement along the way toward the eventual payoff.
I’m a sucker for a Southern gothic page-turner, particularly one that features such a complicated character like Joe Ransom who, when you first meet him, you don’t know if you should approach or just run away. Then bring teenage Gary into the mix with his troubled family backstory and this sheds a new light on Joe, and Gary as well, as the two traverse the muddy path to redemption.
Brown’s descriptive prose paints a harsh picture of the world, warts and all, yet it also has an underlying tragic beauty.
“Brilliant . . . Larry Brown has slapped his own fresh tattoo on the big right arm of Southern Lit.” ―The Washington Post Book World
Now a major motion picture starring Nicolas Cage, directed by David Gordon Green.
Joe Ransom is a hard-drinking ex-con pushing fifty who just won’t slow down--not in his pickup, not with a gun, and certainly not with women. Gary Jones estimates his own age to be about fifteen. Born luckless, he is the son of a hopeless, homeless wandering family, and he’s desperate for a way out. When their paths cross, Joe offers him a…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I am Lecturer in US Foreign Policy at Queen Mary University of London, and I work on issues of national security and identity, political rhetoric and the role of the everyday in shaping politics, especially media and popular culture. I have written extensively on American politics and US foreign policy over these past years with two published monographs and more than a dozen articles in peer-reviewed academic journals, plus a couple of op-eds and multiple TV and radio appearances. My most recent research project explores the role of populism under the Trump presidency and its political impact in the United States.
This book is maybe my favorite novel ever written about politics and the lengths that some men are willing to go in the pursuit of power.
It features a memorable cast of characters, most importantly, of course, the figure of Governor Willie Stark, the quintessential populist politician, who manipulates others for his own gain and demonstrates a total lack of morals. Set in the 1930s, the story of Stark’s rise to power and eventual downfall always strikes me for how contemporary it feels and how many parallels it offers with the populist politics of our own time.
My journey to wildlife storytelling had a very unusual beginning, I started out as a wildlife photographer with an intense curiosity for bears and other North American wildlife. I would pursue these animals wherever it took me and ended up with a large photographic portfolio of these majestic creatures. This quest resulted in remarkable, interesting, and sometimes dangerous wildlife encounters, which I shared in my book, Wild Among Us. My combination of images and storytelling has been a complete immersive experience and has made me appreciate the varied and specific behaviors each animal possesses. These unique adaptive animal behaviors when presented with an interesting adventure story always has interested and captivated me.
This book depicts the death of Timothy Treadwell and Amie Huguenard in 2003 by an Alaskan brown bear at Katmai National Park. The reader is provided a wealth of information but must decide for themselves what really happened. As a past bear observer at Katmai National Park, I camped near brown bears twice, but in the parks designated electrified, fenced-in camping area, which was starkly different from Treadwells’ campsite within the grizzly maze. For twelve years prior, he continued his risky behavior and was unmolested by these very tolerant bears, but his luck ran out and the terrible attack occurred in 2003. This book provides a much more balanced portrayal of the bears than the 2005 movie Grizzly Man. The unique quality of Katmai National Park is the bears have become accustomed to people being there and an uneasy truce exists if you follow the bear guidelines and behave…
With a new introduction on Werner Herzog's film entitled The Grizzly Man
Timothy Treadwell, self-styled "bear whisperer" dared to live among the grizzlies, seeking to overturn the perception of them as dangerously aggressive animals. When he and his girlfriend were mauled, it created a media sensation.
In The Grizzly Maze, Nick Jans, a seasoned outdoor writer with a quarter century of experience writing about Alaska and bears, traces Treadwell's rise from unknown waiter in California to celebrity, providing a moving portrait of the man whose controversial ideas and behavior earned him the scorn of hunters, the adoration of animal lovers…
I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
The story behind this book is nearly as fascinating as the book itself. Evelyn Cameron—Lady Cameron!—accompanied her ne’er do well husband to Montana with a scheme to raise thoroughbreds. When that failed, her husband fell into despair and it was up to Evelyn to put food on the table. She did that by photographing what she saw around her: everything from staged and romanticized “Western photos” that she sold to magazines back East, to interiors of dreary homestead claim shacks. Her glass plate negatives were converted to greenhouses after her passing but were thankfully discovered and restored, resulting in this incredible book of photographs.
Leaving behind her childhood world of the English gentry, Evelyn Cameron began ranching on the harsh and beautiful plains of eastern Montana in 1889 with her husband, Ewen. When their initial venture--raising polo ponies--failed, Evelyn turned to glass-plate photography to help support her family. Nearly 2,000 negatives remained in a friend's basement for 50 years after Evelyn's death until author Donna M. Lucey tracked down the exra-ordinary collection. Photographing Montana showcases more than 150 photographs of life in Montana from the 1890s through the 1920s. Evelyn Cameron's work portrays vast landscapes, range horses, cattle roundups, wheat harvests, community celebrations, and…
I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!
Give me a horror book about gay conversion camps and demons and I’m probably already sold, but make it by the author of such gems as Trans Wizard Harriet Porber and the Bad Boy Parasaurolophus and I’ve bought three copies.
I had a great time with this book, which brings a cheeky sense of humor and real heart to a truly appalling subject. It’s also quite spooky and features some excellent found family and “unlikely team facing off against evil” tropes that are like catnip to me.
INSTANT USA TODAY & INDIE BESTSELLER! A Bram Stoker Award Nominee and CALIBA Golden Poppy Award finalist! A Best Book of 2023 (Vulture) and a Best Horror Book of 2023 (Esquire, Library Journal)! An Indie Next Pick!
“A joyful, furious romp through dark places, Tingle proves he's as good at fear as he is at love.” ―T. Kingfisher, bestselling author of What Moves the Dead
From beloved internet icon Chuck Tingle, Camp Damascus is a searing and earnest horror debut about the demons the queer community faces in America, the price of keeping secrets, and finding the courage to burn…
My family moved frequently and, as a result, I was raised in a number of different small towns in Montana, Nebraska, Kansas, Texas, and Massachusetts. I now live in a large city but the experience has never left me. There was always a certain amount of crime and corruption in the towns I grew up in, but I only had a child’s eye view of it. However, a child’s eye view is usually the most vivid. This experience and the books that I have listed above all had a direct influence on Blue Hotel.
I grew up in a small Montana town, so Watson’s
novel has a special meaning for me. It is a vivid portrayal of small-town life
on the Great Plains and takes place during the same time period as my own book. It tells of the corruption of a trusted official and its effect on
his family, his victims, and the town itself. Watson’s novel allowed me to feel and understand the deep emotions,
the pain, the anxiety, the love, and the disappointment that his characters were
feeling.
"From the summer of my twelfth year I carry a series of images more vivid and lasting than any others of my boyhood and indelible beyond all attempts the years make to erase or fade them " So begins David Hayden's story of what happened in Montana in 1948. The events of that cataclysmic summer permanently alter twelve-year-old David's understanding of his family: his father, a small-town sheriff; his remarkably strong mother; David's uncle Frank, a war hero and respected doctor; and the Haydens' Sioux housekeeper, Marie Little Soldier, whose revelations turn the family's life upside down as she relates…
One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.
The first time I finished reading this book, I felt ambushed. The description is breathtaking and the dialogue is hilarious.
So much of the book is surreal: The main character hunts for a runaway girlfriend who’s absconded with his electric razor (which is useless; it has no cord). A woman at a bar blows smoke rings without a cigarette. A guy known only as “airplane man” winds up nabbed, with a large plush bear, by the FBI—and the main character’s major epiphany is sparked by a horse fart. Then, suddenly, near the end, I cried so hard the words blurred. And the final scene is perfection.
Funny, heartbreaking, absurd, and poignant at once.
A contemporary classic from a major writer of the Native American renaissance — "Brilliant, brutal and, in my opinion, Welch's best work." —Tommy Orange, The Washington Post
During his life, James Welch came to be regarded as a master of American prose, and his first novel, Winter in the Blood, is one of his most enduring works. The narrator of this beautiful, often disquieting novel is a young Native American man living on the Fort Belknap Reservation in Montana. Sensitive and self-destructive, he searches for something that will bind him to the lands of his ancestors but is haunted by…
I have published seven books, all set in the West, including an anthology,West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love.
Winter Wheat, published in 1944, tells the story of Ellen Webb, a young woman coming of age on a farm in Montana. Walker moved from back east to Great Falls, Montana in 1933, and she is one of many writers who adopted Montana as their home state and wrote very eloquently about the unique challenges of growing up in such isolation, living a life so focused on hard work and basic survival. Walker published several excellent novels, but Winter Wheatwas her tour de force.
For this Bison Books edition, James Welch, the acclaimed author of Winter in the Blood (1986) and other novels, introduces Mildred Walker's vivid heroine, Ellen Webb, who lives in the dryland wheat country of central Montana during the early 1940s. He writes, "It is a story about growing up, becoming a woman, mentally, emotionally, spiritually, within the space of a year and a half. But what a year and a half it is!" Welch offers a brief biography of Walker, who wrote nine of her thirteen novels while living in Montana.