84 Books Like Grime and Punishment

As a child, I was obsessed with comics, whether it was Garfield, Calvin and Hobbes, or the Far Side, I would devour every one I could get my hands on. I discovered the joy of observing two storylines – the one the writing was telling me and one that the pictures were telling me. As I became a teacher, I realized the importance of pictures and stories working together to keep students engaged. The resurgence of graphic novels has now been a focus for me in my pedagogy practices as well as my pathway as an author-illustrator. 

As a child, I was obsessed with comics, whether it was Garfield, Calvin and Hobbes, or the Far Side, I would devour every one I could get my hands on. I discovered the joy of observing two storylines – the one the writing was telling me and one that the pictures were telling me. As I became a teacher, I realized the importance of pictures and stories working together to keep students engaged. The resurgence of graphic novels has now been a focus for me in my pedagogy practices as well as my pathway as an author-illustrator. 

As a child, I was obsessed with comics, whether it was Garfield, Calvin and Hobbes, or the Far Side, I would devour every one I could get my hands on. I discovered the joy of observing two storylines – the one the writing was telling me and one that the pictures were telling me. As I became a teacher, I realized the importance of pictures and stories working together to keep students engaged. The resurgence of graphic novels has now been a focus for me in my pedagogy practices as well as my pathway as an author-illustrator. 

As a child, I was obsessed with comics, whether it was Garfield, Calvin and Hobbes, or the Far Side, I would devour every one I could get my hands on. I discovered the joy of observing two storylines – the one the writing was telling me and one that the pictures were telling me. As I became a teacher, I realized the importance of pictures and stories working together to keep students engaged. The resurgence of graphic novels has now been a focus for me in my pedagogy practices as well as my pathway as an author-illustrator. 

Ever since I was a little kid, I've loved scary stories. But more than the thrill of being afraid, I was drawn to the notion of befriending the ghosts, of making the frightening familiar, of finding meaning and comfort in the horrific. Maybe that's why I'm now a queer old goth, and maybe it's why my favourite themes to both read and write are those of identity, belonging as an outsider, and the 'monstrous' elevated to the beautiful.

Once upon a time, I came to the realization that I had no idea what my parents were thinking, much less anyone else. This has turned into a life of repeated musing over how much I do and don't understand about other people. More recently, my mother's death brought to light the many different ways family and friends remembered her, with joy and pain, loss and wariness. I chose this topic for the list because these books help highlight and explore the mysteriousness of family and memory and how a person can be whole and complete and sure of what they've lived through, only to turn and see a new angle never before recognized.

As a publishing professional for over 20 years, I’ve worked in a variety of jobs and positions with some of the biggest pop culture creators and brands. Just before the pandemic, I finally took time to invest in myself as a writer and set out to combine my lifelong passions for film, TV, music, video games, and books–with my skills as an award-winning poet–to write my debut novel, from my “certain point of view” as a first-generation Asian American. The books on my list here are from some of the authors that I admire–who are also “one of us”: the bookworms, the pop culture geeks, the hopeless romantics. 

I'm an author, thought leader, activist, dreamer, and entrepreneur with a passion for change. I believe that creativity and imagination can lift anyone from where they are and usher them into destiny. Stories are a core part of human evolution, which means that stories have the power to change us inside and out. Growing up, I didn't see myself represented in the books and stories around me. I'm passionate about writing fantasy, sci-fi, whimsical tales, and historical action fiction because I believe that by telling our stories, we can help those who have limited opportunities see the world of possibilities and inspire them to dream and create their own magic in this world. 

I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.

Traveling through Ireland, everyone notices the low stone walls separating fields, but occasionally much larger stones rising from the green like giant cogs on a wheel—mystical standing stone circles. One in particular—Beltany in Co. Donegal—became the inspiration for my Circle of Nine series, which is a mix of Celtic mythology, pagan ritual, and magic set within alternating historical and modern storylines. It’s no wonder that the books I most like to read are also the same kind I write. There’s nothing better than picking up a new book and immersing myself in these worlds with their rich magical systems, historical details, suspenseful plots, and often a good dose of romance.