Books like Grant, Lincoln and the Freedmen — picked by fans

I’m a scholar of ancient history who was a locomotive engineer, a subway motorman, and union shop steward in New York City. I tried to be a good union man. It was my Monday through Saturday religion. The New York railroads—passenger, freight, yard service, docks—are a big paramilitary enterprise, a subterranean empire where on-the-job deaths are routine. When I became a scholar, Alexander the Great proved to be an appealing subject since he was a killer who kept his own casualties low. Many of the men I worked with were Black and talked about slavery time, so the Civil War turned out to be another appealing subject. 

I’m a scholar of ancient history who was a locomotive engineer, a subway motorman, and union shop steward in New York City. I tried to be a good union man. It was my Monday through Saturday religion. The New York railroads—passenger, freight, yard service, docks—are a big paramilitary enterprise, a subterranean empire where on-the-job deaths are routine. When I became a scholar, Alexander the Great proved to be an appealing subject since he was a killer who kept his own casualties low. Many of the men I worked with were Black and talked about slavery time, so the Civil War turned out to be another appealing subject. 

I’m a scholar of ancient history who was a locomotive engineer, a subway motorman, and union shop steward in New York City. I tried to be a good union man. It was my Monday through Saturday religion. The New York railroads—passenger, freight, yard service, docks—are a big paramilitary enterprise, a subterranean empire where on-the-job deaths are routine. When I became a scholar, Alexander the Great proved to be an appealing subject since he was a killer who kept his own casualties low. Many of the men I worked with were Black and talked about slavery time, so the Civil War turned out to be another appealing subject. 

I’m a scholar of ancient history who was a locomotive engineer, a subway motorman, and union shop steward in New York City. I tried to be a good union man. It was my Monday through Saturday religion. The New York railroads—passenger, freight, yard service, docks—are a big paramilitary enterprise, a subterranean empire where on-the-job deaths are routine. When I became a scholar, Alexander the Great proved to be an appealing subject since he was a killer who kept his own casualties low. Many of the men I worked with were Black and talked about slavery time, so the Civil War turned out to be another appealing subject. 

I have been a colonial-era history buff since I was growing up. Exploring the neighboring forests with my bow and arrow fueled my imagination as a child. I would often visit the North Carolina mountains (which later became my home) with my family, and I learned about the Trail of Tears and Cherokee history. My parents gifted me my first boat in 1973 at age 12, and I have been paddling ever since, with over 400 bodies of water documented in my personal database. We raised our children in canoes, and there is nothing I enjoy more than being out on the water in a wilderness setting and time-traveling back into the spirit of yesteryear.

I am fascinated by historical figures who were deemed marginal, outcast, or eccentric and also by experiences (like sleep or madness) that usually fall beneath historical scrutiny. I am drawn to nineteenth-century literature and history because I find such a rich store of strange and poignant optimism and cultural experimentation dwelling alongside suffering, terror, and despair. As a writer, I feel a sense of responsibility when a great story falls into my hands. I try to be as respectful as I can to the life behind it, while seeking how it fits into a larger historical pattern. I am always on the lookout for books that do the same!   

I’ve always been fascinated by the past, through movies and books. What is it like to live in an age with no cell phones, no internet? People have to work ten times as hard. I eschewed fluffy romances and wanted to get down to the nitty-gritty of a historical era. How they dress, what they eat, the dirt and truth, then throw in obstacles to test my female characters’ strength and self-reliance. As an avid reader, I have no problem with extensive research to get my facts correct. I want to walk in their world and deal with their problems. Then delve deep into the emotions we all experience.

I’ve been reading romance since my grandmother would sneak me “approved” books when I was twelve. I’ve always felt like I was born in the wrong century, so it makes sense that historicals would be my favorites. After experiencing some autoimmune issues, I relate to characters dealing with physical or mental challenges, and those are the books that tend to draw me in. I believe many people read to escape “real life” and its accompanying stress (I know I do!). As a writer, my goal is to bring a bit of laughter and light into someone’s life for the few hours they spend with my characters.

After living in, while restoring, an old farmhouse built in the late 17th century or very early in the 18th, it was impossible for me not to want to know the history of the house and the people who lived there. Combine that with the stories my grandmother told me about our ancestor, the suspected witch Mary Bliss Parsons of Northampton, and I felt destined to know her story. That led to many years of research and writing. At the moment I am writing another 17th century New England historical fiction. I love this period of history and so few write about it. 

I was never much of a history student. Facts and figures rarely stick in my brain until I have a character—their feelings, hopes, fears, and dreams—to pair them with, so I rely a lot on historical fiction to understand different places and times. I’m also a believer that our culture too often serves up the impression that marginalized people have forever hopelessly struggled, held back by those in power. But there are so many true stories that reveal the opposite, in this case, women fighting for their dreams and winning! I aim to bring these stories to light in a way that keeps the pages turning.