Books like Graciela Iturbide's Mexico — picked by fans

Gertrude (Trudi) Blom (1901-1993) was a Swiss journalist, photographer, and environmental activist who went to the rain forest of Chiapas, the Mexican state bordering Guatemala, to work with the Lacandon people, a community of indigenous Mayas. 

Blom was there for almost forty years, between 1941 and 1979, documenting the lives and culture of the Lacandons. Her photographs show an intense love for a vanishing culture and landscape—the lush natural environment of the Lacandons as well as their activities: agriculture, hunting, religious customs, and family structures.

Blom’s late photos document the increasing pressure on their ecosystem, and thus their way of life. These photographs inspired me to learn more about the rich cultures of Mexico’s indigenous people, and to do what we can to protect their fragile environments.

The Mexican Revolution was photographed by many photographers, foreigners as well as Mexicans, whose photographs were collected by news agencies and distributed immediately in newspapers, sometimes even as the fighting was going on. Their photos record defining moments in Mexico’s history, and offer portraits of its participants: soldiers and camp followers (women and children), as well as iconic leaders Pancho Villa and Emiliano Zapata, among others. 

I love this book because it is written by a woman who lived her whole life in Mexico, experienced events of the Revolution, and knew many of its participants. Her personal account is accompanied by 184 photos that enhance her text and make events and people come alive.

The importance of this Revolution cannot be exaggerated. It engulfed much of Mexico for at least two decades (1910-1930), and claimed between 2 and 3.5 million lives. Troops advanced on horseback and trains, in dusty fields… show more.

Having read The Winds that Swept Mexico and seen the amazing photographs in that book, you’ll want to know more about the photographers who risked their lives to accompany Mexican troops in battle and in haphazard camps waiting for something to happen.

This book includes many photographs, but focusses on the history of the Revolution as shown in those photographs, and the processes of photography itself:  how photographers worked in the early twentieth century in the midst of war, and how their photographs were collected and published as the Revolution raged on.

John Mraz is an excellent “visual historian.” I admire the way he explains how photographers got their “shots” of mounted revolutionaries and battles and camp followers—the sweethearts and wives and children who followed the troops, cooked for them, and sometimes tended to their wounds.

Mraz also explains how their photographs became instant propaganda for particular leaders and causes—and… show more.

Photographs pretend to replicate the real, as do literary fictions, and yet both media also create their own “realities”.

This book explores how photographs, placed in fictional narratives, can distort and deceive characters (and the reader) or, to the contrary, illustrate and illuminate the story. Photographs in the hands of writers can create alternative “realities” within the fictional world or reveal the truth! 

A primary example of the use of photography in fiction is the Argentine writer Julio Cortázar’s famous story “Blow up,” which was made into a movie—now a classic—directed by Michelangelo Antonioni. In Dan Russek’s book, we see a number of such “mixed media” fictions.

I love Latin American photography, and I love seeing how Latin American novelists engage this powerful medium for their own literary purposes.

I like biographies that approach a subject from a different angle and this book does that by focusing on the animals that influenced Frida Kahlo. By witnessing Frida’s relationships with her pets—a parrot, eagle, fawn, cat, dogs, turkeys, monkeys—kids will get to know Frida and learn how she became one of the world’s most beloved artists despite several challenges. The back matter explains that the artist often included her pets in her work. So when readers of this biography encounter one of Kahlo’s animalito paintings (perhaps in a museum or in another book), they will delight in recognizing Frida’s furry and feathered friends. A wonderful way to introduce kids to an artist’s work!

This nonfiction history of Mexico was compelling because it details everyday life in the occupied country. It also provided details of the US and Mexico before and after the Mexican War.

We get a clearer sense of what motivated soldiers on both sides to join in the largest territorial battle in North America. For Americans it was a great adventure, for Mexicans, the defense of their homeland. I also like the author's use of irony and humor, which gives the book a balance that more academic history cannot risk.

The Rynnie Roo books are always such fun, and this one is no different. This book takes the reader on an adventure as they explore the animals that live in the Yucatan jungles of Mexico. It includes some words from the Mayan language and even talks about the many, many dinosaur bones that have been found in the region as well as the types of dinosaurs that were common there.

I love the characters Jean Johnson has created for this series and the fact that she actually grew up in the Yucatan jungle. It’s always great fun to read this one to my students here in Mazatlán, Mexico. They love learning about the other side of their country.

Like Silverblatt’s book on native women in prehispanic and colonial Peru, this edited volume on early Mexico was and remains a gamer changer in bringing to light women’s work, including ways women accumulated and distributed wealth, their varieties of social and political identities they held, and their power and influence.

With chapters by experts in Aztec/Nahua women’s, social, and cultural history, the chapters represent a variety of approaches and methodologies to women’s and gender history even in areas where the documentation on women is sparser than in central Mesoamerica, especially for northern Mexico and Maya women further south.

A story in which the author celebrates her place of origin, her family, and her culture. It's about magic, and how it can take different forms, like when people's hands touch the earth or when houses turn into homes.

I love that the book feels so personal. The illustrations are beautiful.

Known for her long and often book-length poems, Maria Baranda is a leading poet of Mexico. This book contains two works, "From the Natural History of the Rustic" and "From the Natural History of Atlantica."

The project was inspired by an artist friend who would collect objects in the forest for his artworks, but first, he would talk at length about them. Written with a light hand, the poem is a gentle spoof of the friend who also shares in his wonderment: “I think of white lilies at the height of lightning. My friend has taught me.”