Here are 100 books that Good Muslim, Bad Muslim fans have personally recommended if you like
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I’m a history professor at Western Washington University. I first got interested in understanding social movements, power, and political violence in the late 1990s and early ‘00s as a young anarchist. Later, while studying history in graduate school, I realized that much of what I thought I knew about the FBI, violence, and radical movements of the 1960s and ‘70s was inaccurate. I don’t have any magic solutions to the problems facing humanity, but I believe that studying history—including the history of political violence—can help us better understand our present moment and how we might build a more just and peaceful world.
This book turned the field of Terrorism Studies on its head. Historical sociologist Lisa Stampnitzky demonstrates that the legion of terrorism experts who rose to prominence in North America, Western Europe, and Israel in the 1970s were not neutral analysts of political violence. Rather, through their intellectual work, much of it funded with government grants, terrorism scholars helped construct the contemporary meaning of terrorism as a threat to society fundamentally different from other forms of violence, crime, and political activity. This book made it clear that we can’t understand the history of “terrorism” without analyzing the history of the term itself, and how the use of this term in law, academia, politics, international relations, and popular culture has shaped political power and violent conflicts between states and insurgents.
Since 9/11 we have been told that terrorists are pathological evildoers, beyond our comprehension. Before the 1970s, however, hijackings, assassinations, and other acts we now call 'terrorism' were considered the work of rational strategic actors. Disciplining Terror examines how political violence became 'terrorism', and how this transformation ultimately led to the current 'war on terror'. Drawing upon archival research and interviews with terrorism experts, Lisa Stampnitzky traces the political and academic struggles through which experts made terrorism, and terrorism made experts. She argues that the expert discourse on terrorism operates at the boundary - itself increasingly contested - between science…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’m a history professor at Western Washington University. I first got interested in understanding social movements, power, and political violence in the late 1990s and early ‘00s as a young anarchist. Later, while studying history in graduate school, I realized that much of what I thought I knew about the FBI, violence, and radical movements of the 1960s and ‘70s was inaccurate. I don’t have any magic solutions to the problems facing humanity, but I believe that studying history—including the history of political violence—can help us better understand our present moment and how we might build a more just and peaceful world.
Prior to this book, most works on the long history of terrorism applied contemporary definitions of the term to various incidents throughout world history. Wilson turned the page on this framework.Killing Strangersanalyzes the gamut of political violence in Western Europe and North America since the late eighteenth century to explain how we’ve arrived at a contemporary reality characterized, in part, by recurring fear of impersonal atrocities carried out in public gathering spaces. Wilson shows how, on one hand, the rise of the modern bureaucratic state’s “monopoly” on legitimate force pushed most violent challengers to the fringes of society. On the other hand, various technological innovations—from dynamite and automobiles to commercial airlines and satellite television—offered new possibilities for those intent on violent havoc.
A bewildering feature of so much contemporary political violence is its stunning impersonality. Every major city centre becomes a potential shooting gallery; and every metro system a potential bomb alley. Victims just happen, as the saying goes, to 'be in the wrong place at the wrong time'.
We accept this contemporary reality - at least to some degree. But we rarely ask: where has it come from historically? Killing Strangers tackles this question head on. It examines how such violence became 'unchained' from inter-personal relationships. It traces the rise of such impersonal violence by examining violence in conjunction with changing…
I’m a history professor at Western Washington University. I first got interested in understanding social movements, power, and political violence in the late 1990s and early ‘00s as a young anarchist. Later, while studying history in graduate school, I realized that much of what I thought I knew about the FBI, violence, and radical movements of the 1960s and ‘70s was inaccurate. I don’t have any magic solutions to the problems facing humanity, but I believe that studying history—including the history of political violence—can help us better understand our present moment and how we might build a more just and peaceful world.
The field of terrorism research is dominated overwhelmingly by social scientists. However, Richard English has established himself as a leader in the historicalstudy of terrorism and counterterrorism. As the title suggests, this book tackles a difficult, frequently avoided question. Using four case studies—al-Qaida, the Provisional IRA, Hamas, and the Basque ETA in Spain—English demonstrates that the answers are complex, and best explicated through long-term historical analysis. Terrorism has augmented other types of political action, enflamed broader political crises, and provoked disproportionate state responses, frequently with high costs and unintended consequences. While terrorism sometimes has achieved some of its perpetrators’ political goals, it also often has backfired. English shows that terrorism history is not only bloody, but messy, and entwined with wider conflicts between states and dissidents.
Terrorism is one of the most significant security threats that we face in the twenty-first century. Not surprisingly, there is now a plethora of books on the subject, offering definitions of what terrorism is and proffering advice on what causes it and how states should react to it.
But one of the most important questions about terrorism has, until now, been left remarkably under-scrutinized: does it work? Richard English now brings thirty years of professional expertise studying terrorism to the task of answering this complex-and controversial - question.
Focussing principally on four of the most significant terrorist organizations of the…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I’m a history professor at Western Washington University. I first got interested in understanding social movements, power, and political violence in the late 1990s and early ‘00s as a young anarchist. Later, while studying history in graduate school, I realized that much of what I thought I knew about the FBI, violence, and radical movements of the 1960s and ‘70s was inaccurate. I don’t have any magic solutions to the problems facing humanity, but I believe that studying history—including the history of political violence—can help us better understand our present moment and how we might build a more just and peaceful world.
The 1970s was a pivotal decade in the history of terrorism and counterterrorism. Airplane hijacking became widespread and widely televised during this period, as did other forms of politically motivated hostage-taking, bombings, and assassinations. Drawing from archival research in the United States, the United Kingdom, and Germany, Zoller explains how states of the Global North responded with efforts at international cooperation, particularly as Palestinian nationalist militants and their allies traversed borders to enact ostensibly anticolonial violence far beyond contested territories in the Global South. International antiterrorism accords met limited success, however, as they frequently conflicted with various states’ geopolitical interests. Zoller demonstrates that by the early 1980s, multilateralism had given way to a militarized form of counterterrorism led by the United States that established a precedent for the post-9/11 War on Terrorism.
In the late 1960s and early 1970s, governments in North America and Western Europe faced a new transnational threat: militants who crossed borders with impunity to commit attacks. These violent actors cooperated in hijacking planes, taking hostages, and organizing assassinations, often in the name of national liberation movements from the decolonizing world. How did this form of political violence become what we know today as "international terrorism"-lacking in legitimacy and categorized first and foremost as a crime?
To Deter and Punish examines why and how the United States and its Western European allies came to treat nonstate "terrorists" as a…
I take great pride in having somehow turned a passion for visiting presidential libraries into an academic career. I’ve now conducted extensive research at eight of them, and have future projects lined up to get me to the rest. This experience means I can and frequently do ruin family gatherings by challenging distant relations to quizzes about obscure details involving presidential pets. But it has also left me well-placed to write a number of articles and books exploring how domestic politics shapes the development and execution of U.S. foreign policy. I’ve done this while affiliated with the University of Oxford and, more recently, at City, University of London.
Unlike the other recommendations on my list, this is a work of political science. But the qualitative components of this text rival that of any work of history.
In fact, it was this author’s first book that provided the model for my own, blending deeply researched case studies with conceptual innovations in the study of foreign policy decision-making. Her latest contribution, The Insiders’ Game, will set the agenda for the next generation of scholarship on the politics of war.
It reminds us that the public is not the only audience that leaders need to worry about when making decisions to initiate, escalate, or conclude a war. Maintaining the support of advisers, legislators, and military officials is also essential. As a result, it is often the bargains struck with these small groups of political elites that determine how democratic leaders wage war.
How elites shape the use of force in American foreign policy
One of the most widely held views of democratic leaders is that they are cautious about using military force because voters can hold them accountable, ultimately making democracies more peaceful. How, then, are leaders able to wage war in the face of popular opposition, or end conflicts when the public still supports them? The Insiders' Game sheds light on this enduring puzzle, arguing that the primary constraints on decisions about war and peace come from elites, not the public.
Elizabeth Saunders focuses on three groups of elites-presidential advisers, legislators,…
In college I minored in Military History and spent over twenty active duty years in the military. My earlier books were primarily murder/mystery stories, and I had the urge to write a historical romance. The War between States (not civil but ruthless) has always enthralled me. I visited most of the battlefields in the East and Southeast but never in the West. I researched the war’s end and found the last battle at Palmetto Ranch near Brownsville, Texas was near my home in San Antonio. Strange things happened on this dysfunctional battlefield. Little did I realize the involvement of Mexico, France, and Spain and their attempts to influence this conflict.
Vince Flynn has a unique ability of highlighting his main character in such a realistic way that the character is facing you and waiting for your next question. His description of action-oriented scenes leaves no doubt as to the severity and authenticity of what is happening to hold you glued to the pages. I'm left with great anticipation for his next book using the same main character. My goal is consistent with Vince Flynn's.
I've been told that my characters "jump off the page and slap you in the face."
Now a major motion picture starring Dylan O'Brien (Maze Runner), Taylor Kitsch (True Detective) and Michael Keaton.
Tensions in the Middle East are simmering when Central Intelligence Agency Director Irene Kennedy pays a visit to Syracuse University, where she hopes to recruit none other than Mitch Rapp, a student who has quickly climbed up the academic and athletic ranks. At first glance, he appears like any other smart, good-looking American college kid. Under the surface, however, a tempest rages.
Nine months later, after gruelling training, Mitch finds himself in Istanbul on his first assignment. He hits his target but quickly…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I started telling Sea Stories around February 1992, when I reported to the Recruit Training Center, Great Lakes, Illinois. Since then, I’ve been entertaining anyone who would listen with my hyperbolic storytelling, a loose relationship with the facts, and a total disregard for modesty. Writing these stories really showcases my experiences not only in the Navy but as a student of history and international relations. I couldn’t possibly write the whole story without having received my BA in International Relations from the University of California at Riverside and my Law Degree from Southern Methodist University.
I was skeptical of this novel, as I felt it was based on a flawed premise. The idea of a NATO vs. Soviet Engagement in the 90s was an open-and-shut case of NATO ass-whipping. By the 90s, the Soviet Machine was starting the downward spiral that we see fighting in Ukraine today. TK erased my doubts in the first few pages. I thought, “Brilliant!” and I was hooked.
There are twists in this book that you just don’t see coming. And when they hit you, it’s like a bucket of cold water. Just shocking. I can’t recommend this book enough. If you like Military Fiction, Cold War Goes Hot, or just Alternate History in general, this is a must-read!
"Succeeds in showcasing all the strengths of 1980s war thrillers, with a grand, sweeping scope and with action that makes you grit your teeth at how visceral it is"
-Alexander Wallace, Sea Lion Press
"… A lot more plausible than some other World War III novels"
-Fuldapocalypsefiction.com
The year is 1992. Over twenty years have passed since Soviet General Secretary Leonid Brezhnev was assassinated by a crazed gunman. Since that time, the Soviet Union has been put on a course toward economic success—and war.
In the Balkans, Yugoslavia's collapse into ethnic violence draws NATO and the Warsaw Pact to the…
Growing up in a globe-trotting diplomatic service family, I listened avidly to my parents’ tales of their romance in Moscow at the height of the Cold War in 1958, how they were trailed by the KGB and ripped listening devices out of apartment walls. They spoke thrillingly of the constant threat and the dangers they faced. There were other stories, of other places, including Peking at the start of Mao’s Cultural Revolution, a few scenes of which I was just old enough to witness. So I have always been curious about this era and read Cold War intelligence histories, many of them recommended by my remarkable mother.
This meticulously researched history of the unsung women of the British intelligence services is like a master key that will unlock a vault of quiet heroines who were never known in their lifetimes. Dr Hubbard-Hall explores the world of ‘secretaries’ and administrators who almost always knew as much, if more, as the men of the Secret Service.
I particularly enjoyed learning about Kathleen Pettigrew, who inspired Ian Fleming’s Miss Moneypenny, and the intrepid Rita Winsor and Ena Molesworth, who set up an extraordinary ‘travel agency’ to gain access to Russia, China, and other restricted countries in the 1950s. What makes this book shine is Hubbard-Hall’s ability to tell a rip-roaring story so that the lady spies, with all their quirks and daring, come to glorious life on the page.
Drawing on private and previously classified documents, this definitive history of women's contributions to the intelligence services is the first authoritative account of the hidden female army of clerks, typists, telephonists, and secretaries who were the cornerstone of the British secret state across two world wars and beyond.
A must read for fans of A WOMAN OF NO IMPORTANCE by Sonia Purnell and THE SISTERHOOD by Liza Mundy.
To the undiscerning eye, they were secretaries, typists, personal assistants, and telephonists. But those innocuous job titles provided the perfect cover for what were in reality a range of complex technical, clerical,…
I am an author and veteran journalist who reported for The Washington Post for more than two decades, and I write frequently about military history and intelligence. My father worked for the CIA, and I was born in Berlin when he was stationed there as a case officer. Later I was based in Germany as a foreign correspondent when the Berlin Wall came down. So it’s not too surprising that I am interested in Cold War espionage and history. As a reporter, author, and reader, I’ve always been attracted to stories off the beaten track, the ones that most people know little or nothing about.
Schecter, a journalist, and Deriabin, a KGB officer who defected to the U.S., tell the inside story of Oleg Penkovsky, the history-changing Soviet GRU colonel who delivered critical information that helped the CIA and President John F. Kennedy avoid nuclear disaster during the Cuban Missile Crisis. The inside account delivers fascinating details about Penkovsky’s motivations, actions, and tragic demise, as well as a gripping narration of how the CIA handled one of the Cold War’s most important intelligence operations.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I started researching the way the West’s intelligence services manipulated the public when I was a student in the mid-1970s. I then became an investigative journalist and often returned to the subject in different ways, especially as a national security correspondent. I fully acknowledge the massive manipulation by the Communist Bloc during the Cold War but believe that it is important the public is aware of the manipulation that the West’s Cold Warriors utilized is fully known and recognized as it has left a legacy that has allowed for the rise of ‘fake news’.
Red Alert is a 1958 novel by a former RAF pilot called Peter George about nuclear war and was the inspiration for Stanley Kubrick in the concept of his 1964 film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. George’s book is a great read and pretty grim but it is not comedic in any way. After playing around with storyboards for a film based on the book, Kubrick realised the only way to deal with the nuclear mindset was through satire. Inspired by Peter George Kubrick somehow got to the nub of the lunacy of the nuclear gamble.
This was three decades before I was able – using then declassified documents and interviews with the generals and policymakers only then just prepared to speak about Mutual Assured Destruction and the Doomsday machine for my documentaries and book in the mid-1990s. They revealed Kubrick,…
The basis for Stanley Kubrick’s masterpiece, Dr. Strangelove: A chilling Cold War thriller in which unchecked power unleashes total nuclear disaster.
Air Force Brigadier General Quinten is a dying man suffering from the paranoid delusion that he can make the world a better place by ordering a full-scale nuclear attack on the Soviet Union. Receiving word of the attack already underway, the president of the United States and his advisors now must work frantically to stop it. The US bombers are to be shot down—but a lone bomber called the “Alabama Angel” escapes and flies on to complete its lunatic…