Here are 100 books that Goddesses in World Mythology fans have personally recommended if you like
Goddesses in World Mythology.
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I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
There are hundreds of good books on Goddess spirituality. This one presents a heart-centered approach that blends beautiful color plates of historical Goddess art and artifacts from around the world with an accessible explication of each Goddess’s mythology and cultural significance—as well as Hallie Iglehart Austen’s invitation to join her in a brief guided mediation for each Goddess. Her stated goal is that readers might “come into balance, reclaiming the lost feminine deep within ourselves and sharing that wisdom and power with the world.” Here’s the opening to a preface entitled “A Millennial’s Initiation”: “Every book is a teacher, yet some books reveal truths that flow into your deepest roots and stay with you forever. Reading The Heart of the Goddess was, truly, a rite of passage for me.”
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
Christianity is a syncretic religion, incorporating elements from earlier religious traditions, not only in the eastern Mediterranean basin but also in the lands where it spread. In each of the national shrines to the Virgin Mary in Europe, for instance, she is depicted with indigenous symbols or elements. Nowhere is the presence of the preChristian, indigenous sacred female stronger in such syncretic blendings than in Mexico with the Virgin of Guadalupe. The editor of this anthology refers to her as Guadalupe-Tonantzin, one of the variations of her name in the indigenous Nahautl language. These essays are scholarly, cultural, and engagingly personal. Don’t miss the brilliant essay by the late Gloria Anzaldua, as well as other memorable pieces by several well-known Mexican-American authors. This is lived religion.
In a series of original essays, historical writings, fiction, drama, and poetry, a variety of writers--including Octavio Paz, Sandra Cisneros, and others--examines the impact of the Virgin of Guadalupe on the history of Mexico and beyond.
I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
With The Goddess Path the late Patricia Monaghan, author of The New Book of Goddesses and Heroines, bequeathed a well-designed and deeply wise pathway into spiritual engagement. She begins in “Basics of Goddess Spirituality” by answering commonly heard questions, then presents “Frameworks for Goddess Imagery” and “The Goddess Year” of rituals. The rest of the book is “The Goddess Revealed”: a chapter on each of twenty Goddesses, presenting her historical or traditional invocation, her myth and meaning, her symbols, and her feasts. At that point, Patricia Monaghan presents suggestions for invoking each Goddess through the reader’s personal ritual. Here she wisely speaks of the dynamics of women’s lives in modern culture and the power of this spiritual practice, flowing from extremely ancient roots into the presence of 21st-century women.
In this text, Patricia Monaghan, offers a creative approach to worship, one in which the reader can develop and ritualize their own connection to the goddess' manifestations around the world.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
This is a beautiful book about women’s home altars, from the traditional to the “wildly revisionist.” Kay Turner was the editor of the most exquisite journal of the Women’s Spirituality movement in the 1970s, Lady-Unique-Inclination-of-the-Night. Here she presents an aesthetic, historical, and perceptive exploration of women’s home altars as a place apart, an expression of intimate connection with the divine, human, and natural realms. Kay Turner sees women’s altars as a continuation of the practice in matrifocal, prepatriarchal cultures, such as the altars of Çatal Hüyük (5th millennium BCE) and those depicted on Minoan seal rings centuries later. A woman’s personal altar today might be so small as to fit on a bookshelf, but it is a nexus of interrelatedness, a personal honoring of that which is integrative and vital.
Ancient spiritual traditions - Goddess, Celtic, African, Hindu, Buddhist, Catholic, Greek Orthodox - are being revived and remade by women who create amazing altarpieces. Kay Turner has been exploring the subject of women's altars for over 20 years. She has found them in the studios of artists in Detroit, New York or San Francisco and kitchens and bedrooms in Mexican-American homes in Texas. The statues, flowers, pictures, photographs, amulets, stones, shells and other things that make the altars represent their makers' histories, beliefs and desires. From Mama Lola celebrating Afro-Caribbean gods in Brooklyn, to a Wiccan in California worshipping the…
I grew up watching my mother suffer under a strict patriarchal religion. She never felt she had a choice in her life, and yet she always remained a dreamer, collecting newspaper articles about events in history that interested her. They piled up in a box and I’ve no idea what she thought to do with them. She would thumb through them between bouts of standing over a ringer washer or hanging wet clothing outside in freezing weather. There were 15 of us, you can imagine the laundry. I never saw her cry…despite working like a mule. I admire her and women like her for getting through.
The book chronicles Kidd’s evolution from a patriarchal religion into a spirituality that honors her as a woman. She’d built her reputation and made her livelihood as a Christian writer and speaker, and she risked everything: career, marriage, family, and friends in leaving that behind. I was making a similar journey when I found the book, leaving behind the organized religion I’d grown up with and significantly, married into. Fighting broke out when I quit attending services, and I received a lot of condemnation for seeking to free myself from a religion thousands of years old. How dare I! I was letting my immediate, and not so immediate, family and community down. I was headed for damnation. Kidd’s book uplifted and supported my decision. It’s honest, too, in addressing one’s internal conflicts about change. The book gave me the courage to face my fears, my guilts, and keep following my…
"A masterpiece of women’s wisdom."—Christiane Northrup, M.D.
"The journey to capture her feminine soul and live authentically . . . makes a fascinating, well-researched and well-written story."—Publishers Weekly
In celebration of the twentieth anniversary of its publication, a newly reissued edition of the bestselling author’s classic work of feminine spiritual discovery, with a new introduction by the author.
"I was amazed to find that I had no idea how to unfold my spiritual life in a feminine way. I was surprised, and, in fact, a little terrified, when I found myself in the middle of a feminist spiritual reawakening."—Sue Monk…
I have been a witch since I was 21 years old—more than four decades ago! It has been my lifelong passion—you might say it’s my calling. I’ve written twelve books, almost all on witchcraft and related subjects. As a writer and a reader, I am often frustrated by the shoddy quality of books on the subject. It thrills me when really good ones come along.
I honestly think this is the most important book on witchcraft and Wicca in the past twenty years. It is absolutely groundbreaking. I have been a witch for forty years, and even so, I feel like I learned so much about the Goddess by reading this book; I feel like it changed me.
Almost every book on witchcraft talks about the Goddess, and at last, here she is, knowable in a brand new way.
Discover historical writings and hands-on rituals that show how the Goddess became such an important component in today's Pagan, Witchcraft, and Wiccan practices. Jack Chanek explores the development of her mythology using nine well-known texts written between the 1800s and the 1970s by famous practitioners and historians. He offers insights on The Golden Bough by Sir James George Frazer, The Book of the Law by Aleister Crowley, The White Goddess by Robert Graves, Witchcraft Today by Gerald Brosseau Gardner, and others. By presenting these titles alongside each other, Jack shows how the Goddess movement progressed with each text building upon…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I grew up in the ‘60s, when women were not in charge of anything much. I’ve always been fascinated by strong women. Amelia Earhart was a particular favorite, as were the suffragettes, Michelle Obama, and others. The strongest thing I’ve done in my life is to seize opportunities when they arise. I forged a second career that way, taking more than one leap of faith to do what I’ve always known I could do, be a writer. During and after my first career as a dental hygienist I took opportunities to be a newspaper wire editor, then a columnist, a magazine writer, an indexer, a nonfiction writer, and a novelist.
The Fishers’ nonfiction book is a starting point for understanding why and how matriarchies have evolved, succeeded, failed, endured.
It’s a scholarly work, meticulously researched, and can be heavy reading at times. But it’s also engaging and fascinating. I used it while researching my book to give me a better understanding of how matriarchies work and why they still work – or don’t work - today.
What happened when women ruled the world? There are many questions about the Old Culture - a culture even before history was written. Whatever happened to the Great Goddess? When did patriarchy start? How did women become objectified? This book is about the Journey of ancient women with their many glories and challenges. It talks about the gender partitioning which still survived in some cultures today, women as warriors, advisers, goddesses and properties. Chapters included are: •The Goddess Paradigm •Women Warrior •Dethroning the Queen of Heaven •The Queen in Exile Written with a Mathematician’s precision and a Historian’s curiosity, Time…
I've been interested in feminine figures since I was a small, Catholic child presented with the Virgin Mary! Further down the road in graduate school and in my teaching career as an English Professor at a small Liberal Arts college, I began to research comparative mythology and the study of archetypes with a particular emphasis on the female divine. Now, after publishing three books and several articles on the goddesses, I'm happy to help others in their journey of discovery. I believe a good way to approach that study today is to focus on how our contemporary women writers portray goddesses in their works of fiction and non-fiction.
Marija Gimbutas’ The Living Goddessesis a great place to start your study of goddesses.
Gimbutas is a major researcher in the field of goddess studies, and her book is quoted more than often. Instead of reading other scholars’ work that quotes Gimbutas, why not read the original study of Paleolithic and Neolithice archetypes and their descendents in several Bronze and Iron Age cultures.
Additionally, Gimbutas postulates how those archetypes have evolved in contemporary culture. Matrilineal social structure as mirrored in religion and myth is the basis of Gimbutas’ gift to women today.
The Living Goddesses crowns a lifetime of innovative, influential work by one of the twentieth-century's most remarkable scholars. Marija Gimbutas wrote and taught with rare clarity in her original--and originally shocking--interpretation of prehistoric European civilization. Gimbutas flew in the face of contemporary archaeology when she reconstructed goddess-centered cultures that predated historic patriarchal cultures by many thousands of years. This volume, which was close to completion at the time of her death, contains the distillation of her studies, combined with new discoveries, insights, and analysis. Editor Miriam Robbins Dexter has added introductory and concluding remarks, summaries, and annotations. The first part…
I have been a spiritual seeker my entire life, drawn to the mysteries of life, the nature of the soul, the afterlife, intuitive knowing, higher consciousness, and psycho-spiritual transformation. Besides the numerous personal teachers who have enriched my path, personal/ spiritual growth books have been a powerful guide and inspiration. In my coaching practice “Touch The Soul”, I continually draw on my own 70 plus years of acquired elder wisdom as well as the wisdom of so many who have come before me, writers and wayshowers of expansive spirituality.I am grateful to share a few books which may enlighten and deepen your own spiritual journey.
What does it mean to become “a juicy crone”? Expanded mystical, intellectual, intuitive, and meditative wisdom as well as healing laughter, outrage, and compassion are all available to the elder woman in the goddess archetypes present in her psyche. I love the comprehensive and empowering recognition of the beautiful, priceless inner gifts possible in a woman's rebirthing after the age of 50.
From the bestselling author of Goddesses in Everywoman comes a celebration of life past fifty.
At some point after fifty, every woman crosses a threshold into the third phase of her life. As she enters this uncharted territory she can choose to mourn what has gone before, or she can embrace the juicy-crone years.
In this celebration of Act Three, Jean Shinoda Bolen, Jungian analyst and bestselling author of Goddesses in Everywoman, names the powerful new energies and goddess archetypes of compassion, outrage, healing laughter, and new layers of wisdom that come into the psyche at this momentous time. Bolen…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Clare Mulley is the award-winning author of three books re-examining the history of the First and Second World War through the lives of remarkable women. The Woman Who Saved the Children, about child rights pioneer Eglantyne Jebb, won the Daily Mail Biographers' Club Prize and is now under option. Polish-born Second World War special agent Krystyna Skarbek, aka Christine Granville, is the subject of the Spy Who Loved, a book that led to Clare being decorated with Poland’s national honour, the Bene Merito. Clare's third book, The Women Who Flew for Hitler, long-listed for the Historical Writers Association prize, tells the extraordinary story of Nazi Germany’s only two female test pilots, whose choices and actions put them on opposite sides of history. Clare reviews for the Telegraph, Spectator, and History Today. A popular public speaker, she has given a TEDx talk at Stormont, and recent TV includes news appearances for the BBC, Sky, and Channel 5 as well as various Second World War history series.
This is a left-of-field choice, but when thinking about female fliers it is worth remembering the cultural baggage they inevitably carry with them. Historically, female flight whether by broom, wing, mental transcendence or in the cockpit of a Spitfire, has threatened the patriarchy while liberating women. Even today, ‘flighty’ women are still considered in negative terms. This book explores the power and prejudice around aerial females.
From the asparas of Hindu myth to the swan maidens of European fairy tales, tales of flying women-some with wings, others with clouds, rainbows, floating scarves, or flying horses-reveal both fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of flying women as it appears in a wide variety of cultures and historical periods, expressed in legends, myths, rituals, sacred narratives, and artistic productions. She covers a wide range of themes, including supernatural women, like the Valkyries, who transport men to immortality; winged goddesses like Iris and the Greek goddess Nike;…