Here are 69 books that Gnomon fans have personally recommended if you like
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I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
This book is prophecy, power, and paranoia wrapped in a sandstorm.
It was the first book that showed me how deeply philosophy and politics could be embedded in a fantastical world. It taught me that “epic” doesn’t mean loud—it means legacy. I still marvel at Herbert’s precision—his control of tone, symbolism, and tension.
It’s the rare kind of book that makes you feel like you’re trespassing into something sacred and dangerous. Every time I return to it, I leave with something new—and a little unsettled.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
Journey to an unnamed mountainous country in central Europe at the end of the Great War. Enter Citizen Orlov, a simple fishmonger and an honest, upright citizen, who answers a phone call meant for a secret agent and stumbles into a hidden…
My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
What a weird and wonderful book. I've read and reread it several times now, and it always casts its spell. I've never been so willing—so eager—to suspend disbelief. It's Murakami's special gift.
The novel creates its own wondrous world out of what seems to be the stuff of this one—a young runaway, Colonel Sanders, alley cats, a beautiful librarian, a seashore painting, a demented old man—but the result is more magical than any fairy kingdom. I was completely carried along by the experience of an understanding beyond sense.
"A stunning work of art that bears no comparisons" the New York Observer wrote of Haruki Murakami's masterpiece, The Wind-up Bird Chronicle. In its playful stretching of the limits of the real world, his magnificent new novel, Kafka on the Shore is every bit as bewitching and ambitious. The narrative follows the fortunes of two remarkable characters. Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his highly simplified life suddenly overturned. Their parallel odysseys - as…
I’m still in love with good sci-fi and fantasy after 30 years, but folk can get most terribly sniffy about it: ‘Lack of character’, ‘leaden exposition’, the list of accusations rolls on (sadly, a chunk of today’s SFF earns it). But. Every so often a work pops up that looks to the unwary book clubber like a ‘proper novel’; beneath its sexy but abstract cover and pared-back blurb lies a world of adventure that’s like LSD in an innocent mug of tea. Some writers just refuse to accept that speculation (about time and/ or space) needs to sacrifice truth. I’ve picked a few books that stand out to me for this reason – debate their merits with gusto, preferably over a good Martini at 2am.
Banks is a freak of nature: he wrote sci-fi of the pinkest blood as well as prize-winning literary fare; all it took to indulge this duality was the use of a spare initial. The Business is one of the subtler interlopers: a minimalist, monochrome cover and a tale of corporate greed. Banks dials what could have been a staid techno-thriller up to 11 with killer prose, a razor-sharp protagonist, and outrageous flirting with the edges of possibility: magnates who get their jollies beaching cruise liners, hollowed-out mountain lairs, revving supercars to the destruction around the Swiss mountains. This is a novel that pops with the wit and flair of a writer at the height of his powers and determined to have a blast.
Kate Telman is a senior executive officer in The Business, a powerful and massively discreet transglobal organisation. Financially transparent, internally democratic and disavowing conventional familial inheritance, the character of The Business seems, even to Kate, to be vague to the point of invisibility. It possesses, allegedly, a book of Leonardo cartoons, several sets of Crown Jewels and wants to buy its own State in order to acquire a seat at the United Nations.
Kate's job is to keep abreast of current technological developments and her global reach encompasses Silicon Valley, a ranch in Nebraska, the firm's secretive Swiss headquarters, and…
Imperium is the most expensive structure ever created. Once an orbiting laboratory, it is now a space hotel for the fantastically wealthy. But as the station preps for its first group of space tourists, Dr. Chloe Bonilla, Imperium’s resident biophysicist, finds herself questioning whether babysitting a passel of space glampers…
I’ve always looked at the world with a sense of wonder. As a child, I was drawn to the magical and the fantastical, but a budding fascination with the scientific method eventually led me to discover the beauty and wonder of the natural world. I assumed science fiction would scratch that itch, but too many genre novels left me feeling empty, like they were missing something essential—what it feels like to be human. Novels that combine a wonder of the world with an intimate concern for character hit just the right spot for me. Maybe they will for you as well.
I love this book for its Matroyska doll-style structure: The first five sections tell stories in different periods— from the mid-19th century to the 22nd—loosely connected by repeating characters and media, each ending abruptly and without resolution. The sixth section, set in the 24th century, is the spine of the novel, told in its entirety. Then Mitchell revisits the time periods in reverse chronological order, resolving each story, ending where we began in the mid-19th century.
It was a highly satisfying experience that changed my view of how a story could be told. It is widely considered one of the finest novels of the 21st century. It covers ideas I would normally balk at, like reincarnation and the existence of eternal consciousness. Still, the storytelling is so powerful that it all came across as believable to me. I loved the way Mitchell demonstrated how an idea in one time period…
Six lives. One amazing adventure. The audio publication of one of the most highly acclaimed novels of 2004. 'Souls cross ages like clouds cross skies...' A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan's California; a vanity publisher fleeing his gangland creditors; a genetically modified 'dinery server' on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilisation - the narrators of CLOUD ATLAS hear each other's echoes down the corridor of history, and their destinies are changed in ways great…
I’m a writer who grew up reading anything she could get her hands on, and the local library and I were besties. If most writers can point to a particular book that made them fall in love with stories, then I must be one promiscuous reader. Because I’m happy to date just about any genre, and I don’t even keep to one at a time—you name it, I’ve loved it. But the ex I’ll return to over and over is romance in all its forms. And on a chilly night, nothing beats a spooky romance, so light a candle, huddle under a blanket, and get cozy with one of my favorites!
Rejoice, for Mary Stewart’s wonderful books are finally available on Kindle! If Victoria Holt was fun but derivative, Mary Stewart knew how to do a fresh take on the imperiled-heroine-in-a-creepy-setting for the 20th century. And out of all her books,Touch Not the Cat was my favorite for its supernatural, telepathic element. (You can trace the echoes of this telepathy directly to my book because, baby, that’s what inspired them.) Just writing this paragraph makes me want to drop everything and go have a re-read. Enjoy.
'A comfortable chair and a Mary Stewart: total heaven. I'd rather read her than most other authors.' Harriet Evans
Ashley Court: the tumbledown ancestral home of the Ashley family, all blessed with 'the gift' of being able to speak to each other without words. When Bryony Ashley's father dies under mysterious circumstances, his final words a cryptic warning to her, Bryony returns from abroad to uncover Ashley Court's secrets. What did her father's message mean? What lies at the centre of the overgrown maze in the gardens? And who is trying to prevent Bryony from discovering the truth?
This set of books helped to form my character and my sense of possibility. I think the same passion for these stories and ideas has led me to study the unconscious and dreams. I also am passionate about the earth and caring for nature; the Elven magic deepened my sense of its sacredness while stretching my mind into the fun of creating magical realms. I think it’s a moral code but also a playful way of thinking and being. Other ways I’ve continued from these works, coupled with my love of language, is an extensive study of the Ancient Futhark, the runes, which have magical power in Tolkien’s Middle Earth.
This book carried a concept of shared thought that enchanted me. Colonists find themselves marooned on a planet of simple technologies. At a certain season, a flower sends pollen through the air that causes special connective telepathy and healing powers. They form a society based on royal families but there’s a group that melds minds which is beautifully depicted. This series raised in me a fascination with the idea of closeness of mind and connection. Amid the challenges of a primitive society blended with increasing amounts of outer, technologically advanced influence as their planet is eventually discovered, the mind is shown to still be the most powerful.
I’ve loved fantasy and science fiction all my life. At its best, it has a numinous quality rarely seen in other books. I’ve read many of the classic fantasy novels written before fantasy was a genre. The beauty of those old books is that the writers received their inspiration from stories not influenced by The Lord of the Rings, so there’s a refreshing originality to their work. I love modern fantasy as well, especially those demonstrating new, inventive ideas.
I read this book at sixteen and fell in love with it.
A romance written in 1912, it’s a story of adventure, action, and love. The sun has died; humanity dwells in an enormous pyramid surrounded by Forces of Evil, awaiting its force field to die, so they can feed on both the inhabitants’ bodies and souls. The hero’s long-lost love has been reborn in another, dying pyramid across the Night Land. He must travel to rescue her.
One of the Great Books, it’s marred by the archaic language the writer chose to employ. But it’s beautiful, awesome, and magnificent.
I loved it so much, I rewrote it in more modern language years ago. Mine’s available, but if you can get through the original, I highly recommend it.
William Hope Hodgson's classic and genre-combining work of horror and science fiction. Set mainly in the far future after the sun has gone out, The Night Land explores a futuristic nightmare world in which the last humans have taken refuge inside an enormous metal pyramid, threatened by unknown monstrous creatures outside. H.P. Lovecraft called The Night Land "one of the most potent pieces of macabre imagination ever written". Hodgson introduces many concepts in what became the genre of dying Earth fiction. It's a tale of reincarnation, telepathy, alien monsters, and love. Written in faux-17th century prose as a framing device,…
I have always been fascinated by the workings of the human mind.What instincts and influences make us who we are? This Alien Shore grew out of research I was doing into atypical neurological conditions.It depicts a society that has abandoned the concept of “neurotypical”, embracing every variant of human perspective as valid and valuable. One of my main characters, Kio Masada, is autistic, and that gives him a unique perspective on computer security that others cannot provide. What might such a man accomplish, in a world where his condition is embraced and celebrated? Good science fiction challenges our definition of “Other,” and asks what it really means to be human, all in the context of an exciting story.
Years before Game of Thrones became a household name, Martin was best known for this hauntingly beautiful and deeply disturbing novella. Two telepaths, Robb and Lya, are sent to an alien planet to investigate a disturbing religious movement. The planet is home to a race called the Shkeen, and to a gelatinous parasite called the Greeshka. In middle age the Shkeen allow the Greeshka to infect them, and ten years later they visit a cave where they allow a massive specimen to consume them. Some humans living on the planet have even joined the native religion, and have allowed themselves to be infected and devoured. The administrators are desperate to know why.
Robb and Lya have an unusually close relationship, but she suffers from a sense of isolation that telepathy cannot banish. While they watch some Shkeen being devoured by the Greeshka, she can sense how isolated the Shkeen feel…
Two telepaths investigate the newly discovered world of Shkea, where every native inhabitant, and an increasing number of human colonists, worships a mysterious and deadly parasite. Winner of the 1975 Hugo Award for Best Novella.
I've always been fascinated by experiences that exist on the border of the ordinary. Growing up, my grandmother would tell us, in serious tones, of the fairies and ghosts she had encountered—how closely the natural and the “supernatural” are linked. In my twenties, I would read a lot about shamanism and the kinds of extraordinary experiences they would actively seek. Later, noticing similarities between those experiences and the spontaneous experiences of ordinary people, my interest continued to grow. Near-death experiences, out-of-body experiences, but especially crisis apparitions—these experiences spoke strongly to me about how little we still know of the nature of the mind and how much there is yet to discover!
For me personally, this is one of the best works on spontaneous psychical and extrasensory experiences. The accounts are drawn from rural Finland, and the expertise of the late Professor Emerita Leea Virtanen is brought to bear upon the narratives. I love how Virtanen connects the modern accounts to the old beliefs and traditions in her country and makes comparisons between her sample and others much further afield.
This work is a much-needed bridge between psychical research and folklore. It is full of apparitions, visions, dreams, and other supernatural occurrences that happen simultaneously with a distant event—what Virtanen calls “simultaneous informatory experiences.” I absolutely recommend this for any student of psychical research, folklore, or ordinary human experiences in general.
Growing up I read a lot of science fiction: HG Wells, Isaac Asimov, John Wyndham; those kind of authors and their inspiring tales. In my early twenties, I penned a few short stories as I worked as an aeronautical engineer. Always being at the leading edge of technology certainly helped shape my dreams of the future. I have an interest in writing novels that place humankind within a universe [or multiverse] we are only just starting to understand. To date, I have written six novels, two of them extensive short story collections. They are light years from each other, but share the future adventures of mankind in an expansive universe as a common theme.
It’s not often that I rave about a Stephen King novel, but I really loved this one.
It's long, but it does keep you interested. And you almost believe it could happen. The fact that it is about missing and mentally mistreated children lends a contemporary and a futuristic feel to the tale.
Fans will love it, and it will bring a few more to the fold. Recommended.
'It does everything you'd expect of a masterpiece - and it is one' Sunday Express
'Hums and crackles with delicious unease' Independent
'Captivating' The Sunday Times
'An absorbing thriller' Mail on Sunday
NO ONE HAS EVER ESCAPED FROM THE INSTITUTE.
Luke Ellis, a super-smart twelve-year-old with an exceptional gift, is the latest in a long line of kids abducted and taken to a secret government facility, hidden deep in the forest in Maine.
Here, kids with special talents - telekinesis and telepathy - like Luke's new friends Kalisha, Nick and Iris, are subjected to a series of experiments.