59 Books Like Glenrock

Having lived as an expat for thirteen years, the title immediately grabbed me. I’ve since read all of Chris Pavone’s books.

Kate moved to Luxembourg for her husband’s job and is trying to settle into her role as a housewife, but a series of strange events make her wonder whether her past life in an unconventional career is catching up with her.

I related to Kate’s struggles of leaving a job she loved to focus on family, both the positives and negatives (minus the life-threatening danger). When I left my career, I started writing to create a portable job I could take with me as we traveled the world for my husband’s work, so I completely understood Kate’s need to find purpose in her life.

This book combines two of my greatest loves: ballroom dance and mystery novels. The ballroom dance world is designed for drama, especially when the competition is at Blackpool, the Mecca of ballroom dance.

I was fascinated to see this novel was co-written. Shirley Ballas brings the wealth of her ballroom dance experience to the party, including being head judge of Strictly Come Dancing. Her partner, author Sheila McClure, delivers the literary skills. A fabulous partnership.

Book two is out soon, and I can’t wait.

I lived in Lagos for four and a half years, so a mystery in Nigeria grabbed my attention right away. Vanessa’s descriptions are so vivid that I was transported back there on the page.

I loved the insight into the lives of the Nigerwives—women from other countries married to Nigerian men. The power dynamics within the family were fascinating, and even as I wanted to know what happened to the missing Nigerwife, I was just as intrigued by the cultural insights.

I loved this book because, well, Paris—what’s not to love?—and at a micro level, the setting is an apartment with attics, spyholes, and lots of stairs. I’ve always wanted to live in a house with a hidden doorway, and this was exactly that kind of place.

Jess goes to the apartment to find her half-brother but instead finds a bunch of creepy inhabitants who seem reluctant to tell her where he is. Lucy’s novels feel like modern-day Agatha Christies, with a locked-room vibe and defined set of suspects, and this is no exception, right up my alley.

Corris and his protagonist, the hard-scrabble private detective Cliff Hardy, are quintessentially Australian. The Dying Trade introduces Cliff (smoker, drinker, ex-boxer) and sets the standard for all the books that follow in this series. It’s dry and laconic, with a wonderful sense of place (a very gritty 1980s Sydney). There’s a definite nod to the greats— Chandler and Hammett in this series; you know Cliff Hardy probably shouldn’t take this job, it’s odds-on he’ll cop a beating along the way, possible he’ll find love and lose it again. I enjoy the author’s economy with words and the moral complexity of his characters. If you like hard-boiled crime, this series is worth a look!

*Note: Sydney is much nicer than it may seem when you walk in Corris’s shoes!

Any book that starts with an impulsive decision is bound to engage someone like me who doesn’t like to plan much before a journey. With his Australian visa shortly to expire and his relationship going the same way, Nathan, aged twenty-nine doesn’t do the sensible thing and fly back home to the UK. Instead, he buys a potentially unsuitable decommissioned postal delivery 105cc Honda "Postie" motorbike. He names it Dorothy and starts the homeward journey from Sydney to London. I found his story riveting as, like me, he finds delight in the simpleness of life on the road and in meeting local people and other travellers.

I bet he’s glad he didn’t get that flight home!

I loved being immersed in this story, where I could potentially be the protagonist myself and walk in her shoes. The book grabbed me from the start, as I felt the pain and pleasure of the protagonist’s life situation. The imagery was vivid, and the characters' dialogue was very believable.

This book captured a slice of life and brought me along with it in a palpable ride of a bewitching come-on. Along the way, the climax beckoned beyond belief until the stunning conclusion. Just wow.

Eben Venter, though born in the heart of the South African ‘platteland’ (the South African equivalent of ‘fly-over country’), has spent much of his adult life in Australia, and the novel poignantly straddles the two locales: the constricting conservatism of the protagonist’s farm background, and the bewildering freedoms and opportunities of a more cosmopolitan setting. Here that conflict is heartbreakingly acted out and in a grim sense resolved in the main character’s losing battle against AIDS, and his death-bed reconciliation with his hitherto unbending father. Venter gives us a harrowing account of what it is like to die of a disease that wastes your body, blinds you, and makes you mad before killing you. It is all the more remarkable that the experience is registered from the inside, as it were, in a subjective stream of consciousness. The poignancy of the novel is intensified for me by knowing that the… show more.

I don’t often read books more than once, but this one I have, and I know I will read it again. The woman whose life is revealed this time is 70-year-old Nora Porteous. She has returned to her native Brisbane, Australia after having escaped it by marriage to Sydney, and having escaped that marriage to London. She now reflects wryly on how she developed throughout those years of hardship and joy as she also experiences the changes in the neighbourhood she ran from decades before. As we move through both her memories of the past and her experience of the present, the details that help us to understand her are extraordinary: ‘The man is unlocking the door. I have had to talk and smile too much in his car, and as I wait I consciously rest my face.’

Published in 1934, this is Stead’s first novel, and its Modernistic portrayal of a loosely connected group of young men and women existing and interacting in a poverty-wracked but rapidly changing between-the-Wars Sydney caused a literary storm at the time. The City, caught between its Colonial heritage and its future as a modern Twentieth Century metropolis is the real star of the novel even as its seven bewildered, beleaguered characters roam its bay and suburbs, its libraries, university, and pubs, attempting to negotiate their changing city and their place in it. I couldn’t write a novel about Sydney without visiting Christina Stead’s Sydney first.