84 Books Like Ghosts of a Tired Universe

I first encountered Douglas Adams when I caught The Hitchhiker’s Guide on late-night radio, and I was hooked. The novel is slightly different, with Adams giving a bit more consideration to plot and logic, but it has the same wonderful, rapid-fire dialogue style, which has seldom been replicated.

I absolutely love Arthur Dent’s ludicrous accidental odyssey, meeting characters like Zaphod Beeblebrox and the wonderfully named Slartibartfast. The Guide sits in the background, popping up to provide superbly funny explanations of the history of the universe, humanity’s obsession with money, and a lot more.

For me, the thing that sets this apart from a lot of SFF humor is its ‘Britishness’—there’s a distinct feel of the surreal comic legacy of, for example, Monty Python and The Goon Show.

I don’t think Garcia Marquez needs a review or introduction. Reading any of his books is a pleasure, with easy and delightful writing and striking sentences.

These sentences often describe things or people in a way that feels natural and perfectly captured. For instance, he describes the world as so new that many things lack names. His eloquent descriptions, like that of ice, create vivid images. The characters are relatable, and you feel a happy exhaustion after finishing the book, reminiscent of great works like Steinbeck’s East of Eden.

Those who find the stories too unbelievable should learn about Colombian history, as they provide real context. I simply love the book!

The Elephant Vanishes includes two of my favorite stories by any contemporary writer.

Set in the forested vicinity of a factory that makes elephants, “The Dancing Dwarf” follows the adventures of a marvelous dwarf who once danced for the king, alas, now pursued by soldiers of the revolution. The other side of the spectrum, “The Last Lawn of the Afternoon” partakes of the fantastic only by osmosis. The care this teenage boy takes mowing and trimming his assigned lawns feels so real it reminds me of myself.

This range keeps the reader slightly off balance and full of expectation, which might not be so exciting if we weren’t in the hands of one of the finest practitioners of the craft anywhere in the world.  

This was a great book, probably my favorite by Chuck Palahniuk. I love how all the characters are oddball outsiders, mostly just trying to get by in life by any means necessary. They are obsessive, misguided, and all drowning in their own flawed existence to some degree.

It’s also laugh-out-loud funny in some parts and disturbingly grotesque in others. I especially enjoyed the portrait of Victor’s inner emptiness, as he essentially feeds off his own issues as a form of survival.

I read Chris’ book in one sitting, folding corners and highlighting lines and paragraphs immediately after opening it.

It not only conveys “less is more,” but provides examples and—most importantly—tactics and tools for speaking more clearly and efficiently from the very first word. I particularly loved his tips on avoiding tangents and improving conversations and his focus on making complex ideas simpler and more understandable in workplace communications.

I also appreciate how the book itself is short, further proving the point. I know Chris and can vouch for his passion and skill for helping people succeed by communicating more effectively. 

The Elf Tangent is an adorable (yet surprisingly dangerous) romp through the woods. Our heroine, Aldari, is an intellectual princess who has reluctantly agreed to marry the prince of a neighboring kingdom (sight unseen!) to save her own people. As she travels to her wedding day, her party is attacked and she and her bodyguard are kidnapped by elves who need her help to break a generations-old curse. For once, someone needs—and appreciates—her brains! Caught between the needs of her people and the intriguing puzzle presented by the elves (oh, and the enticing commander of their party), Aldari must use her wit—and at one point a shovel—to get out of her predicament.

Middle school gets a bad rap.

It’s synonymous with petty gossip and nervous insecurity—a time that many adults would rather forget. But as author Chris Balme shows, middle school can also be magical. By taking us into the adolescent brain, Finding the Magic in Middle School helps parents and teachers understand the challenges—and the potential—unique to these oft-maligned years.

Reading Shea Serrano is like kicking back with an old friend... who can expertly trace rap's evolution from the Bronx and "Rapper's Delight" to the LA vs. NY rivalries, to the rise of the South, the bling era, the blog era, and up to the present (or at least 2014, when this book was published).

Equal parts conversational and cunning, this book is a master class in voice from which I still pull inspiration. Whenever I'm thinking, "How could this thing I'm writing sound less like an online encyclopedia article but still harness all these arcane details I want to squeeze in?" I think of this book, which is often.

I love that Jarrett Andrew has raised the revision process (which often gets a bad rap) to a spiritual level. This book will help any writer see their work anew and tap into the joy—yes joy!—of revision.

This book encourages writers to listen deeply to their own stories and dig deep until they have found their true beating hearts. Jarrett Andrew presents big-picture and craft revision strategies that will make this a trusted companion for any writer. 

The most famous chapter of the renowned book on New York history, Robert Caro’s The Power Broker, outlines how the Cross-Bronx Expressway gutted once thriving Bronx neighborhoods. Can’t Stop Won’t Stop shows how the global cultural phenomenon of hip-hop arose in the same borough two decades later.

Chang takes readers through public housing recreation rooms, South Bronx streets, and elevated subway lines where a group of musicians, visual artists, and dancers changed world culture. I especially love how the book illuminates how a specific place and time period made possible the development of this now ubiquitous artistic genre.