Books like Getting Out Alive — picked by fans

Propaganda is truth; truth is propaganda. We live in an Orwellian world, the world of “alternative narratives” – blatant untruths that are like a twisted mantra tormenting objectivity until it is beaten into submission.

When I first read 1984, I knew Orwell was not predicting the future but describing the past and the betrayal of a socialist revolution by Stalin. But the hideous truth is that Orwell’s depiction of the "evil Soviet empire" is now the new reality, east and west, where tyranny and authoritarianism distort reality to the point where people feel powerless to oppose.

Resist, and the system will get you. Accept, and you will live a life of a deluded soulless husk. You choose!

The pairing of a kosher London Business School professor with a rock-solid broadcasting analysis track record and a style commentator with none. Nearly half the book is made up of footnotes and references. They build a powerful case against the right-wing (and not so right-wing) rag, tag, and bobtail who expend their intellectual effort on undermining the BBC, trying to destroy it or worse ‘defund it’. The trouble is that post-Brexit rational discussion in the UK is stilted and limited. The BBC has acquired an army of unexpected enemies. The usual suspects of friends are proving somewhat muted on this front in the Culture Wars. A hard but good read.

Much of the writing on the BBC is ill-formed opinion. Few facts. This book is partial but very solid academically. It should, but will not, put some arguments to bed. Will it ‘save’ the BBC. Watch this space.

Will is the Kosygin of the BBC. He survived many changes of regime ending up close to the Britain Himalayan summit as Managing Director Television. Along the way, he made some good programmes and developed some innovations like using a small presentation studio to make the likes of The Old Grey Whistle Test. Later, his documentary features department in Kensington House was huge and productive. Will may have been the ace BBC politician but he was and still is very charming. I know he accosted me in the Waitrose oxford car park many years after I had left the BBC and that has led to a friendship of sorts. He is Oxford/Town Boy -through and through. A local lad whose headmaster in his Walton Manor primary school ‘helped’ him by hinting and more through the 11plus. It was up hills and career mountains from there. Will is ‘Old… show more.

Charlotte is a Guardian arts/feature writer whom Alan Rusbridger at the Guardian set off on a social anthropological expedition to New Broadcasting House in 2015. She was openly embraced by the then Director-General Tony Hall. It shows. What emerges is a bit too hagiographic for my liking. A Radio four listener’s view of the Corporation.

It is a snapshot of the upper reaches of the BBC with some history thrown in. Not sure she got close to the shop floor though.

This book is not about death on its own but images of death, and the roles to which they are put by the press and politicians.

Focusing on iconic photographs of death from events such as the 1906 San Francisco Earthquake, the Vietnam War, and the September 11th attacks, among many others, Zelizer charts a growing discomfort over time with images of death in the news. As technology improved, such photos became more graphic and intimate, and norms around the increasingly professionalized field of journalism came to render them mostly off limits.

Despite the general squeamishness of Western journalists and readers towards such images today, however, we do still see them during major world events and important breaking stories. It’s also true, Zelizer points out, that images of death in far away places are often shown in American newspapers with less concern.

There are important lessons here for all of… show more.

Many people who are unsure about police or prison abolition ask if we should still use carceral spaces for violent repeat offenders.

I have always found this question problematic because it assumes, firstly, that our criminal justice system, as currently constructed, actually arrests and convicts violent offenders to begin with. It also assumes that more police and more jails make us safer.

If that were true, the United States would be the safest of all advanced industrial democracies. It surely is not, and No Human Involved helps us understand that police continue to fail Black communities, especially Black women, who have been killed by violent repeat offenders.

Neely chronicles a series of unsolved murders involving Black women whose perpetrators are never found because of police indifference.

The compelling, digestible, and often dangerous metaphor is the star of Brown Tide Rising.

Santa Ana clearly explains that it is the mediated metaphor that embeds itself in our brains, cementing ideas and tropes. Looking at Latino metaphors in historical issues of the Los Angeles Times, he offers a new application for linguist George Lakoff’s cognitive model of metaphor, which studies how metaphors map to each other.

For instance, Santa Ana identifies “flowing waters” as one such metaphoric tie-in that joins metaphors such as tides, surges, waves. I like this book because it is a great reminder about how the images conjured by words—in this case metaphors—make us “see” the world in certain ways. 

This book was a lifesaver for me as I began to explore media-military relations about a decade ago.

Briefly but authoritatively Sweeney charts the relationship between the American military and the media from the Revolutionary War to the early twenty-first century. Sweeney, a former journalist himself, also writes well and this is a joy to read.

The subtitle suggests Sweeney’s take on the subject, and Sweeney’s work generally has been invaluable to me and this book would be the place to start for anyone interested in the subject.  

Chavez modernizes the Mexican miscreant myth, explaining how vivid TV news scenes of immigrants inspire visceral reactions.

He argues that the emotions inspired by media coverage of vigilante groups rounding up immigrants are a potent part of “the spectacle” that plays out on the news. Chavez also gives the xenophobic storytelling of the late twentieth and early twenty-first century an updated name: The Latino Threat Narrative.

The book powerfully picks apart ideas posited by the late Harvard Professor Samuel Huntington, among others, that suggest that Mexican Americans won’t assimilate, making them perennial “others” who threaten American democracy. Another thing I like about this book is that it includes a chapter on Latinas and how media coverage of Latina fertility and sexuality plays into racist stereotyping.

I first encountered Ed Kennedy while doing research in the AP archives and have spent the better part of a decade untangling what proved to be the biggest controversy over press coverage of the war—Kennedy’s scoop of the German surrender.

No American war correspondent was more experienced than Kennedy, who reported for the Associated Press from the Spanish Civil War until the end of World War II.

Given that Kennedy acted as an AP bureau chief in both North Africa and Paris, his memoir, written in the late 1940s but not published for sixty years, is the best insider account we have at how American reporters interacted with army public relations and censorship officials during the war.