93 Books Like Getting Out Alive

I'd heard about this famous book many years before I actually got around to reading it. What I loved about this book was its originality.

I am always reminded about Orwell's book whenever I hear phrases like ‘ thought police’ or ‘big brother’, which have become part of our everyday language. Probably one of the most influential books ever written. For me, the message of Orwell’s book is that the State will always win.

The pairing of a kosher London Business School professor with a rock-solid broadcasting analysis track record and a style commentator with none. Nearly half the book is made up of footnotes and references. They build a powerful case against the right-wing (and not so right-wing) rag, tag, and bobtail who expend their intellectual effort on undermining the BBC, trying to destroy it or worse ‘defund it’. The trouble is that post-Brexit rational discussion in the UK is stilted and limited. The BBC has acquired an army of unexpected enemies. The usual suspects of friends are proving somewhat muted on this front in the Culture Wars. A hard but good read.

Much of the writing on the BBC is ill-formed opinion. Few facts. This book is partial but very solid academically. It should, but will not, put some arguments to bed. Will it ‘save’ the BBC. Watch this space.

Will is the Kosygin of the BBC. He survived many changes of regime ending up close to the Britain Himalayan summit as Managing Director Television. Along the way, he made some good programmes and developed some innovations like using a small presentation studio to make the likes of The Old Grey Whistle Test. Later, his documentary features department in Kensington House was huge and productive. Will may have been the ace BBC politician but he was and still is very charming. I know he accosted me in the Waitrose oxford car park many years after I had left the BBC and that has led to a friendship of sorts. He is Oxford/Town Boy -through and through. A local lad whose headmaster in his Walton Manor primary school ‘helped’ him by hinting and more through the 11plus. It was up hills and career mountains from there. Will is ‘Old… show more.

Charlotte is a Guardian arts/feature writer whom Alan Rusbridger at the Guardian set off on a social anthropological expedition to New Broadcasting House in 2015. She was openly embraced by the then Director-General Tony Hall. It shows. What emerges is a bit too hagiographic for my liking. A Radio four listener’s view of the Corporation.

It is a snapshot of the upper reaches of the BBC with some history thrown in. Not sure she got close to the shop floor though.

This book is not about death on its own but images of death, and the roles to which they are put by the press and politicians.

Focusing on iconic photographs of death from events such as the 1906 San Francisco Earthquake, the Vietnam War, and the September 11th attacks, among many others, Zelizer charts a growing discomfort over time with images of death in the news. As technology improved, such photos became more graphic and intimate, and norms around the increasingly professionalized field of journalism came to render them mostly off limits.

Despite the general squeamishness of Western journalists and readers towards such images today, however, we do still see them during major world events and important breaking stories. It’s also true, Zelizer points out, that images of death in far away places are often shown in American newspapers with less concern.

There are important lessons here for all of… show more.

Like their male counterparts, Virginia Cowles, Martha Gellhorn, Clare Hollingworth, Helen Kirkpatrick, Lee Miller, and Sigrid Schultz faced the danger inherent in reporting from war zones, but, unlike the men, these women often had to improvise to get access. Ever intrepid, Gellhorn noted, “If they don’t want to accredit you, you just do it, any little lie will do.” 

By 1945 there were 250 women accredited to the Allied armies as reporters and photographers. Everyone had something to do that felt necessary, though post-war many were “shredded up inside.” With the narrative drive of a well-paced thriller, Mackrell’s essential work will have you reaching for more about the words and lives of these trailblazing six.

Moseley was the Chief European Correspondent for The Chicago Tribune for the last forty years of the twentieth century and although published by a university press is more a work of journalism than original scholarship. 

It is based largely on the memoirs of an extraordinary number of reporters, many American but many more not. The real virtue of this book is how wide-ranging it is, covering the entire war and reporters from all of the combatant countries.

Readers get a vivid sense of how World War II was just that—a war that raged across the globe. 

Since John Hersey’s Hiroshima is my top book pick about the Hiroshima bombing, it makes sense that Fallout is another favorite.

Blume uses her journalistic talents to take the reader on a thrilling journey through the U.S. Government's attempts to cover up the horrific effects of the blast and its aftermath and the efforts to keep secret Hersey’s necessary article about Hiroshima right up to its publication.

Many believe the lessons in Hiroshima served as a deterrent that has kept the atomic warfare genie in its bottle for all these many years. Fallout tells the story of just how difficult it was to pull that off. Buckle up.

This book was a lifesaver for me as I began to explore media-military relations about a decade ago.

Briefly but authoritatively Sweeney charts the relationship between the American military and the media from the Revolutionary War to the early twenty-first century. Sweeney, a former journalist himself, also writes well and this is a joy to read.

The subtitle suggests Sweeney’s take on the subject, and Sweeney’s work generally has been invaluable to me and this book would be the place to start for anyone interested in the subject.  

When newspapers were the only medium before radio and TV and the internet, they were omnipresent in their own way, and highly partisan. They played dirty, and Lincoln did too. He knew that his careful words would have no impact unless he could get them printed in at least some of the papers he favored, bribed with access and rewards, or helped outflank their (and his) rivals.