Here are 100 books that German Angst fans have personally recommended if you like
German Angst.
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I am a historian, and I am fascinated by the interplay and tensions between our moral and material lives. In my books, I try to recover how people in earlier periods thought about good and bad and why they acted the way they did. I try to understand how norms and customs change over time and how we came to think of our own as ânormal,â which was all but normal not so long ago. I do not believe historians should play being prophets, but I do believe history can help us make better sense of the present.
I found this book uniquely moving, gripping, and enlightening.
With his diary, Klemperer, a German Jew, captures the increasingly brutal atmosphere of Nazi Germany and what persecution felt like in everyday life. I admire the sharpness with which he describes the various Germans he encounteredâand the range of their reactionsâas the deportations and mass murder got under way.
It is a remarkable testimony to the good and evil in humanity.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŠ
I am a historian, and I am fascinated by the interplay and tensions between our moral and material lives. In my books, I try to recover how people in earlier periods thought about good and bad and why they acted the way they did. I try to understand how norms and customs change over time and how we came to think of our own as ânormal,â which was all but normal not so long ago. I do not believe historians should play being prophets, but I do believe history can help us make better sense of the present.
As a historian, I constantly try to get into the hearts and minds of people in the past.
For socialist East Germany, these diaries by the writer Brigitte Reimann let us see what it meant to be a woman in the GDR, to live and love, to build socialism, and then, in 1961, to see the Berlin Wall close off oneâs world suddenly.
I enjoyed success too early, married the wrong man, and hung out with the wrong people; too many men have liked me, and I've liked too many men.
Frank and refreshing, Brigitte Reimann's collected diaries provide a candid account of life in socialist Germany. With an upbeat tempo and amusing tone, I Have No Regrets contains detailed accounts of the author's love affairs, daily life, writing, and reflections. Like the heroines in her stories, Reimann was impetuous and outspoken, addressing issues and sensibilities otherwise repressed in the era of the German Democratic Republic. She followed the state's call for artistsâŠ
I am a historian, and I am fascinated by the interplay and tensions between our moral and material lives. In my books, I try to recover how people in earlier periods thought about good and bad and why they acted the way they did. I try to understand how norms and customs change over time and how we came to think of our own as ânormal,â which was all but normal not so long ago. I do not believe historians should play being prophets, but I do believe history can help us make better sense of the present.
There are plenty of books about memory politics and Germansâ slow and difficult way of reckoning with their evil past. What I really like about this book is how it brings to life these complex moral challenges through the story of a relationship between a younger man and an older woman who turns out to have been a camp guard under the Nazis.
The novel is about the tensions between love, responsibility, and forgiveness, but above all, it is about the difficulty of being German after the Nazis. Â
'A thriller, a love story and a deeply moving examination of a German conscience' [Independent on Saturday]
For 15-year-old Michael Berg, a chance meeting with an older woman leads to far more than he ever imagined. The woman in question is Hanna, and before long they embark on a passionate, clandestine love affair which leaves Michael both euphoric and confused. For Hanna is not all she seems.
Years later, as a law student observing a trial in Germany, Michael is shocked to realize that the person in the dock is Hanna. The woman he had loved is a criminal. MuchâŠ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŠ
I am a historian, and I am fascinated by the interplay and tensions between our moral and material lives. In my books, I try to recover how people in earlier periods thought about good and bad and why they acted the way they did. I try to understand how norms and customs change over time and how we came to think of our own as ânormal,â which was all but normal not so long ago. I do not believe historians should play being prophets, but I do believe history can help us make better sense of the present.
This historical novel is about a young Romanian German who is deported to a Soviet labour camp by Stalin after the Second World War. Herta MĂŒller herself grew up as a member of the Romanian German minority, and the novel is inspired by her conversations with survivors of the camps.
What made this book truly spellbinding for meâin addition to the storyâwas the playful melody of the language. It is a reminder of how rich and diverse the German language and culture were with the various communities in Central and Eastern Europe until the Second World War and the deportations and expulsions.
'I know you'll return'. These are his grandmother's last words to him. He has them in his head as he boards the truck at 3am on a freezing mid-January morning in 1945. They keep him company during the long journey to Russia. They keep him alive - through hunger, pain, and despair - during his time in the brutal Soviet labour camps. And, eventually, they bring him back home. But when he does return, he finds that an embarrassed, traumatised silence hangs over his harrowing experiences. Even with his two friends, fellow Romanian-Germans who survived the camps with him, theâŠ
I was born in a log house in Alberta, Canada. I was nineteen months old in August 1939 when my parents decided we should visit my grandmother in Germany and thirteen when we returned. I have been deeply affected by the stories of ordinary families and the trauma they experienced after WWII. To this day, like thousands of others, I feel tremendous inherited discomfort from Nazism and the Holocaust. Our parents' generation did not talk about their wartime experiences, so we must preserve this important part of history and help to relieve the guilt many innocent individuals still harbor while raising awareness of this immensely damaging aspect of war.
I donât usually read graphic novels, but this book struck a chord with me. Because of its unique style, I expect it will help create an awareness of the impact WWII had on generations of Germans who were born too late to have had any part in it.
The author's graphic memoir describes her journey back to Germany in search of her familyâs politics during the war. Even though she finds that her maternal grandfather, like my father, was exonerated of war crimes, she does not feel she can accept forgiveness for the unforgivable suffering of millions.Â
* Winner of the National Book Critics Circle Award * Silver Medal Society of Illustrators *
* Named a Best Book of the Year by The New York Times, The Boston Globe, San Francisco Chronicle, NPR, Comics Beat, The Milwaukee Journal-Sentinel, Kirkus Reviews, andLibrary Journal
Thisâingenious reckoning with the pastâ (The New York Times), by award-winning artist Nora Krug investigates the hidden truths of her familyâs wartime history in Nazi Germany.
Nora Krug was born decades after the fall of the Nazi regime, but the Second World War cast a long shadow over her childhood and youth in the cityâŠ
Iâm a historian of modern Germany. As a teacher and a writer, I seek to get my students and readers to empathize with the people of the past, to think and even feel their way inside those peopleâs experiences. Because empathy is not sympathy, one can and should empathize with people one finds unsympathetic. We need to empathize with Nazis in order to understand how they and other Germansâhuman beings not unlike ourselvesâcould have committed the worst crimes in modern European history, not least the Holocaust.
Since its publication, I have assigned this book every time I taught my course on Nazi Germany at Williams College.
Through his use of diaries, letters, and anecdotes, in combination with his profound knowledge of the history of the Third Reich, Fritzsche shows how, after January 1933, when Hitler became Reich Chancellor, the German people came rapidly to support and even to create National Socialism in Germany. The German people here were not simply duped or terrorized by the Nazis. Fritzsche shows how, in various different ways and to various different degrees, Germans became Nazis.
And, through empathy with those Germans, he helps the reader to understand why they did so. If you want to read only one book on the history of the Third Reich, this is the book I would recommend.
On January 30, 1933, hearing about the celebrations for Hitler's assumption of power, Erich Ebermayer remarked bitterly in his diary, "We are the losers, definitely the losers." Learning of the Nuremberg Laws in 1935, which made Jews non-citizens, he raged, "hate is sown a million-fold." Yet in March 1938, he wept for joy at the Anschluss with Austria: "Not to want it just because it has been achieved by Hitler would be folly."
In a masterful work, Peter Fritzsche deciphers the puzzle of Nazism's ideological grip. Its basic appeal lay in the Volksgemeinschaft-a "people's community" that appealed to Germans toâŠ
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man sheâŠ
Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that donât offer up a small amount of the great kaleidoscope that is life?
Whether we are told a story by the collective voice of dying and dead girls after a horrific accident, or one about an Ottoman wrestling champ on a world tour, or even the reflections of the god Apollo on the human affinity for war, Bucak is adept at bringing the reader along as a confidant through some truly bizarre tales (one of my favorites is about the chess-playing robot âthe Turkâ falling in love).
Whether the story is close to its characters or respectfully removed, the tenderness and care the writer gives to evocatively portraying so many different stories is at the forefront so even if they might not be as tonally different as some others in this list, they make such diverse threads feel unified and, together, satisfying.
In Ayse Papatya Bucak's dreamlike narratives, dead girls recount the effects of an earthquake and a chess-playing automaton falls in love. A student stops eating and no one knows whether her act is personal or political. A Turkish wrestler, a hero in the East, is seen as a brute in the West. The anguish of an Armenian refugee is "performed" at an American fund-raiser. An Ottoman ambassador in Paris amasses a tantalizing collection of erotic art. And in the masterful title story, the Greek god Apollo confronts his personal history and bewails his Homeric reputation as he tries to memorialize,âŠ
I am an international political and critical theorist interested in the way that key events and experiences from the past continue to affect politics in the present. I was born in the US but moved back to Slovenia when I was in high school, before returning to the states to attend Dartmouth College as an undergraduate, and Yale University for my doctoral studies in political science. This international, bi-continental background â as well as my own familyâs history of migration following World War II â has fueled my interest in twentieth-century European history, collective memory and European integration.
Although this is my final recommendation, this book is where my interest in the topic of memory and the political, intellectual, and social development of postwar Europe began. As an undergraduate student at Dartmouth College, I had the opportunity to assist my advisor, Ned Lebow, with the preparation of this volume. Following a short theoretical introduction to the paradigm of collective memory, this collection then presents chapters on the specific dynamics of the politics of remembrance in various European states written by local country specialists. This is both a great read and a great resource for further information on the dynamics of postwar memory across the continent.
For sixty years, different groups in Europe have put forth interpretations of World War II and their respective countries' roles in it consistent with their own political and psychological needs. The conflict over the past has played out in diverse arenas, including film, memoirs, court cases, and textbooks. It has had profound implications for democratization and relations between neighboring countries. This collection provides a comparative case study of how memories of World War II have been constructed and revised in seven European nations: France, Germany, Austria, Switzerland, Poland, Italy, and the USSR (Russia). The contributors include scholars of history, literature,âŠ
I am a published author, memoir-writing instructor, and retired clinical psychologist. I wrote an initial memoir as a chronological account of my dysfunctional marriages and recovery from them, but lately, I have become very interested in what is termed âhybrid memoirs.â Hybrid memoirs combine personal memoirs with major incidents and research into issues similar to those in the memoir or the culture and laws surrounding them. Since my new book combines my memoir with an account of a crime that affected all the citizens in the country village where I grew up, I have gravitated to memoirs featuring crime as part of the story.
I loved how this book is a memoir and research into trauma that affects people their whole lives. Through conversations and interviews, Rosner tells the story of the holocaust and its psychological effect on those who survived and those whose relatives perpetrated or witnessed the horrors.
I like that she looks into PTSD that many suffer from and how she states that horrors or abuse have to be acknowledged to be healed.Â
As featured on NPR and in The New York Times, Survivor Cafe is a bold work of nonfiction that examines the ways that survivors, witnesses, and post-war generations talk about and shape traumatic experiences.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the worldâs most famous heart surgeon.
In these and other intimate conversations, the bookâŠ
Iâm deeply concerned about the health of the planet and am puzzled by our failure to act. As someone who thinks a lot about museums and heritage (aka the stories we tell about ourselves), Iâm intrigued by how we think about places of environmental harm as heritage and how we pay attention to the environmental impact of heritage sites like WWI battlefields, English ironworks, and Appalachian coal mines. Interrogating what we remember and what we forget illuminates the systems of power that benefit from ignoring environmental and social costs. My hope is that understanding the history of toxic harm points us to a more sustainable, just future.
Alice Mah puts a human face on the legacy of derelict factories, shipyards, and other facilities in cities in the US, UK, and Russia, tracing a global story of the impact of deindustrialization on communities. She shows âlandscapes of ruinationâ are vital complex places of changing economies, memory, and identity.
Abandoned factories, shipyards, warehouses, and refineries are features of many industrialized cities around the world. But despite their state of decline, these derelict sites remain vitally connected with the urban landscapes that surround them. In this enlightening new book, Alice Mah explores the experiences of urban decline and post-industrial change in three different community contexts: Niagara Falls, Canada/USA; Newcastle-upon-Tyne, UK; and Ivanovo, Russia. Employing a unique methodological approach that combines ethnographic, spatial, and documentary methods, Mah draws on international comparisons of the landscapes and legacies of industrial ruination over the past forty years. Through this, she foregrounds the complex challengesâŠ
