Books like Gentleman Jack

All of the Peter Wimsey novels are delightful, but I greatly enjoy the ones that feature Peter’s love interest, Harriet Vane.

In this one, Harriet, recently exonerated of a murder charge, returns to her Alma Mater, Oxford, for a traditional Gaudy dinner. Naturally, the event leads to murder, and Peter must be consulted to help resolve the case.

Born Constance Lloyd and buried as Constance Holland, she is most widely known as Constance Wilde, wife of playwright and martyr Oscar Wilde.

For all that is written about Oscar and the trouble he found exploring his homosexuality in the 1890s, this fresh perspective on the obscured wife is invaluable. A daughter, sister, and mother, Constance was also an author, an activist, and (as suits the one name she never changed) a faithful friend.

Drawing on hundreds of unpublished letters, this book demystifies a woman overshadowed. Know the important work she did to free women of the confines and fatal dangers of the previous century’s dresses. Feel the heartbreak of a ruinous marriage—the man who betrayed her, and the children she couldn’t protect. Remember Constance, because she mattered too.

A stand-alone installment of the Miss Marple series, I chose The Moving Finger for this list because it involves letters and neighborhood gossip.

Set in the seemingly placid village of Lymstock, the story unfolds when a series of vicious poison-pen letters shatter the village’s quiet charm. The situation escalates when one recipient commits suicide, a death that requires justice.

Miss Marple enters the plot as the vicar’s houseguest and ultimately outsmarts the mystery. Her strength comes from the way others dismiss her as a harmless little old lady. To most she is unimportant and insubstantial, if they notice her at all. These assumptions free her to do detective work unnoticed.

If you like Miss Marple, there are 12 full-length books and 20 short stories that feature her shrewd adventures—enjoy!

The second of The House at Baker Street series, this book solves the mystery of why a disproportionate number of patients are dying in a private ward at St. Barts hospital in London.

Atmospheric and engaging, Birkby’s writing develops Mrs. Hudson and Mary Watson in practical, unsentimental ways while not ignoring their emotions, or how those feelings motivate them. These are two adults with unique histories and strengths, and they develop a bond equivalent to an aunt and niece after Mary becomes Mrs. Watson, and joins the cast of characters that frequent Mrs. Hudson’s 221B home.

These women are not vehicles for a Holmes and Watson storyline—the men are almost completely absent. These ladies are two fully realized characters with their own cases to solve and innocents to save.

This book introduced young Anne's diaries to book-buyers for the first time. You’ll enjoy reading her recording in secret code (and in intimate detail) her affairs with other women.

"I love and only love the fairer sex and thus beloved by them in turn, my heart revolts from any other love but theirs." These are probably Anne’s words that will stay with you longest.

Another story that explores the connection between grief and memory is this YA gothic mystery.

The story is set at a remote private school, following Felicity, who has returned to Dalloway School after taking time off following the mysterious death of her girlfriend. The story takes readers through Felicity’s grief of losing her partner, interwoven with the mystery of how she died.

Readers see this grief and memory through Felicity’s eyes, but as the mystery grows, readers will be left to question how much of the grieving memories we see are authentic. The school itself is rich with a dark history of death and witchcraft, and each character responds to this history differently – sometimes curiously, sometimes concerningly reveling in centuries-old grief.

Again, I’ll admit to being biased. Ida’s my partner and we’ve been together for well over 40 years, so I’ve known this book from its earliest stages. But biased or not, I haven’t lost my critical abilities: it’s good.

Kate Porter's father is the head of a right-wing militia. She's just been released from prison after her father pushed her to participate in a bank robbery and it led to a teller's death.. Now that she’s free, all she wants to do is bring down her father’s militia, reunite with the woman she loves, and get a decent meal. But a lot has changed while she was behind bars.

I read Patience and Sarah when I was coming out, and even though by then an entire lesbian community was within easy reach, it still brought me the news that I wasn’t alone. Not that I didn't already know that in an abstract sort of way, but on a gut level it was news all the same.

The book spoke to my overcharged emotions at a time when I was still isolated. It’s the only book I remember ever hugging.

Whether writing fiction or romance, McMan’s ability to paint a love story between two women is unparalleled. Their love materializes on the page as if watching an artist apply strokes to a painting. By the time the figures emerge from the canvas, my heart is invested. 

In Beowulf for Cretins, what appears to be an anonymous one-night stand for Grace simply isn’t when Abbie turns out to be her new boss. (Side note: look how nicely McMan is stacking up much-loved tropes here.)

This story contains elements that make my sapphic heart swoon every time, like when one character just can’t stay away from the other or when characters share the same interests. Throw in McMan’s signature humor and an entertaining pet, and swoon-worthy gets extra credit bonus points.

If you’re not familiar with Pat Parker yet, you’re in for a treat.

This collection gathers the published and unpublished writing of a badass literary powerhouse who has yet to get her full due. Written from the 1960s-1980s, Parker’s poems, stories, essays, and plays give a foundation of black queer and feminist thinking.

With striking language and irresistible humor, Parker and her irreverent characters shed light on the complexities of gender identity, state violence, nonmonogamy, pleasure, and belonging. Parker’s work is both ahead of its time and right on time, reminding us that history—and our power to shape it—are less distant than we think.