100 Books Like Geisha of Gion

Kyoto is one of the world’s great cities. I first came here in 1994, its 1200th anniversary, and was entranced by its many treasures. In the city’s river basin were fostered the traditional arts and crafts of Japan. This is the city of Zen, Noh, the tea ceremony, geisha, moss and rock gardens, not to mention the aristocratic aesthetes of the Heian Era. Here in the ancient capital are imperial estates and no fewer than 17 World Heritage sites, including the Golden Pavilion and the divine Byodo-in. Faced with this wealth of wonders, I tried to weave them into a coherent story – the story of a most remarkable city.

Kyoto is one of the world’s great cities. I first came here in 1994, its 1200th anniversary, and was entranced by its many treasures. In the city’s river basin were fostered the traditional arts and crafts of Japan. This is the city of Zen, Noh, the tea ceremony, geisha, moss and rock gardens, not to mention the aristocratic aesthetes of the Heian Era. Here in the ancient capital are imperial estates and no fewer than 17 World Heritage sites, including the Golden Pavilion and the divine Byodo-in. Faced with this wealth of wonders, I tried to weave them into a coherent story – the story of a most remarkable city.

Kyoto is one of the world’s great cities. I first came here in 1994, its 1200th anniversary, and was entranced by its many treasures. In the city’s river basin were fostered the traditional arts and crafts of Japan. This is the city of Zen, Noh, the tea ceremony, geisha, moss and rock gardens, not to mention the aristocratic aesthetes of the Heian Era. Here in the ancient capital are imperial estates and no fewer than 17 World Heritage sites, including the Golden Pavilion and the divine Byodo-in. Faced with this wealth of wonders, I tried to weave them into a coherent story – the story of a most remarkable city.

Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.

I have been studying Japanese since 2008, studied in the country twice, and then finally made my home here in 2011. Over the years, I have been to 43 of Japan’s 47 prefectures, writing articles about my experiences and constantly searching for new, hidden places where I could still find a touch of the Japan of yore. With so many people visiting the country, I want to do my part to give folks options that are off the beaten path and away from the crowds. 

I’ve spent a lot of time in Japan, and my new novel, Beautiful Shining People, is a direct result of two profound experiences I had there. The first was when I was hiking through the hills of Kyoto late one night and turned around to see a glowing creature–some have said they think I saw a kami. The second experience happened when I was in Hiroshima at the Peace Park. I immediately started crying, seeing all the schoolchildren learning about the horrible atrocity committed against their ancestors. I have no idea why it affected me so much, but it was one of the most moving experiences of my life.

When I was in elementary school, I was poor at writing essays. My mother believed that reading could help to improve my school performance, and started collecting short stories suitable for me. Incidentally, my interest in reading and writing was fostered. I grew older and became passionate about books that led me to see new worlds, to experience lives unknown to me before, and to empathize with other people regardless of race. With hindsight, I realized that all the books I’d read had something in common–that is, love, with its profound meaning and influence on our forever imperfect world, is the eternal theme and always inspiring me.

I’ve been enjoying Japanese stories from the moment I first found them, a direct result of living, studying, and working in Japan for five years, from Imari City (in Kyushu Island) to Tokyo (on Honshu). The pacing of Japanese novels—starting out slowly and deliberately, then speeding up like a tsunami out of nowhere—totally appeals to me, and feels infinitely more connected to exploring the subtleties, complexity, and beauty of relationships. This is especially true when compared to Western novels, which seem overly obsessed with splashing grand, dramatic action and injury on every other page. I just love revisiting Japan through reading.

I write books for young readers about history, science, and nature. I lived in Japan for six years and became fascinated with Japanese history—particularly the late 12th-century civil war recounted in the medieval classic The Tale of the Heike. I especially loved stories about Minamoto Yoshitsune, the warrior who won the war but was destroyed by his elder brother Yoritomo, who became the first Shogun and kicked off the 700-year reign of the samurai. I spent two years researching Samurai Rising: The Epic Life of Minamoto Yoshitsune and loved every minute of it. I’m also a second-degree black belt in kendo (Japanese sword fighting).

I have specialized in writing about Asia since first moving to Hong Kong as a journalist in 1989, and spent the past three decades trying to improve understandings between East and West. My Asian women friends repeatedly asked me why Western men expected them to pour their drinks and serve them food. I answered “because that’s what they saw in the movies.” The James Bond films perpetuating these images of servile Asian women scrubbing white mens’ backs in the bathtub were pervasive when they were growing up. I decided to uncover and explain where this history of imagery and the stereotypes they result in come from – and, as someone with an anthropological background, also explain cultural practices that foster misunderstandings.