Here are 100 books that Gangster fans have personally recommended if you like
Gangster.
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I’m a former crime reporter for the Columbus Dispatch. If my byline appeared on a story, you didn’t want your name anywhere in it, because you were most likely in a cell at the county jail, a bed in the ICU, or a cold locker at the county morgue. As a reporter, I often covered the same organized crime that had been so prevalent in my youth. Long before I became a reporter, I had a fascination with organized crime. Growing up in the Ohio Valley, the mob was as much a part of our communities as the steel mills. Those stories helped inspire my upcoming book, The Last Hitman.
Literally, this is the Godfather of Mafia novels and the book that made, “I’ll make him an offer he can’t refuse,” part of the American vernacular.
It’s a great read, and it later became a great movie. I quote Michael Corleone from Godfather III in my novel. Marlon Brando as Vito Corleone was the reigning king of fictional Mafia dons until Tony Soprano walked onto the small screen.
Author Mario Puzo wrote The Godfather to get out of debt. He succeeded and magnificently so.
_________________________________ The classic novel that inspired 'the greatest crime film of all time'
Tyrant, blackmailer, racketeer, murderer - his influence reaches every level of American society. Meet Don Corleone, a friendly man, a just man, a reasonable man. The deadliest lord of the Cosa Nostra. The Godfather.
But no man can stay on top forever, not when he has enemies on both sides of the law. As the ageing Vito Corleone nears the end of a long life of crime, his sons must step up to manage the family business. Sonny Corleone is an old hand, while World War II…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’m a former crime reporter for the Columbus Dispatch. If my byline appeared on a story, you didn’t want your name anywhere in it, because you were most likely in a cell at the county jail, a bed in the ICU, or a cold locker at the county morgue. As a reporter, I often covered the same organized crime that had been so prevalent in my youth. Long before I became a reporter, I had a fascination with organized crime. Growing up in the Ohio Valley, the mob was as much a part of our communities as the steel mills. Those stories helped inspire my upcoming book, The Last Hitman.
You have three choices here. This first iteration was a graphic novel. This was the basis of the 2002 movie of the same name, starring Tom Hanks as the Angel of Death, Michael O’Sullivan Sr.
Then came a novel, strictly based on the movie.
Collins later followed up with an expanded novel in 2016. This is the one that I read and enjoyed. The expanded novel starts out slow, but picks up steam after 100 pages.
First there was Max Allan Collins' legendary graphic novel...then came the Academy Award winning movie and his bestselling screenplay novelization. Now Collins presents an epic new novel, combining and expanding upon all that came before, to create the ultimate version of his unforgettable story.;
Depression-era Chicago is awash in liquor and blood, ruled by guns, graft, and gangsters like John Looney. His most feared enforcer is Michael O'Sullivan, known as the "Angel of Death." But when O'Sullivan's twelve-year-old son witnesses a gangland murder committed by Looney's brutal son, O'Sullivan's entire family is marked for execution to cover up the crime.…
I’m a former crime reporter for the Columbus Dispatch. If my byline appeared on a story, you didn’t want your name anywhere in it, because you were most likely in a cell at the county jail, a bed in the ICU, or a cold locker at the county morgue. As a reporter, I often covered the same organized crime that had been so prevalent in my youth. Long before I became a reporter, I had a fascination with organized crime. Growing up in the Ohio Valley, the mob was as much a part of our communities as the steel mills. Those stories helped inspire my upcoming book, The Last Hitman.
If I’m being honest—and I’m guessing Ben Shepherd would like me to be honest—I’d be content to list five Burke books here.
Burke is a national treasure. I don’t aggravate easily, but it aggravates me that he doesn’t have a Pulitzer Prize for fiction. He is one of the best combination writers and storytellers on the planet.
In this book, Burke’s protagonist, Dave Robicheaux, investigates a series of murders of prostitutes. There’s a connection to the murders and New Orleans gangster Julie “Baby Feet” Balboni.
In the book, Robicheaux also has conversations with Confederate General John Bell Hood, which has nothing to do with organized crime, but is a great example of Burke’s prowess as a writer. It was made into a 2009 movie starring Tommy Lee Jones as Robicheaux and John Goodman as Balboni. Robicheaux’s sidekick, Clete Purcell, is one of the best characters in crime fiction.
The sixth in the New York Times bestselling Dave Robicheaux series delivers a heart-pounding bayou manhunt—and features “one of the coolest, earthiest heroes in thrillerdom” (Entertainment Weekly ).
When Hollywood invades New Iberia Parish to film a Civil War epic, restless specters waiting in the shadows for Louisiana detective Dave Robicheaux are reawakened—ghosts of a history best left undisturbed.
Hunting a serial killer preying on the lawless young, Robicheaux comes face-to-face with the elusive guardians of his darkest torments— who hold the key to his ultimate salvation or a final, fatal downfall.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a former crime reporter for the Columbus Dispatch. If my byline appeared on a story, you didn’t want your name anywhere in it, because you were most likely in a cell at the county jail, a bed in the ICU, or a cold locker at the county morgue. As a reporter, I often covered the same organized crime that had been so prevalent in my youth. Long before I became a reporter, I had a fascination with organized crime. Growing up in the Ohio Valley, the mob was as much a part of our communities as the steel mills. Those stories helped inspire my upcoming book, The Last Hitman.
Set in New York City, this novel follows the life of Morris Rabishevsky, a Jewish businessman who finds himself fighting the garment unions and organized crime, but mostly organized crime.
This has a slower pace than the aforementioned novels, but Gross weaves an interesting tale that includes actual historical figures, such as Thomas Dewey and mobster Louis Lepke.
“Mr. Gross's direct style is full of sentiment but never maudlin and well-suited to scenes of violent action. Button Man has plenty of zip–and lots of moxie, too." –Wall Street Journal
"This is a big, heartfelt handshake of a book, with all the street-scrambling energy that distinguishes the best fiction of Jeffrey Archer and Mario Puzo." –USA Today
Following up The One Man and The Saboteur, Gross's next historical thriller brings to life the drama of the birth of organized crime in 1930s New York City from the tale of one family.
Figuring out who we are, figuring out our identity and where we fit in the scheme of things is one of the great themes in our lives, and in literature. In my life, I’ve gone through many identity crises, some recounted in my memoirs. These are five books that had a profound effect on me—sometimes emotionally, sometimes psychologically, and sometimes led me to think differently about my own life. In all of these books, characters have to make decisions, face struggles, and figure out who they are and how to find themselves and their authentic identity.
In this book, a young Hasidic Jew and artist faces the conflict between his orthodoxy and his desire to explore what lies outside his orthodoxy, such as the Crucifixion of Jesus Christ. He is pulled in two directions—by his parents' idea of his identity and by searching for the truth about the human condition through his art.
I read this many years ago, in my 30s, and was heartbroken by how the main character has so much integrity to keep searching and finding in spite of so many forces trying to label him and forbid him from certain explorations. I, too, was searching for my place in those years of creating a career, and it deepened the authenticity of my search.
NATIONAL BESTSELLER • In this modern classic from the National Book Award–nominated author of The Chosen, a young religious artist is compulsively driven to render the world he sees and feels, even when it leads him to blasphemy.
“A novel of finely articulated tragic power .... Little short of a work of genius.”—The New York Times Book Review
Asher Lev is a Ladover Hasid who keeps kosher, prays three times a day and believes in the Ribbono Shel Olom, the Master of the Universe. He grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual…
I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay,are replete with themes of Nazi occultism and border science.The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.
For those interested in a compelling work of fiction built loosely around Nazism and the occult, Michael Chabon’sThe Amazing Adventures of Kavalier & Clay is the perfect novel.
Whether it’s one of the protagonists, a young Jewish magician, escaping Nazi-occupied Central Europe in the coffin of the “Golem of Prague” or the eponymous cousins finding success with their own comic book series infused by contemporary esoterica, Kavalier & Clayevokes the world in which young, first and second generation Jewish immigrants from Central and Eastern Europe created the Marvel and DC superheroes and super(natural) villains, often allied with the Third Reich, that have defined our popular culture for the past eighty years.
Winner of the 2001 Pulitzer Prize for Fiction, 'The Amazing Adventures of Kavalier & Clay' is a heart-wrenching story of escape, love and comic-book heroes set in Prague, New York and the Arctic - from the author of 'Wonder Boys'.
One night in 1939, Josef Kavalier shuffles into his cousin Sam Clay's cramped New York bedroom, his nerve-racking escape from Prague finally achieved. Little does he realise that this is the beginning of an extraordinary friendship and even more fruitful business partnership. Together, they create a comic strip called 'The Escapist', its superhero a Nazi-busting saviour who liberates the oppressed…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
How did I – as a scholar of German literature – turn to economic topics? That had a certain inevitability. When I left for Paris in the early nineties, reading traces of anthropological knowledge in literature and aesthetics of the 18th century, I came across economic ideas on almost every page, in natural history, in medicine, in philosophy, in encyclopedias, in the theories of signs and in the teachings of beauty. There was circulation, communication, flows of exchange all over the place, and the Robinsons were the model. This reinforced the impression that the human being was engaged in aligning himself with homo oeconomicus. The question of modern economics has therefore become unavoidable for me.
With this grotesque odyssey of a hedge fund manager in New York, Don DeLillo’s novel takes us right into the arena of the modern financial market, touches on the question of whether that market lends itself to literary treatment, and offers a series of narrative and rhetorical figures to represent the riddle of the finance economy, its protagonists and their operations.
Eric Packer is a twenty-eight-year-old multi-billionaire asset manager. We join him on what will become a particularly eventful April day in turn-of-the-twenty-first-century Manhattan. He's on a personal odyssey, to get a haircut. Sitting in his stretch limousine as it moves across town, he finds the city at a virtual standstill because the President is visiting, a rapper's funeral is proceeding, and a violent protest is being staged in Times Square by anti-globalist groups. Most worryingly, Eric's bodyguards are concerned that he may be a target . . .
An electrifying study in affectlessness, infused with deep cynicism and measured detachment;…
After completing the first draft of Monday Rent Boy, I was taken aback to discover a common theme running through all of my books: a focus on children in adverse situations. A Secret Music. The Ghost Garden. And now Monday Rent Boy. What holds paramount importance for me… is tracing the trajectory of the injured child as he or she navigates the journey toward adulthood…And…what does that path look like… what are the factors that help a person rise versus the ones that crush another? The more urgent answer to the question of why write? I came to see that certain subjects need to be written. And hopefully, read.
This Pulitzer Prize-winning novel follows Theo Decker, a young man grappling with trauma, loss, and guilt. Themes of friendship, mentorship (through his relationship with Hobie), and the search for redemption are central to the story.
This book has the best opening scene of any book I’ve ever read. No matter what, I needed to be on this journey with the characters Tartt had drawn so evocatively.
Winner of the Pulitzer Prize for Fiction 2014 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the…
Ever had anyone say something about you with utter conviction that isn’t true? Have you ever looked at someone famous and thought their life looked perfect? Ever felt not enough because of the way you look? As a former Miss Universe, international model, fashion editor, and entertainment journalist with a degree in psychology, I’ve lived these truths vicariously. I’m fascinated with image, perception, and truth. What’s behind the smile? What happens when the lights dim? Who are you when no one is watching? What secrets do you hide, how do they damage you, and what will you do to keep them hidden? I’ve been the target. I know the cost.
Set in the 1980s, it captures a time when sex, drugs, and parties fueled life. When the image of taking and consuming the best was a narcotic of its own. Restless, gorging, faceless encounters, aspiring to an empty illusion of excess with no rules and consequences you would never admit to.
Driven by desire. To be. To do. To cover the truth with a glib smile, a quick snort, and a slide into numbness so no one knows the smallness of your failures and you never have to admit to the quest of things you can never have. Love. Acceptance as you are. Success of the one thing you never lie about, the compulsion to have your written words celebrated. Truth and lies and an unobtainable love.
It is six am, the party is over and reality is threatening to intervene in the power-fuelled existence of a young man who should have everything but who might just end up with nothing at all. His wife has left him, his job is in jeopardy, and his social life is about to end.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
I think Jamaica Kincaid’s novel is one of the great books of the 20th century. Though it barely breaks 160 pages, it is packed with more voice, personal and national history, political critique, style, humor, and heart than many novels five times its size.
I am a fan of all of Kincaid’s books, but there’s something truly special about this one. It’s a quantum leap forward from her (also very good!) debut novel, Annie John. In addition to re-reading for pleasure, I also reread Lucy every time I teach it, and it never fails to delight and surprise and inspire me as much as it did the first time.
The coming-of-age story of one of Jamaica Kincaid's most admired creations--available now in an e-book edition.
Lucy, a teenage girl from the West Indies, comes to America to work as an au pair for a wealthy couple. She begins to notice cracks in their beautiful façade at the same time that the mysteries of own sexuality begin to unravel. Jamaica Kincaid has created a startling new heroine who is destined to win a place of honor in contemporary fiction.
