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From the Arctic Ocean to the Yellow Sea.
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The memoirs of Princess Varvara Fedorovna Golitsyna are the female equivalent of Samuel Pepys’ famous diaries, only more interesting. In 1876, the princess married Sergei Mikhailovich Dukhovskoi, already a distinguished senior officer at thirty-eight. In the Turkish War (1877-1878) Sergei Mikhailovich distinguished himself, and his young wife proved herself a determined and resourceful woman, as she was determined to join him—at great risk to herself. As an important senior officer, he spent a great deal of time in Western Europe, so the couple traveled all over, and the greater part of the book consists of Varvara Fedorovna’s accounts of their travels. As a result, her memoir gives us an engrossing account of the rewards and difficulties of European travel. A fascinating account by a remarkable woman.
This book was not intended to be published, and it is to accident that we owe its appearance. The author, from her childhood, followed affection ate advices and good examples, and noted every day her impressions of everything she saw and heard about her. She puts in these pages all the freshness and sincerity of her woman's heart. Circumstances placed the author in the centre of remarkable events. Remaining faithful to the principle of not interfering with her husband's business, she becomes, however, unwillingly, the spectatrix of particularly interesting facts: the outside…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Petropoulos considers ten important artists who either managed to accommodate themselves to the Third Reich or flourished during it, placing each individual both in the context of his own achievements and his relationship to Adolf Hitler and the Party. His preface and introduction alone make the book valuable, as it gives the reader an idea of the complexity both of the subject and of the society in which these men and women found themselves. His treatment of Hindemith, Richard Strauss, and Leni Riefenstahl is perceptive and thoughtful—particularly so with Riefenstahl. As I can testify from personal experience, anyone attempting any objective account of Germany in this period will be savagely attacked, and Petropoulos picks his way through this minefield very dexterously, although the end result is a difficult read.
A penetrating inquiry into the motives, moral dilemmas, and compromises of Walter Gropius, Emil Nolde, and other celebrated artists who chose to remain in Nazi Germany
"What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?" Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany's darkest period, Petropoulos shows how individuals variously dealt with…