Here are 100 books that Free Love fans have personally recommended if you like
Free Love.
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I love stories so much I majored in English at UVa. Though I showed up in New York with only reading and waitressing skills, I’ve somehow enjoyed the privilege of working in the arts at some of the greatest institutions (Paul Taylor, Cooper Union, ABT). I respond to art, people and especially art-people. Encountering their deep love (and glorious dysfunction) in books enables me to extend the special communion that grows around audiences and artists. This is central to me. It reminds me that beauty is important. It helps me hold on.
This is such an insightful glimpse into what happens when an artist—in this case, an architect—stops creating, that’s both hilarious and heartbreaking.
Describing the price of privilege, but without preciousness, Maria Semple illustrates the decline of a mother and professional, doing what seem like the right things while producing disastrous results that really ring true.
Fatigued by the priorities of high-tech Seattle, Bernadette loses her confidence and misplaces her trust. Then it’s her daughter who has to pull her back from the brink. Their love withstands the tests of culture, community, and commodity, reminding us of the remarkable symbiosis between mothers and daughters while showcasing Semple’s irrepressible, satiric wit.
A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times).
Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom.
Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle --…
When the ground shifts, where is one true thing to be found?
Jane, in her twenties, is left parentless when her father dies suddenly; a second shock follows when his Will reveals the existence of a son no-one knew of. Now Wildings, the family home, must be sold.
I’ve loved everything that has to do with writing all my life. My mother was a best-selling children’s book author, my father wrote a best-selling book about the music business, and writing was central to how I grew up. All the books on my list have to do with writers, whether they’re writing memoirs, novels, interviews, or keeping a diary. My passion for books about writers extends to having written Great Adaptations: Screenwriting and Global Storytelling (Routledge – 2nd place winner, 2019 International Writers Awards), but these books all had me hooked regardless of whether they made good movies. I love books – especially these!
What I loved about Bridget Jones’s Diary was the fun that its author had in writing a book that plays with the themes, characters, and some of the plot points of Jane Austen’s Pride and Prejudice.
It’s wonderful when a writer knows her literary history and is comfortable enough to let us enjoy its evolution and laugh at it. Having lost 30 pounds in the last couple of years, I can honestly say that I appreciate a writer who not only references Jane Austen, but can write with wit and candor.
This was such an entertaining read, especially in its casual format – diary entries kept by a working woman who wants to lose weight. I also enjoyed the 2001 movie.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…
A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
I remember reading this in my student bedsit and being transfixed. I was studying art but had just decided that I wanted to be a novelist. As such, I loved the opening lines: “A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.”
It is a simple yet beautiful book about love, belief, and betrayal. I’m not religious, but the testing of someone’s faith and how it may make them act stuck with me. Also, the facade of the ‘stiff upper lip,’ but underneath, the vulnerability.
The love affair between Maurice Bendrix and Sarah, flourishing in the turbulent times of the London Blitz, ends when she suddenly and without explanation breaks it off. After a chance meeting rekindles his love and jealousy two years later, Bendrix hires a private detective to follow Sarah, and slowly his love for her turns into an obsession.
A tragicomic novel about the toxic relationship between two couples who first met at medical school and whose paths cross again many years later.
Charlotte is married to Henry, a retired consultant pathologist. She abandoned her own medical training after a harrowing experience left her emotionally…
I bought a bookstore when I was twenty-five, knowing nothing about business but knowing I loved books. It was the happiest I’ve ever been, professionally, and also the most broke. At some point, I came to my senses, sold my store, and got a job working in a library. I’m a library director now, and I don’t get to recommend books as much as I used to when I didn’t have to do things like think about the budget and remove dead mice from the cellar. Still, I get to work around books, and I overhear and occasionally insert myself into a fair number of book-related conversations.
I was once in line to get a book signed by Elizabeth Strout, and the minute I opened my mouth to greet her, I burst into tears. That’s how much I loved this book.
I loved Amy, the mother, and how hard she was trying to parent her teenage daughter, Isabelle. And Isabelle, who is trying to figure out her place in the world ends up having an affair with her teacher. But what I love the most is how much I felt bad for both Isabelle, who is trying to sort out her feelings for her teacher and herself, and Amy, who is furious at her daughter, the teacher, and herself.
Strout is so good at these kinds of perfectly imperfect relationships, these people who love and hurt each other. I read this book at least a decade ago and I still feel the sadness and tenderness of it…
From the Man Booker Prize longlisted author of My Name is Lucy Barton
Isabelle Goodrow has been living in self-imposed exile with her daughter Amy for 15 years. Shamed by her past and her affair with Amy's father she has submerged herself in the routine of her dead-end job and her unrequited love for her boss. But when Amy, frustrated by her quiet and unemotional mother, embarks on an illicit affair with her maths teacher, the disgrace intensifies the shame Isabelle feels about her own past.
Throughout one long, sweltering summer as the events of the small town ebb and…
I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.
I loved this book for its humanity and the language she used to pithily emphasize characters and situations. There was not an excess word employed. She compassionately realized every character and gave them wisdom, angst, and a tragic sense of loss. I found it utterly absorbing and have reread it several times.
A New York Times Book of the Year DAILY MAIL 'BEST BOOKS OF THE YEAR TO GIFT FOR CHRISTMAS' SUNDAY EXPRESS' S MAGAZINE 'WINTER WARMERS' GOOD HOUSEKEEPING 'BEST BOOKS OF 2020' ONLINE
'One of the most emotionally truthful novels I have ever read' DAISY BUCHANAN 'Almost every line glows with even-handed wisdom - a superb novel, beautifully put together' DAILY MAIL 'An invaluably moving book' JULIET NICOLSON 'One to read first for the story and then to re-read at leisure and marvel at how real these people feel' ERIN KELLY 'Penetrating, intelligent, humane, funny too ... Smart and powerfully alive'…
My obsession with reading began in third grade when I heard an audio version of The Secret Garden and described the plot to my mom, who told me I should bike to our public library and check the book out. Since then, I’ve written two novels, and I teach creative writing and literature classes at the University of Memphis. At the heart of everything I write is the relationship between women connected by blood. My own great-grandmother lived to be 104, and I have a weekly lunch with my own 94-year-old grandmother. There’s nothing like learning what your own mother was like, as told to you by her mother.
This is my favorite book. I literally buy every used copy I find at bookstores, library sales, and thrift stores just so I can give it away. The book opens with one of the most perfect lines in literature: “Happiness is the lucky pane of glass you carry in your head. It takes all your cunning just to hang on to it, and once it’s smashed you have to move into a different sort of life.”
This is a story about a woman in her mid-forties trying to understand what it means to be good and coming to terms with the difference between good and happy. I fell in love with the protagonist, Reta Winters, whose oldest daughter has run away to sit on a street corner holding a sign that reads goodness. The story is about Reta’s efforts to get her daughter to come home, but it is also…
The dazzling novel from Carol Shields, author of 'The Stone Diaries', winner of the Pulitzer Prize, and 'Larry's Party', winner of the Orange Prize.
All her life, it seems to Reta Winters, she has enjoyed the useful monotony of happiness. She has a loving husband, three bright daughters and supportive friends, and is experiencing growing success as a writer and translator. Then her eldest daughter suddenly withdraws from the world, abandoning university, family and loving boyfriend to sit on a street corner, uncommunicative but for a sign around her neck bearing one word, 'Goodness'. The anguish of her loss…
I’m an author and a romantic. Put the two together and it makes sense for me to write love stories. I’ve always been interested in relationships and fascinated by how complex our feelings make us when we fall in love. There’s a love story in all my books, but for the last three novels, a love story has been thestory. I’m a Londoner too, and I like it when a city becomes another character in a book, as I hope London has in The Central Line.
This is a slow-burn of a novel about two couples. Each character struggles to maintain their marriage under the pressure of children and modern life. Each tries to hold on to their own identity while existing inside a family. The novel looks at mental health, infidelity, cooking, and Black culture; it has a soundtrack, with songs that mean something to the characters and capture the essence of the time. The story is resonant with images of modern London. It asks a question about the centrality of the city and the anxiety that comes from leaving it.
Hailed as a "lyrical and glorious writer; a precise poet of the human heart" (Naomi Alderman), London-based author Diana Evans received international acclaim for Ordinary People. In a crooked house in South London, Melissa feels increasingly that she's defined solely by motherhood, while Michael mourns the thrill of their romance. In the suburbs, Stephanie's aspirations for bliss on the commuter belt compound Damian's itch for a bigger life. Longtime friends from the years when passion seemed permanent, the couples have stayed in touch, gathering for births and anniversaries. But as bonds fray, the lines once clearly marked by wedding bands…
I’m an author and a romantic. Put the two together and it makes sense for me to write love stories. I’ve always been interested in relationships and fascinated by how complex our feelings make us when we fall in love. There’s a love story in all my books, but for the last three novels, a love story has been thestory. I’m a Londoner too, and I like it when a city becomes another character in a book, as I hope London has in The Central Line.
I fell in love with this beautifully written book about female friendship, set-in modern-day London. The opening shows us three young women lounging in London Fields one summer, all of them filled with an indisputable sense that they are on the brink of life, their horizons lit up with promise. Ten years later, those promises have failed to materialize. The characters are confused, struggling, and envious of what each of the others has. All three are strong, flawed characters, and their lives, choices, and mistakes feel very real and poignant.
THE MUST-READ SUMMER 2020 RICHARD AND JUDY BOOK CLUB PICK
'If you wished Normal People had tackled female friendship, try Expectation' GRAZIA 'Profoundly intelligent and humane. Deserves to feature on many a prize shortlist' GUARDIAN 'A brilliant exploration of friendship, feminism and thwarted ambition' PANDORA SYKES ______________________
What happened to the women we were supposed to become?
Hannah, Cate and Lissa are young, vibrant and inseparable. Living on the edge of a common in East London, their shared world is ablaze with art and activism, romance and revelry - and the promise of everything to come. They are electric. They…
As someone who has experienced a lot of loss in my life, I’ve done a good amount of research and exploration into the soulful nature in all of us (the living and the dead) through reading nonfiction (Laura Lynn Jackson, Brian Weiss, Edgar Cayce, Jane Roberts, John Edward and Suzane Northrop among them) and fiction that deals with strong soulful connections. Through my own work as an author, I seek to provide the message love, in any form, transcends life and death. We only have to be open to the possibility to know it and experience it. Nothing is a coincidence and we are all connected. I hope these selections open you to the possibility.
Fabiaschi’s story is told from two very different perspectives.
One is from earth and told from the perspectives of a grieving daughter and husband as they grapple with their loss. The other is from purgatory or a stasis from the perspective of the mother/wife who seems to have committed suicide. But everything is not as it seems. From the afterlife, Maddy tries to help her grieving family find answers and closure.
I was fascinated by the way Maddy attempts to affect the lives of her loved ones.
Maddy was a loving, devoted stay-at-home mother... until she committed suicide, which left her husband Brady and her teenage daughter Eve heartbroken and reeling, wondering how they can possibly continue without her. Maddy, however, isn't quite done with them. In an attempt to fulfil her family's needs, Maddy watches and meddles from beyond the grave, determined to find the perfect wife and mother to replace herself and heal her family. That's when she finds Rory: a free-spirited schoolteacher, who Maddy manoeuvres into Eve's confidences, but who turns out to be harbouring a tragedy of her own.
In 2012, a publisher asked me if I wanted to write a book about Joseph Smith's assassination. I leapt at the chance, in part because I was fascinated by Smith and the Latter-day Saints, and in part because I appreciated how many of the important contributions to Mormon history --- including Fawn Brodie’s famous biography of Joseph Smith, or the first honest and comprehensive account of the Mountain Meadows Massacre -- sprang from the pens of women and men with no formal academic training. By contrast, many “scholars” have disgraced themselves with prevaricating or pusillanimous accounts of the religion’s raucous and fascinating 190-year history. So jump in! Never a dull moment with the Latter-day Saints!
These heart-wrenching biographies of 33 of Joseph Smith’s wives were the first, in-depth exploration of the social and emotional costs of Mormon polygamy. Loneliness appeared in 1997. The church waited until November 2014, six months after the publication of American Crucifixion, to officially acknowledge that Joseph had up to 40 wives.
Beginning in the 1830s, at least thirty-three women married Joseph Smith, the founder of Mormonism. These were passionate relationships which also had some longevity, except in cases such as that of two young sisters, one of whom was discovered by Joseph’s first wife, Emma, in a locked bedroom with the prophet. Emma remained a steadfast opponent of polygamy throughout her life.
The majority of Smith’s wives were younger than he, and one-third were between fourteen and twenty years of age. Another third were already married, and some of the husbands served as witnesses at their own wife’s polyandrous wedding. In…
