Here are 94 books that Forensics fans have personally recommended if you like
Forensics.
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I grew up (at an early age ) reading what turned out to be classic crime writers: Christie, Hammett, Mac Donald, Leonard, Parker, etc. Growing up in Miami, I lived through the Cocaine Cowboy, crime-infested police department, rogue cops, and Mariel refugee crime spree days. I rode shotgun with a friend of mine who was a P.I. while he did surveillance and stakeouts.
Even though this is not fictional, it paints a gritty picture of real crime in Miami by a seasoned Miami Herald crime reporter who witnessed and, in many cases, met some of the people she actually wrote about. Firsthand accounts of the gritty side of crime are stranger than fiction.
I finished this book in a weekend because it was so compelling.
Now in trade paperback, Pulitzer Prize winner Edna Buchanan’s classic nonfiction masterpiece detailing events from her eighteen years writing for The Miami Herald.
Nobody covered love and lunacy, life and death on Miami’s mean streets better than legendary Miami Herald police reporter Edna Buchanan. Winner of a 1986 Pulitzer Prize, Edna has seen it all, including more than 5,000 corpses. Many of them had familiar faces.
Edna Buchanan doesn’t write about cops—she writes about people: the father who murdered his comatose toddler in her hospital crib; fifteen-year-old Charles Cobb—a lethal killer; Gary Robinson, who "died hungry"; the Haitian who was…
Dr. Power is promoted to a chair of forensic psychiatry at Allminster University and selected by the Vice Chancellor for a key task which stokes the jealousy of the Deans, and he is plunged into a precariously dangerous situation when there is a series of deaths and the deputy Vice…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
Roughead wrote leisurely, almost Dickensian accounts of UK criminal trials in the 1920s and 1930s. He brought a sharp lawyer’s eye, a flair for the unusual, and a witty, knowledgeable voice to the trials and to the people involved. Madeleine Smith, Constance Kent, and Donald Merritt are among the 12 cases in this sampling from his many collections. Roughead set the bar for literate crime writers who followed.
Dorothy Sayers called William Roughead "the best showman who ever stood before the door of the chamber of horrors," and his true crime stories, written in the early 1900s, are among the glories of the genre. Displaying a meticulous command of evidence and unerring dramatic flair, Roughead brings to life some of the most notorious crimes and extraordinary trials of eighteenth- and nineteenth-century England and Scotland. Utterly engrossing, these accounts of pre-meditated mayhem and miscarried justice also cast a powerful light on the evil that human beings, and human institutions, find both tempting to contemplate and all too easy to…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
I discovered Texas Monthlymagazine and its in-depth crime reporting when one of my sisters lived in Fort Worth. I was hooked. Writers Skip Hollandsworth, Mimi Swartz, Mark Seal, Gary Cartwright, and others dig into each story. This isn’t “just the facts, ma’am” reporting. It’s whyit happened and how it affected people. Some made international headlines (the military school cadets convicted of an odd love-triangle murder or the cheerleader’s mom who plotted to kill her daughter’s rival). Some could only happen in Texas. All are memorable, well-told tales.
Nobody does it bigger than the state of Texas, whether it is a matter of cattle ranches, pro linebackers...or true crime. From EL Paso, from Dallas from tiny Channelview come tales of murder, mischief, and malice - complete with new epilogues on their dramatic final chapters - that have been torn out of the pages of the award - winning Texas Monthly magazine and still succeed in rocking an almost shockproof nation. Included are true tales of: * Charles Whitman, the University of Texas tower sniper who blew away sixteen lives. * The Cheerleader mum who planned to thwart her…
A decades-old secret. A missing woman. A private investigator with everything to prove.
Newly minted PI Paula Moore takes on her first case: find Marion Taylor, who vanished from Portsmouth, England, years ago. Paula’s search leads her across the ocean to San Francisco—only to discover Marion has changed her name,…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
This collection features a range of stories, a range of time and places, written by many of the best true-crime writers. Goodman, himself a master storyteller, has pulled together a wide sampling of all manner of crimes stories, all well-told. Goodman wisely included his own likely solution to one of my favorite unsolved crimes, the Liverpool case of Julia Wallace, which has fascinated novelists from Raymond Chandler to Dorothy L. Sayers and P.D. James.
More than 32 accounts of murder by crime historians and fiction writers as well as analyses of how criminals are brought to justice, of how others get away with it, a section on executions and executioners, the perils of eye-witness evidence and a discussion of what makes a good murder.
I was frustrated by stories of gilded-age women who floundered around and were pitied because of the limitations society put on them. I thought the heroine of House of Mirth was not heroine but a loser. It seemed to me there must be other women out there who weren’t just sitting around bemoaning their predicament. Since I’m a mystery writer I was especially pleased to find some women who were out there doing things, even in criminology. Finding Frances Glessner Lee was the icing on the cake when I learned that she is known as the Mother of Forensic Science. Had to be great stories there.
The Nutshell Studies are now located in Maryland at the medical examiner’s office.
Goldfarb worked there and his book provides information on how Frances Glessner Lee became involved in the work of her brother’s old friend Dr. George Meredith Magrath who was medical examiner in Boston (Suffolk County).
His work demonstrated the need for a technically proficient medical examiner system to replace the old coroner system and for police detectives to be trained to deal with a crime scene. Called Legal Medicine at the time, this was the beginning of forensics as we know it now.
It’s fascinating how one woman used her money and influence to establish training for law enforcement officials even after her mentor Dr. Magrath died.
A captivating blend of history, women in science, and true crime, 18 Tiny Deaths tells the story of how one woman changed the face of forensics forever.
Frances Glessner Lee, born a socialite to a wealthy and influential Chicago family in the 1870s, was never meant to have a career, let alone one steeped in death and depravity.
Yet she developed a fascination with the investigation of violent crimes, and made it her life's work. Best known for creating the Nutshell Studies of Unexplained Death, a series of dollhouses that appear charming―until you notice the macabre little details: an overturned…
I’ve always been fascinated with crime and crime fiction. From my early obsession with the novels of Raymond Chandler to my embarrassingly late discovery of Agatha Christie. I directed epsiodes of Sherlock Holmes with Jeremy Brett for Masterpiece theatre, which was a dream come true. But it frustrates me when television dramas tread roughshod over forensic science, making absurd claims for what can be done, when the truth, as mundane as it often can be, is so much more fascinating. To this end I have just graduated with an Mlitt from the University of Dundee in Crime Fiction and Forensic Investigation. I hope this will lend my books an air of authenticity and dramatic drive.
What is compelling about this book is that the author has worked on some of the most famous cases in the UK. Some like Stephen Lawrence, Rachel Nickell, and Damilola Taylor are still very much in the public consciousness.
She details the difficulties in the case and how she worked methodically on them. The Guardian said, "Her ability to reconstruct violent events in her mind and to see how forensic science can be used to reveal a suspect would leave even Sherlock Holmes in awe."
'Fascinating. A book that will be essential reading for every aspiring crime writer' Guardian
'Offers a chilling glimpse into her life's work. Fascinating stuff.' Sunday Times
'Compelling' Daily Mirrror
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By the time I arrived at the wood yard in Huddersfield on a bitterly cold night in February 1978, the body of the 18-year-old victim had already been taken to the mortuary. __________
Never before has criminal justice rested so heavily on scientific evidence. With ever-more sophisticated and powerful techniques at their disposal, forensic scientists have an unprecedented ability to help solve even…
I am an award-winning true crime author, criminologist, and victims advocate who has written and presented on crime for over 30 years. I know that history teaches us how and why crime occurs and why it will happen again, but crime doesn't happen in a vacuum. History, personality, and human nature all play a part. There is always a "story behind the story." I appreciate true crime books that teach us rather than sensationalize. The faster we share knowledge, the easier it is to catch criminals.
This book is forensics for the layman. No mechanical component replaces education and knowledge. Electronics break down and computers are just machines. It is a good "old-fashioned" investigation work that solves crimes. This book explains how. It is easy-to-read, exciting for students, "couch cops," and even investigators. This book appeals to all types of learners with a thorough history of investigative processes filled with photos, charts, sketches, and maps. It also includes case studies of criminals and criminal behavior, manner of death, and profiling.
No, this book doesn't discuss the latest in lasers and it only briefly touches on DNA. It's about the natural investigative process: reasonable doubt, time and cause of death, criminal behavior, and courtroom proceedings. Want to read up on the future of orbiting satellites in investigative technology? Try another book. Want to see human eyelashes magnified by 50x in order to understand skin and hair samples?…
I work on topics where medicine, crime, and the law intersect, aided by an undergraduate degree in chemistry and stimulated by my fascination with how criminal justice systems work. I have published on the history of poisoning, vitriol attacks, assault, child murder, and the role of scientific expertise in criminal investigations and trials, focusing on Britain since the seventeenth century. I’ve contributed to many TV documentaries over the years, and enjoy the opportunity to explain just why the history of crime is about so much more than individual criminals: it shows us how people in the past lived their lives and helps explain how we got where we are today.
This is an important resource for anyone interested in the history of twentieth-century forensic practice, because it explains the rise of forensic science as a discipline separate from forensic medicine. Forensic scientists, based in laboratories, analyse trace evidence found at crime scenes, while forensic pathologists focus on the dead body in the mortuary. An analysis of the 1953 serial murders committed by John Christie at his infamous London address, 10 Rillington Place, shows how murder investigations had by then become team efforts centred on the crime scene itself.
Crime scene investigation-or CSI-has captured the modern imagination. On television screens and in newspapers, we follow the exploits of forensic officers wearing protective suits and working behind police tape to identify and secure physical evidence for laboratory analysis. But where did this ensemble of investigative specialists and scientific techniques come from? In Murder and the Making of English CSI, Ian Burney and Neil Pemberton tell the engrossing history of how, in the first half of the twentieth century, novel routines, regulations, and techniques-from chain-of-custody procedures to the analysis of hair, blood, and fiber-fundamentally transformed the processing of murder scenes. Focusing…
Since my childhood reading of Enid Blyton’s Secret Seven books I’ve been addicted to series. I love the character development, that ability to learn more about your favourite with each new story. Crime thrillers became my preferred leisure reading as an adult and, unsurprisingly my passion when I began a full-time writing career. My background as a retired detective from Ireland’s police force helps me understand the individual stresses on investigators and the strain of maintaining relationships and family life while pursuing suspects and protecting lives. I lived in Dublin for over twenty-five years and enjoy using the ever-changing city as a base for my series.
The quest to endure and overcome against seemingly impossible odds is a strong theme with The Highway. I liked that and also that the characters came alive from the first page.
The main character Cassie Dewell’s interaction with those around her keeps you guessing as to whether she is smart or flaky. As a rookie investigator in a rural sheriff’s department beset with corruption she has her work cut out to survive. The stressed interplay of her family and work life ramps up tension when she gets on the trail of a serial killer, snatching his victims from highways and truck stops. The plot is compelling and you hold your breath as you leaf through each page. If page-turning crime thrillers are your thing, I recommend The Highway.
When two sisters set out across a remote stretch of Montana road to visit their friend, little do they know it will be the last time anyone might ever hear from them again. The girls—and their car—simply vanish. Former police investigator Cody Hoyt has just lost his job and has fallen off the wagon after a long stretch of sobriety. Convinced by his son and his former rookie partner, Cassie Dewell, he begins the drive south to the girls' last known location. As Cody makes his way to the lonely stretch of Montana highway where they went missing, Cassie discovers…
Cal Lovett is obsessed with finding justice for the families of missing people. His true crime podcast is his way of helping others, even if he can't help himself.
His sister, Margot, disappeared when he was a child. Only one man seems to know something. But he's behind bars and…
I read a lot of crime novels but get frustrated by the ones that don’t seem to be grounded in any reality. I get irritated when police procedural novels like any real ‘procedure’, and I find ‘maverick’ cops a tedious trope because it’s rarely done as well as the true originals like Morse. Of course, there’s a lot more freedom with PIs or ‘amateur sleuths’, but I still want the books to have some relation to reality. I’m not keen on too many coincidences either. Perhaps I’ve become hard to please!
There are two main characters in this 9-book series, a traditional US detective and his girlfriend, who is a graphologist – someone who studies handwriting.
I’ve learned a lot about the techniques used to determine whether a signature on a will is a forgery, and that several medical insurance fraud cases have been prosecuted in the US based on the testimony of a graphologist. In the case cited, someone had filled out a number of forms all in one go, with the $ claims put in later – but because the forms had all been signed at the same time, there was ‘drift’ as the signatures migrated in the direction of the writer.
I tried this at home, and it’s true. Try writing your name over and over again in a list: if you’re right-handed, you’ll drift to the right side of the margin, and if you’re left-handed, towards the…
Before her body was found floating in her Jacuzzi, publicist-to- the-stars Lindsey Alexander had few friends, but plenty of lovers. To her ex- friend-forensic handwriting expert Claudia Rose-she was a ruthless, back- stabbing manipulator. But even Claudia is shocked by Lindsey's startling final note: "It was fun while it lasted!"
It would be easier on the police-and Claudia-to write it off as suicide. But Claudia's instincts push her to investigate further, and she quickly finds herself entangled in a far darker scenario than she bargained for. Racing to identify a killer, Claudia soon has a price on her head-and unless…