Here are 100 books that Folk Music fans have personally recommended if you like
Folk Music.
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At the age of 23 I brought Bob Dylan to the Isle of Wight to play the 1969 festival. In my naivety when making the bid I knew nothing about the sixties superstar but by the time he accepted the invitation I had soaked up all that was generally known of his music and backstory. Through the decades since I have closely followed Dylan’s remarkable career and written about his indispensable place in the counterculture. I am an architect and author working in Oxford.
Not the best-known Dylan book but Jokerman is unusually productive in its scholarly analysis of many of the Nobel Laurette’s revered lyrics.
Investigating the writer’s use of ‘Identity’ in his work happens to coincide with 20 of his best-known and most loved songs. At one level, this might be seen as a book for anoraks, but it is much more likely to be of interest to anyone inclined to seek answers to questions raised in the apparent opacity of these Dylan classics.
Bob Dylan is described as one of the most startling, prolific and controversial contemporary song-writers. This book explores the complexity and subtlety of his lyrics and their themes, seeking to make intelligible that seems obscure and difficult. The author reviews the manner in which many of Dylan's lyrics treat fundamental questions concerning the nature of human identity. He argues that these lyrics represent a continuation of the experimental poetic practices of modernism. At the heart of Dylan's work are the discrepancies between the conscious, socialized self, born of language, and those potencies of personality that lie outside rational formulation. For…
Known more for his books on Mayas, Aztecs, and Spanish conquistadors, historian Matthew Restall's latest book takes his deepest dive yet into the history of pop music.
In the late-1970s, three music-obsessed, suburban London teenagers set out to make their own kind of pop music: after years of struggle, success…
Almost all of my books have been historical novels, but this one is the one most dear to me, an attempt to understand the fault line that the Vietnam War laid across American society, leaving almost every man of my generation with scars physical or psychic. My picks are all books that illuminate the multiple upheavals of that time.
If there is any cultural icon that defines this era, it is music.
Positively 4thStreetchronicles the personal and musical lives of these four, a portrait of extravagant, quarrelsome genius and the transformation of folk music from academic song-collecting to an era-defining musical form, by way of Greenwich Village, the anti-war movement, and shifting personal entanglements.
When twenty-five-year-old Bob Dylan wrecked his motorcycle near Woodstock in 1966 and dropped out of the public eye, he was already recognized as a genius, a youth idol with an acid wit and a barbwire throat; and Greenwich Village, where he first made his mark, was unquestionably the center of youth culture.
In Positively 4th Street, David Hajdu recounts the emergence of folk music from cult practice to popular and enduring art form as the story of a colorful foursome: not only Dylan but also his part-time lover Joan Baez -- the first voice of the new generation; her sister…
I’m the author of five books on subjects ranging from comedy and music to sports and pants (specifically, blue jeans). I’m a longtime Boston Globe contributor, a former San Francisco Chronicle staff critic, and a onetime editor for Rolling Stone. I help develop podcasts and other programming for Sirius and Pandora. I teach in the Journalism department at Emerson College, and I am the Program Director for the Newburyport Documentary Film Festival and the co-founder of Lit Crawl Boston.
I devoured this book on the recommendation of my friend Otis Gibbs, a songwriter with a particular interest in the great tradition of songs of, by, and for the working class. “Educate – Agitate – Organize,” reads the Joe Hill mural painted on the side of a rare books store in Salt Lake City, where the Wobbly songwriter was sentenced to death by firing squad in 1915. In The Man Who Never Died (2011), journalist William M. Adler contextualizes the vital importance of songs like Hill’s to the union movement, and he uncovers new details about the activist’s controversial conviction.
In 1914, Joe Hill, the prolific songwriter for the Industrial Workers of the World (also known as the Wobblies), was convicted of murder in Utah and sentenced to death by firing squad, igniting international controversy. In the first major biography of the radical historical icon, William M. Adler explores an extraordinary life and presents persuasive evidence of Hill's innocence. Hill would become organized labor's most venerated martyr, and a hero to folk singers such as Woody Guthrie and Bob Dylan. His story shines a beacon on the early-twentieth-century American experience and exposes the roots of issues critical to the twenty-first…
The Beatles are widely regarded as the foremost and most influential music band in history and their career has been the subject of many biographies. Yet the band's historical significance has not received sustained academic treatment to date. In The Beatles and the 1960s, Kenneth L. Campbell uses The…
Over my past 87 years, I have experienced a multitude of intimate relationships, including “falling in lust,” infidelity, “one-night stands,” one-week trysts to 40-year companionships, two marriages, and fatherhood, but the one that was most lasting and important to me was one of unconditional love.
This is a song rather than a book, but the words to a song are a form of poetry, and Joni Mitchell writes that song based on 40 years of enduring love in a marriage with her lifelong companion and captures the longing when lovers are apart for long periods of time.
On the day I was born, crucial scenes for both The Exorcist and The Wicker Man were being filmed, forever marking me as a member of the Haunted Generation. The strange, the aberrant, the unsettling, and the obscure have bedevilled me ever since. In search of the wyrd and the eerie, I have stumbled upon many forgotten ghosts and shadowy remembrances.
My writing is marked by the joy and terror of growing up in an odd time that melded the paranormal and the scientific, the cutting edge and the nondescript, all broadcast through grainy waves, picked up by shaky antennas, displayed on staticky televisions, and remembered hazily through nostalgia darkly.
I am a movie, book, and culture fanatic, but the ultimate medium for me is music.
Hauntology and folk horror are both greatly informed by music and have subsequently resulted in music that is informed by the concepts of hauntology and folk horror. I focus a lot on this reciprocal relationship in my book, but no one has explored the connections between the music of the past and the music of the future in greater detail than Rob Young in Electric Eden.
Starting with the revival of folk music in England, this book ranges through psychedelic and acid folk, touching on rock, prog, classical, experimental, and electronic music in a dizzying but exhilarating tour of the weirdos, outcasts, and visionaries that ushered in a new age of music with one foot in rural heritage and the other in futuristic utopian dreams.
A new edition as part of the Faber Greatest Hits - books that have taken writing about music in new and exciting directions for the twenty-first century.
Rob Young's Electric Eden: Unearthing Britain's Visionary Music is a seminal book on British music and cultural heritage, that spans the visionary classical and folk tradition from the nineteenth-century to the present day.
'A thoroughly enjoyable read and likely to remain the best-written overview for a long time.' GUARDIAN
'A perfectly timed, perfectly pitched alternative history of English folk music . . . wide-ranging, insightful, authoritative, thoroughly entertaining.' NEW STATESMAN
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
Not everyone who loves and admires this folk musician, the half-sister of Pete Seeger and a longtime collector of English folk ballads, knows her as the songwriter behind Roberta Flack’s hit “The First Time Ever I Saw Your Face;” hence the title. The quirky style of this real page-turner provides fantastic stories of folk heritage, song collecting, love, child-rearing, radio performance activism, encounters with English Travelers, travels to China, and life growing up as a daughter of the ethnomusicologist Charles Seeger.
A SUNDAY TIMES AND TELEGRAPH BOOK OF THE YEAR SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZE THE BOOKSELLER'S Most Picked Book in General Non-Fiction Round Ups of 2017
Peggy Seeger is one of folk music's most influential artists and songwriters. Born in New York City in 1935, she enjoyed a childhood steeped in music and left-wing politics - they remain her lifeblood. After college, she travelled to Russia and China - against US advice - before arriving in London, where she met the man with whom she would raise three children and share the next thirty-three years: Ewan MacColl. Together,…
My name is Lee Andrew Taylor. I write novels and screenplays, mostly in the horror genre, with a few signed by Producers since 2021. I write what I see. It’s worked for me so far, with many discussions with producers in the past few years. If I can see a movie when I read someone’s story then there’s a great chance other people will see the same thing. I am always creating new worlds inside my mind, new stories to write, and new paths to take.
This book sucked me into the author’s world. I think this was the author’s first novel, so I was unsure how it would read, but it’s gripping & well-written. I’m glad the author has written a sequel to this book. The style of writing is different from what I’m used to, but the author has a way of making the story believable.
Welcome to Sacrificale Grove. The place that no one ever plans on comin' to, and the place that no one ever leaves. You'll see some right peculiar folk round here, that's for sure. I can see by the look on your face that you're a bit confused. Never mind about that old path you're lookin' at; you don't want to cut through those woods north of here that's out by Clyde's old shack. You might think it's a short cut, but it ain't. Yep, there is a trail that leads into the woods. You can't see too much in there;…
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
The child of Communist parents, Alix would grow up to be one of the most profound movers and shakers of the lesbian music movement, producing the first full-length lesbian album, Lavender Jane Loves Women, in 1973. But this memoir is a series of chapters on her early years growing up in the 1950s with progressive activists and folk club life, embarking on her own career in the folk circuit, singing against the backdrop of repressive politics, and coming into the women’s movement as a married mother about to fall in love with another woman.
Women’s music legend Alix Dobkin for the first time chronicles her rise to fame as the first artist to record an openly lesbian album in 1973. Her story, however, opens much earlier in postwar New York City, where, growing up in a Communist family, she watches Jackie Robinson steal home, rubs elbows with radical Left celebrities like Paul Robeson, and comes of age under the watchful eye of the FBI. Dobkin herself joins the party at the height of the McCarthy witch hunts and offers readers a firsthand glimpse of daily life as a young person living under government surveillance.…
Throughout my teen years, I heard the narrative that mothers are powerless doormats who should be doing something better with their lives. But in time, I realized motherhood is a position of profound power. And I knew that the prevailing messaging on motherhood needed to change! As an author, speaker, and policy advisor for an NGO at the United Nations, I have spent the past 10 years inspiring women to embrace their potential—including their irreplaceable roles as mothers. I have a degree in English, but my finest education came from raising my four college-age daughters and my one young son. Mothers are miraculous!
I absolutely love this book! I knew the story of Maria von Trapp from The Sound of Music, but reading Maria’s experiences in her own words was compelling beyond anything I expected.
Although not everything in the movie is true, the vast majority of it IS true, and what we get in the movie is only half the story! There’s so much grit and goodness in this remarkable book. Above everything else, it is the story of a woman who didn’t expect to be a mother but became one of the best mothers the world has ever known.
I walked away from this book feeling absolutely inspired to be as good a mom as Maria von Trapp. If she could do it, so could I! If you’re looking for an incredible true story, whether you’re a mom or not, this is it.
With nearly 1,500 Broadway performances, six Tony Awards, more than three million albums sold, and five Academy Awards, The Sound of Music, based on the lives of Maria, the baron, and their singing children, is as familiar to most of us as our own family history. But much about the real-life woman and her family was left untold. Here, Baroness Maria Augusta Trapp tells in her own beautiful, simple words the extraordinary story of her romance with the baron, their escape from Nazi-occupied Austria, and their life in America. Now with photographs from the original edition.
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
Coy Hall is a newer writer on the scene but the work he has produced so far has been of exceptional quality.
This particular book contains short stories which interlink yet standalone. Hall’sGrimoire of the Four Impostershas its folk horror set against the historical backdrop of the 16th and 17th centuries. I freely admit to being a history fan and seeing this mixed with a favourite subgenre is a delight.
The stories are dark and menacing, vibrant with character, and melding folklore and the occult into a showcase of storytelling. They show that folk horror can be done differently.
