94 Books Like Flemington

Witch Wood tells the story of a high-minded, ardent and scholarly young Presbyterian minister, David Sempill, who is called to a benighted Tweeddale parish in 1645 at the time of the War of Three Kingdoms, and how his desire to root out covert witchcraft amongst some of his most ‘devout’ parishioners at a time of civil war and plague leads to tragedy and exile. The Marquis of Montrose, on whose biography John Buchan was working at the same time, has a walk-on part in the story. John Buchan considered this his best work of fiction, and I agree.

Much Scottish historical fiction is set at the time of the 1745 uprising against the Hanoverian King George II by supporters of Charles Edward Stuart, known as Bonnie Prince Charlie. This is not surprising since it was a deeply traumatic time, which has left scars to this day. The first I read as a young teenager was written by an Englishwoman, D.K. Broster, in the 1920’s: The Flight of the Heron, the first of a trilogy (the others were The Gleam in the North and The Dark Mile). 

This book made me into a Jacobite, despite my own forbears being mostly Lowlanders, who would probably have fought for King George. It tells the exciting, tense, and tragic epic of the ’45 through the stories of Ewen Cameron of Ardroy, a kinsman of Cameron of Lochiel, and a discontented army officer called Keith Windham; their paths cross several times… show more.

Neil Munro’s Scottish tales, especially the Para Handy stories, were very popular in his lifetime, but I prefer his historical novels. In my opinion, the best is The New Road. The title refers to the military road into the Highlands, made in the 1730s by General Wade, which was a major reason why the Highlanders were defeated, since it enabled the army to bring artillery to bear at the Battle of Culloden in April 1746. But the road also brought the possibility of greater prosperity, through trade, to the benighted Highlands. Munro came from Inverary in Argyll, and so does the hero in this thriller, who sets out to find the killer of his Jacobite father years before, during the uprising in support of Bonnie Prince Charlie’s father, James. It is an exciting story but with underlying serious themes, for example about progress and change in traditional societies.

I received this as a prize at school when I was fifteen and passages like this spoke to me: “...you wanted the words they'd known and used, forgotten in the far‑off youngness of their lives, Scots words to tell to your heart, how they wrung it and held it.” My Ayrshire community spoke Scots so it was life changing to read this message by an author from a different time and a different place who was  intensely relevant to my own situation. Being discouraged or even punished for speaking Scots in school, led us to learn English pretty quickly and this bi-lingual tension gave us an advantage learning other languages like French and German which I studied at University. But I will always be grateful to Sunset Song for making me aware of how important the Scots language was to our identity as Scots: “And the next minute that passed… show more.

This was the fifth time I have read this book, and I swear I love it just as much every time I read it.

The book is about a writer who has a story come to her in waking dreams and flashes of vivid insight. The story of the past is one of her ancestors who lived near this place.

As a writer, this idea appeals to me. Some of my favorite ideas have come to me in the space between waking and sleeping. The dual timeline of present and historical mesh seamlessly so that the two pieces complement each other, and I love rediscovering all the ways the pieces connect.

Having met the author and taken a dozen workshops with her, I appreciate the craft that went into the writing. Plus, she’s a fellow Canadian.

This is a collection of essays for a major exhibit at the National Museum of Scotland in 2017. It features essays on aspects of the endurance of the Jacobite cause, and objects associated with Jacobitism (like Bonnie Prince Charlie’s silver picnic set). It also has over 200 pictures. This myth has endured through the writings of Sir Walter Scott through Outlander, and this book presents the much, much larger, and more complex story.

The largest – but also the worst led – Jacobite military challenge to Great Britain happened in 1715, when more than 20 000 men volunteered to fight.

Daniel Szechi tells their story more fully than anyone else, and sees Scottish opposition to the 1707 Union with England as one of the greatest motivators of the Jacobite Rising.

This book contains tough questions that I have struggled with in the past like, “Why would God allow this to happen?” “Does God see me?” “How can God use this for His glory?” I found comfort in these pages. I learned the struggle of many during the Jacobite uprising—something I knew precious little about, and I have Scottish heritage!

Laura always transports me into history, and I love how she combines stories of struggle with hope. I always walk away from her books with new knowledge of history and encouragement for my own life. Besides, I can never say no to a good romance!

One of the greatest ‘what-ifs?’ of the Jacobite movement centres on the English Jacobites and the fundamental question of why they were so politically important within the movement and yet so useless in terms of achieving a Stuart restoration. 

England was the most powerful of the three kingdoms of the British Isles and a major section of the Tory party, the most popular party in England, episodically developed a yearning for such a restoration. Yet it never took off. Monod’s classic book explores English Jacobitism in admirably fine and lucid detail and provides the best answer we are going to get.

A bracing tonic for anyone slogging through the Outlander—or Waverley—version of the Jacobite rebellions, Jacob's 1911 novel is beautiful, painful, and utterly unromantic (even though the deep attraction felt between the two main male characters is the driving force of much of the plot). It throws into sharp relief the ambiguities of civil war and the ways in which personal background, inclination, and affection play more of a role than principle ever could in determining an individual's place in such a conflict. Each year, my students are continually surprised by how much they enjoy it.