Here are 100 books that Flaubert in Egypt fans have personally recommended if you like
Flaubert in Egypt.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I was introduced to the fascinating world of the Ancient Greeks by an inspirational teacher at my Primary School when I was about 10 years old—he read us tales of gods and monsters and heroes and heroism, and I was entranced. My grandpa bought me a copy of The Iliad. I read it with my torch under the bedclothes and embarked on a magical journey that has seen me spend the greater part of my life travelling in the world of the Ancient Greeks, both physically and intellectually. Those characters, both real and mythical, have become my friends, enemies, warnings, and role-models ever since.
Herodotus is a joy to read. In his Enquiries into the heroic struggle of Greece against the mighty Persian Empire, he wanted to preserve the memory of wondrous deeds. And he does it brilliantly. Along the way we discover how to catch a crocodile in Egypt, visit the walls of Babylon, and travel with the fearsome, gender-fluid, Scythian warriors. As the massed Persian armies with their arrogant and manipulative commanders bear down on the divided state of Greece, we are taken to battlefield of Marathon, witness the tenacious heroism of the 300 Spartans, and fight on the sea at the great Greek victory at Salamis. This epic conflict between the forces and ideals of East and West is rendered beautifully in Tom Holland’s fluent translation, which nimbly walks the line between accuracy and accessibility.
One of Western history's greatest books springs to life in Tom Holland's vibrant new translation
Herodotus of Halicarnassus-who was hailed by Cicero as "the father of history"-wrote his histories around 440 BC. It is the earliest surviving work of nonfiction and a thrilling narrative account of (among other things) the war between the Persian Empire and the Greek city-states in the fifth century BC.
With a wealth of information about ancient geography, ethnography, zoology, comparative anthropology, and much else, The Histories is also filled with bizarre and fanciful stories, which award-winning historian Tom Holland vividly captures in this…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
When author Rosemary Mahoney took a solo trip on the Egyptian Nile in a seven-foot rowboat, she discovered modern Egypt for herself. As a female, she confronted deeply-held beliefs about foreign women while cautiously remaining open to genuine friendships; as a traveler, she had experiences that ranged from the humorous to the hair-raising--including an encounter that began as one of the most frightening of her life and ended as a chastening lesson in cultural misunderstanding. Whether she's meeting contemporary Egyptians or finding connections to Westerners who traveled the Nile long ago, Mahoney's informed curiosity about Egypt never ceases to captivate the reader.
If you, like me, have imagined Florence Nightingale as selfless, holy, good, unworldly, prim, and therefore probably very dull, this collection of her letters from Egypt will completely dash that perception. Nightingale was ferocious. Purely by coincidence, she set off on a three-month cruise down the Nile during the same week as Gustave Flaubert. Though the two apparently never met in their travels, they had many of the same experiences and visited the same places within two or three days of each other. Of the two, Nightingale was in fact the more daring and the more acute in her observations and judgments.
She was brilliant, widely traveled, extremely well-educated, and had an absolutely wicked sense of humor that in these pages will surprise and delight you. Where Flaubert was emotional, sometimes melodramatic, superstitious, and occasionally fearful, Nightingale was tough-minded, unsentimental, and rational. In places where Flaubert chickened out, Nightingale just…
When author Rosemary Mahoney took a solo trip on the Egyptian Nile in a seven-foot rowboat, she discovered modern Egypt for herself. As a female, she confronted deeply-held beliefs about foreign women while cautiously remaining open to genuine friendships; as a traveler, she had experiences that ranged from the humorous to the hair-raising--including an encounter that began as one of the most frightening of her life and ended as a chastening lesson in cultural misunderstanding. Whether she's meeting contemporary Egyptians or finding connections to Westerners who traveled the Nile long ago, Mahoney's informed curiosity about Egypt never ceases to captivate the reader.
At the age of seventy-two, William Golding, British author of Lord of the Flies, set off on a trip down the Nile with his wife and an Egyptian guide. Golding had long had a burning passion for Egypt, stating that ". . . for the last sixty years I must have read every popular book ever written about Egypt." But as his journalistic observations illustrate, there was still so much more to be learned by personal experience. I love this book for Golding's wry, gentle sensibility, his cozy erudition, his intellectual warmth, his wisdom about life and interpersonal relationships in general, and his wonderful sense of humor. I laughed aloud at many points in this book.
William Golding's interest in ancient Egypt has previously been expressed in two essays, and in the novella "The Scorpion God". This account covers his journey down the Nile in today's Egypt. He recalls his trip honestly and humorously, and shares his feelings about Egypt past and present.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
When author Rosemary Mahoney took a solo trip on the Egyptian Nile in a seven-foot rowboat, she discovered modern Egypt for herself. As a female, she confronted deeply-held beliefs about foreign women while cautiously remaining open to genuine friendships; as a traveler, she had experiences that ranged from the humorous to the hair-raising--including an encounter that began as one of the most frightening of her life and ended as a chastening lesson in cultural misunderstanding. Whether she's meeting contemporary Egyptians or finding connections to Westerners who traveled the Nile long ago, Mahoney's informed curiosity about Egypt never ceases to captivate the reader.
When Edward Lane's exhaustive account of his two-year sojourn in Egypt was published in London in 1836, it met with such fascinated demand that its first printing sold out in two weeks. The book has never since been out of print. Lane, who was fluent in Arabic and an expert in Egyptian history, was one of the early British scholars to immerse himself in Egyptian life. I mean truly immerse himself by dressing like and living with Egyptians. At that time Egypt still remained a great mystery to the western world, essentially because nearly a thousand years of Arab rule had prevented foreigners from traveling there.
Lane's patience and curiosity allowed him to witness Egyptian life in the early 19th century in intimate detail and in ways no other traveler had been able to do. The book is a font of strange and quirky detail, such as the use of…
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I'm an English professor/long-distance hiker who loves both the experience of walking in cool places and then writing about the adventure. I've hiked across several European countries and odd sections of the Appalachian Trail—such as New Jersey. As for the "quirky narrator" part, apparently I'm brave, brazen, or bizarre to explore the world unescorted. I find I meet more people when traveling alone and pursue my thoughts to a greater extent. I love it when a writer finds a way to put their vulnerabilities on the page in a way that doesn't alienate others (or themselves). I love books with strong, individualistic narrative voices that draw you into their stories.
Mahoney's courage, intelligence, and eloquence make her an intimate companion on my armchair journeys. I knew I could follow this woman anywhere when she wrote of camping in Israel to the sound of bombs in Palestine (A Singular Pilgrimage). The dangers are even greater when she decides to paddle down the Nile in a rowboat. She presents such a persistent challenge to Egyptians—a woman traveling alone, buying a boat, talking to strangers—that she ultimately concedes and dons a masculine disguise. She often leavens the dread that readers may feel with irony and humor. When an Egyptian man complains of the "whorish" British women who hire gigolos, Rosemary levelly replies that it must be the gigolos who are prostitutes since they are the ones selling their bodies.
When Rosemary Mahoney, in 1998, took a solo trip down the Nile in a seven-foot rowboat, she discovered modern Egypt for herself. As a rower, she faced crocodiles and testy river currents; as a female, she confronted deeply-held beliefs about foreign women while cautiously remaining open to genuine friendship; and, as a traveller, she experienced events that ranged from the humorous to the hair-raising - including an encounter that began as one of the most frightening of her life and ended as an edifying and chastening lesson in human nature and cultural misunderstanding. Whether she's meeting Nubians and Egyptians, or…
Since I first visited Africa in 2004 I’ve found it difficult to tear myself away. I’ve lived in South Africa, Ghana, Tanzania, and Sudan and travelled in all corners of the continent. I’ve participated in a revolution, hung out with the illegal fishermen of Lake Victoria, been cursed—and protected—by witch doctors, and learned Swahili. I’ve also read extensively about the place, written three books about it, and broadcast from it for the BBC World Service. In my other life I research and write about international development for universities and global organisations. This too has a focus on Africa.
This is a beautifully written tale of the author’s time living in rural Egypt in the 1980s.
Ghosh’s accounts of his meetings and friendships with Egyptians unused to foreigners resonate with my own experiences in rural Africa, and the way he pieces together the long-forgotten history of an anonymous twelfth-century Indian slave and his Arab Jewish trader master and weaves it into the story is astonishingly deft.
I read it again recently and enjoyed it just as much as the first time.
Once upon a time an Indian writer named Amitav Ghosh set out an Indian slave, name unknown, who some seven hundred years before had traveled to the Middle East. The journey took him to a small village in Egypt, where medieval customs coexist with twentieth-century desires and discontents. But even as Ghosh sought to re-create the life of his Indian predecessor, he found himself immersed in those of his modern Egyptian neighbors. Combining shrewd observations with painstaking historical research, Ghosh serves up skeptics and holy men, merchants and sorcerers. Some of these figures are real, some only imagined, but all…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I’ve always been fascinated by history and the sense of place. That has led to a career in Egyptology, but I’ve come to realise that that fascination has been a part of my other interests whether it be Arsenal Football Club, rock music, or cycle touring. I’ve had the opportunity to travel a lot in recent years. My horizons have broadened, and I’ve come to appreciate the natural environment and man’s place in it more and more. None of the books on my list were chosen because of this – I read them because I thought I would enjoy them, but there’s a common theme linking them all – places, people, interactions.
Egyptology is a strange subject in that, even though you wouldn’t know it from the name, it really only concerns one aspect of Egypt – its ancient past – and it’s quite possible to develop an expertise in the field without having any familiarity with Egypt of the present day. One might become an expert in reading the hieroglyphic script, or in distinguishing an Old Kingdom statue from one sculpted in the New Kingdom, all without ever even visiting Egypt itself. Although this is an unintended consequence, it does rather foster the false idea that ancient Egypt is entirely unconnected from modern Egypt. But while more than a thousand years have passed since anyone worshipped the ancient gods or wrote anything in the ancient script, the two are very much connected of course – the natural environment, the land, and the climate are essentially unchanged, the modern people are the…
In a ruined temple along the Nile, Anthony Sattin sees a woman praying to the gods of ancient Egypt to bless her with a child. Later that day, a policeman stops his taxi to ask to borrow a mobile phone to call his mother. The ancient rubs up against the modern just as dramatically as when Flaubert wrote, 'Egypt is a wonderful place for contrasts - splendid things gleam in the dust". Anthony Sattin has tracked down extraordinary examples of ancient survivals in the hurly-burly of modern Egypt.
I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
The book gives the reader a deep layered understanding of Egypt before the 2011 uprising to look at the state of the nation and into the heart of Cairo, an ancient city but now a metropolis of over 20 million. Written with a novelist's flare this is an intimate portrait of the lives of Cairenes that explores hidden aspects of this mysterious city. The author builds an intriguing story on the religious beliefs, family values, negotiating tactics, driving habits, and attitudes towards foreigners.This is a reflection on a wonderous city, a place of sadness and of hope, which uses the metaphor of Saharan desert sand blowing in to shape the sand castle politics of the Mubarak era that would come crashing down in the 2011 Revolution.
Cairo is a 1,400-year-old metropolis whose streets are inscribed with sagas, a place where the pressures of life test people's equanimity to the very limit. Virtually surrounded by desert, sixteen million Cairenes cling to the Nile and each other, proximities that colour and shape lives. Packed with incident and anecdote "Cairo: City of Sand" describes the city's given circumstances and people's attitudes of response. Apart from a brisk historical overview, this book focuses on the present moment of one of the world's most illustrious and irreducible cities. Cairo steps inside the interactions between Cairenes, examining the roles of family, tradition…
My career has taken me zero millimeters from a large college, Christ Church, to a small, adjacent one, Corpus Christi, in 1971. In my mind, though, I have crisscrossed the world, leaping back in time to late antiquity and the Middle Ages, and nowhere proved more fascinating than Iran, which I have visited twice, in 1998 and 2002. I have written about different facets of its history at the end of antiquity, in particular its dominant role in the India trade and the coming of the Arabs.
Everywhere I went in Iran in 1998 and 2002, there were huge wall paintings of martyrs who had been killed in the war against Iraq (1980-88). Mass attacks led to appalling casualties.
I returned a vicarious Iranian patriot. Christopher de Bellaigue, who speaks good Farsi, took me far deeper into post-revolutionary society in his numerous conversations with individuals from many different milieux, including two who had fought and survived the war.
I regard him as the best guide to the temper of contemporary Iran and the reasons for the fall of the secularizing regimes of the shahs (not least the sudden order in 1936 for women to cast aside the chador, which is likened to an order to go out topless in the west).
A superb, authoritatively written insider's account of Iran, one of the most mysterious but significant and powerful nations in the world.
Few historians and journalists writing in English have been able to meaningfully examine post-revolutionary Iranian life. Years after his death, the shadow of Ayatollah Khomeini still looms over Shi'ite Islam and Iranian politics, the state of the nation fought over by conservatives and radicals. They are contending for the soul of a revolutionary Islamic government that terrified the Western establishment and took them to leadership of the Islamic world.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Alongside writing, I’ve been running workshops, teaching and mentoring writers for nearly twenty years, helping people get unstuck and keep going. So I spend most of my working life thinking about creativity and writing—then suddenly I, too, couldn’t write the book I needed to write. Every book in this list is about not-writing for different reasons, in different circumstances, but between them they tell us so much about how we write, why we write, how we get writing to happen—and what’s happening when we can’t. These very different stories resonate with each other, and I hope some of them resonate with you.
First, because it’s incredibly funny. Geoff Dyer set out—he says—to write a sober, serious study of D. H. Lawrence, but life, travel arrangements, random people and his own inertia kept getting in the way. The story of his odyssey doesn’t just evoke all the things about writing that we’ve always suspected (that it’s hard; that it’s easy; that we often wonder why on earth we do it; that we never question that we want to do it). It also, by stealth, evokes and explains an amazing amount about Lawrence, and why he’s a writer that so many people love—or hate—so passionately.
Recounts the author's experiences visiting the places D.H. Lawrence lived while actively not working on a book about Lawrence and not writing his own novel.