Books like Five Decembers — picked by fans

A hypnotic, often troubling journey into the mind of a killer and the detective hunting him down are the reasons I return to this book time and again. They are both commonly found elements in crime thrillers today. But what Dorothy Hughes did in this book appealed to me personally, perhaps because of my own personal relationship with crime and trauma, physical as well as emotional.

I’m always fascinated by how intensely Hughes manages to immerse us in both viewpoints with only a few sentences, shifting viewpoints and playing with our conscience in subtle ways. I’ve seen enough violence and trauma to know that motivations are not always as simple as we’d like them to be, and people often do the most unexpected things for the least obvious reasons.

In the dark world of hardboiled literature, anything can happen at any time for any reason—or no reason at all. In my view, that makes things easy for this debut novel about an unemployed LA factory worker named Easy Rawlins, and that makes things challenging for the story—for the character—as well. 

A man with money and power offers Easy a job looking for a missing blond-haired, white-skinned beauty. Rawlins faces only two problems: He has no experience as a private detective, and he needs to do the detecting with black skin in a segregated, remarkably unequal 1948 America. 

But I think Mosley has found the perfect genre for his character, one whose tough and humane and even psychologically insightful qualities have enabled him to adjust to, learn from, and survive in a place where laws can break out or disappear, depending on the color of his skin. Rawlins finds it… show more.

Robin Robertson’s noir narrative The Long Take might seem like an unusual choice for this list.

Essentially a long noir poem, The Long Take concerns Walker, a Canadian veteran of D-Day with acute PTSD who finds life unraveling in the urban landscapes he inhabits after the war.

With a poet’s precision, Robertson follows Walker as he moves from city to city, taking it all in. Homelessness, crime, race—nothing is spared.

Why, you’d think you were in a 40s film noir, reading about it all, and then you find Walker on the streets of LA in 1948 seeing some of those very films being shot, films like Act of Violence and Criss Cross.

An outstanding achievement, The Long Take is a wholly original work of art.

James Ellroy’s 1987 novel exploring the infamous unsolved and ghoulish murder of Elizabeth Short, the so-called “Black Dahlia,” gripped me with its chilling portrayal of two very different cops who become obsessed with solving the 1947 murder.

Although this is a relatively early work of Ellroy’s and extremely visceral owing to the nature of the historical crime, it’s arguably the author’s first mature novel, proved to be his breakout book, and pre-dates the rather alliterative, staccato prose style he would adopt not long after.

Post-war Los Angeles is seedily, disturbingly rendered in surreal and gothic relief, while Ellroy also masterfully portrays many of the haunted LAPD detectives who actually worked the case.

An Agatha Christie-style mystery set in Buenos Aires. At two in the morning, Pancho Soler returns drunk to his apartment building on Santa Fe Avenue. He presses the button for the lift, and it arrives with a surprise inside: a beautiful blonde woman, sitting upright, but dead. Many of the suspects who live in the building are recent immigrants from Europe and, as the novel is set in the 1950s, their memories and secrets from WW2 are still fresh. Boris, a Bulgarian chemist who worked for the Nazis, is the most entertaining of the lot. There are the usual red herrings and revelations in the search for the murderer. The young Argentinian detective is a little flat by Christie's standards, but this is a satisfying whodunnit.   

Mary is described on the first page of Allegedly as “just born bad, plain and simple.”

When readers learn that Mary has been incarcerated since the age of nine for killing a baby, the claim is easier to believe. Yet, as the story unfolds, the reader learns that Mary’s mother is an abusive narcissist and the actual events of the death are put into question.

This story brings up important issues about nature versus nurture, mental illness, and a justice system predicated on the assumption that to be Black is to be born guilty.

Another murder mystery set in a small peaceful community—this time near San Francisco. It is the first featuring Kate Martinelli as the detective, who is new to the job. I found the characters totally credible and appealing, and the theme of portrait painting as a way of revealing the depths of someone’s personality was powerfully well done. It stayed with me long after I finished, and is wonderfully original. Laurie R. King is very prolific, and I find the quality of her work quite variable. But when she’s good, she’s fantastic.

Hidden Treasure is the thirteenth novel in the long-running Josie Prescott Antiques Mysteries series.

This novel is a great addition to the series that features not only an antique dealing main character but shows her business growing and transforming. I specifically enjoyed this novel because the mystery is centered on an older woman who has a zest for life despite her age—and I like how Josie encourages and helps her.

The novel’s fast-paced and twisty, including one particularly surprising and fun detail near the end. I highly recommended this series to lovers of cozy as well as traditional mysteries with an antique dealer as the main character. 

Autistic minds are uniquely suited to interface with 26th-century computers. Has this led society to appreciate autistic people? Of course not! Instead, they’ve been turned into a caste called Operators, enslaved computer programmers denied human rights. But this is starting to change, and recently-liberated Operator Hoshi Archer has a new life as a private investigator. Her latest case? A serial killer who’s ritually murdering Operators. Dora Raymaker vividly describes autistic experience in a way that no non-autistic writer could, and it was profoundly moving for me to read a book written from the viewpoint of a character whose sensory processing was so much like my own. On top of all this, Hoshi and the Red City Circuit is a gripping can’t-put-it-down detective thriller!

“‘Well, my dear,’ said Miss Marple, ‘human nature is much the same everywhere, and, of course, one has opportunities of observing it at closer quarters in a village.'” (The Thumb Mark of St. Peter) An Irish village is the setting for Gordon’s fourth Gethsemene Brown mystery. When African-American violinist Gethsemane Brown takes a job leading the orchestra at a boys’ school in the village of Dunmullach, she has no idea her cliffside cottage comes complete with a resident ghost, Eamon McCarthy. Nor does she imagine she’ll become the village’s amateur sleuth—with a little help from Eamon, of course. When a wedding party descends on the village, Gethsemane learns the groom-to-be once jilted her friend Frankie’s new girlfriend, Verna. When the groom turns up dead, Verna is the logical suspect.