100 Books Like Finding Wild

This is based on the L.A. River (which is undergoing an exciting revitalization) but it could be any industrial downtown: freeways, warehouses, graffiti, smog. A boy discovers a secret place, where a river still runs through a concrete bed. In hushed tones, he tells us who else knows his secret - an egret, a green-winged teal, nesting mallards, coyotes, and possum. The vivid description makes me feel as if I am right there with him, sharing his sense of wonder. This deceptively simple book offers a powerful argument for restoring green space. 

Perhaps the soft spot I have for this book is because it’s another story about rescuing a wild animal and giving it a further chance.

Every day at the park, Theo makes sure the slow bird with the raggedy wing gets some of the birdseed he throws to the younger, quicker birds. But when a dog runs at the birds, Theo learns that old Pearl, as he names her, can’t fly. He saves Pearl and brings her home, and he and his grandma take care of the bird. Theo’s heartfelt concern allows Pearl to live the rest of her life out of danger, and she and Theo become close companions. But with animal friends, there will come a time to have to say goodbye...

I love fairy tales and this is a fairy tale for our time. Surrounded by skyscrapers, Tokyo wishes his home could be surrounded by nature, just as it was when his grandfather was a boy. When a mysterious woman hands him three wishing seeds, a magical transformation brings. Trees grow taller than buildings, wildflower meadows cover cement, the river flows through the city, and all manner of wildlife romp and climb. When Tokyo’s mother has to take a rowboat to work. Grandfather worries about how they will handle the inconveniences. But Tokyo, whose wish has come true, has words of wisdom: “I think….that we will just have to get used to it.”

A true story about my favorite cougar. P-22, (Puma 22) became famous when he miraculously managed to cross four freeways and make his home in a big city park near downtown Los Angeles. His fame inspired a campaign to build a wildlife crossing between two mountain ranges, over one of the world’s busiest highways. This book tells of P-22 and the scientists who are creating a better future for wild creatures and the humans who love them. I’ve been a fan of P-22 for many years and was thrilled to read this wonderful book about him. 

Hamilakis’s Archaeology and the Senses was one of the first books I read when starting to explore multisensory history, and it totally altered my view of how we study the past.

Focusing on Bronze-Age Crete, Hamilakis examines how archaeology has engaged with the bodily senses thus far and critiques its emphasis on sight and the traditional hierarchy of the five senses in the west.

Moreover, he proposes an innovative and exciting means by which archaeology can move beyond its focus on visual experiences of artefacts, environments, and materials to bring in lost and neglected, yet just as important, bodily senses such as sound, smell, taste, and touch.

Through this approach to archaeology he seeks to evoke a deeper, richer insight into the breadth of human experience in past societies.

Historian Mark Smith has written widely on the topic of understanding sensory experiences of the past.

At just over 100 pages long, his most recent book is an excellent insight into the field for both those new to it, and those who are already familiar with writing history of the senses.

Starting with an overview of the origins of sensory history and moving through to consider both the strengths and challenges of current research in this area, Smith concludes this book with a clear, accessible, and persuasive argument for future directions of work in the field.

I cannot recommend this book highly enough for anyone interested in exploring sensory history!

Perceptual psychologist Lawrence Rosenblum’s book changed the way I thought about my brain on blindness and gave me hope about its ability to adapt. I was astonished by blind painters and mountain bikers, but more importantly, I learned that what often strike us as superpowers, are actually the result of practice and the cross-modal plasticity of the brain. The sighted brains that change after only five days of blindfold and intensive braille training, the experiments that demonstrate how humans can follow a scent trail, and the ways blind people (and sighted people) use echolocation to learn about their micro and macro environments (even if they are not always conscious of it), are just some of Rosenblum’s many examples that are as fun as they are fascinating.

These poems—most of every poem that Lee writes, really—do more than paint a picture. These poems appeal to every one of your senses. They are rich in description and you want to savor each one, sit with it, and let the poem envelop you. 

I heard or read somewhere that Li-Young Lee is a slow writer, not producing a lot of work but always producing good work. I don’t know if this is true, and except for my greed of wanting to consume more of his words asap, I don’t mind that his poems are slower coming. I like to spend time with them.

I share Rose because Lee teaches me—and my students—that writers depend too much on visual imagery and fear spreading out into the other senses.

I’ve been fascinated by all living organisms since my early childhood on Long Island. In our suburban yard, I would sit raptured, watching the hunting techniques of praying mantises, the burrowing ability of earthworms, or the seemingly drunk behavior of cedar waxwings after feasting on over-ripe berries. But I never fully appreciated the intricacies of animal behavior until I read this book. 

What Ed Yong masterfully achieves in this 400-page text is neither a Disney-like humanizing of other species nor an overly scientific explanation of how creatures respond to their environment. Rather, he brings us to a place where we are no longer perceiving other organisms through human eyes but through their own complex senses. 

This greatly increased my fascination with the natural world and, consequently, my need to preserve every precious species on this earth.

What did Tudor England look, sound, or smell like?

This is an innovative work from Amy Licence, historian of women's lives. Using the five senses, she skilfully plunges readers into sixteenth-century England, letting us see, hear, smell, taste, and (almost) touch the Tudor world like we've never experienced it before.