100 Books Like Find You First

I don’t even remember everything about this book, except that this was the book that made me an instant Sandra Brown fan. In Envy, a NY book editor is riveted by the tale of an unsolicited manuscript and begins working with the author…only to learn along the way that this story reveals a long-concealed crime. I’ve read it twice, years apart, and I’m due for another reading. It’s that good. Explosive is the only way to describe this suspenseful story with an amazing twist at the end! One of my absolute favs!

I picked this book up because it was super cheap in hardcover. It had an interesting premise with a suspense set in the business world between two competing companies. Not typically my thing, but I gave it a chance because of the price. Once I started to read it, Joseph Finder became one of my favorite authors. I could not put this down and read it in three days. It had me on the edge of my seat as the main character has to infiltrate another company, and OMG, the twist at the end! I loved this book so much that I decided to attend the Thrillerfest conference in Phoenix that year because Joseph Finder would be there. Yep, that’s how much I loved the book. I met him and gushed like a fool!

Guilt, shame, and family obligation…these human aspects are a great basis for a down-to-earth protagonist. A young woman is murdered in Will’s family home, and his brother is the prime suspect. On her deathbed, Will’s mother tells Will to find his brother. 

This quest puts Will at the center of the investigation because many people want Will’s brother found…dead or alive. It’s one of those stories that escalates, which kept me hooked as a reader. It has a simple premise but evolves into something far more complex that will change Will forever.

All of the authors I love do twists really well, twists that make sense and blow you away–no matter how much you try to guess them. This story is set in the world of addictive pharmaceuticals and the desire to make a corrupt company that’s hiding secrets pay for the deaths of innocent patients. A whistleblower is killed early in this story, and this sets everything off. It’s fast-paced with so much action, including bullets flying in the Caribbean as the main characters risk their lives to get incriminating evidence. The ending…oooh, it doesn’t get better than a Joseph Finder twist!

This one had my head spinning right round, baby! Happy marriage, babies, a nice home—what more could a young wife ask for?

How about someone she can trust, for starters, and how ’bout her husband’s ex-lover quits coming around all the time, tattling tales of his murky past? It reminded me of an old friend of mine who fell in love with a guy she’d met through an online dating site. He claimed he was long divorced, but—whoops—was actually still married, and living with his estranged wife in separate parts of their house.

You can probably guess how that ended, but not this book. With every wild plot turn, I was grabbing for the Oh sh*t handle and gasping for breath.

Ruth Rendell is famous for her detective stories, but she also wrote exquisitely nuanced and layered psychological thrillers. Exploring love, greed, and selfishness, The Tree of Hands is about two very different women. Benet has achieved success as a writer but is grappling with bereavement. Carol, a goodtime girl, didn’t plan to have two-year-old Jason and is relieved when he goes missing.

Benet is tricked into looking after Jason and falls in love with him before discovering his identity. There is a heart-stopping moment when Benet takes Jason to Carol’s local library, intending to leave him there to be returned to his mother. Benet thinks she is doing the right thing, while the reader knows how hellish Jason’s life will be. Can Benet’s love overcome her scruples?

Written by an author from the English West Country city of Bristol, this story accurately captures the inequality of life in the 1970s. Fifteen-year-old Carol lives in a council estate on the edge of town. She goes to school with a farmer’s son who will inherit rolling acres. One day, she meets handsome Frankie, who is staying with his aunt in a manor house nearby.

Every reader will know louche Frankie is bad news. Carol, of course, falls for him and finds herself pregnant. So far, so predictable. What is far less predictable is the way Carol herself is sucked into crime, secrets, and lies. Forty years later, how far will she go to evade exposure? Emotional, clever, and exquisitely written, this book is hard to put down. 

I don’t read historical fiction as a rule, so this one is a departure for me; and it’s not a traditional crime-fighting story either, but it hooked me from the first page.

I loved the concept of a matriarchal Roman Empire transported to Middle Europe and pulled forward into the twenty-first century. Then I discovered a main protagonist who has been brought up in America and has to come to grips with the fact that she is a member of the ruling family and a soldier at that. The crimes she and her sister officers fight against are political and conspiratorial, but they are crimes nonetheless.

A fascinating approach to history and a great way to reverse the stereotypes and make strong women the norm.

I’m not only a mystery/suspense writer but also a fan of the genre, as I read or listen to about forty whodunnits a year, just under one a week. I tend to read these books with one eye toward the superficial story, yes, but I also study them from a technical standpoint, saying to myself, “Oh, I see what the author did there,” “Man, that was a nice way to frame that conflict,” or, “What the hell? I think the author wrote that chapter by getting drunk and taping crayons to their feet.” The point I’m trying to make is that the plot devices and metaphors tend to blur together after a while. 

But this book? Man, it stood out. I mean, Kat Rosenfield had me hook, line, and sinkers with the book’s opening line, “My name is Lizzie Ouellette, and if you’re reading this, I’m already dead.” It's… show more.

“‘Well, my dear,’ said Miss Marple, ‘human nature is much the same everywhere, and, of course, one has opportunities of observing it at closer quarters in a village.'” (The Thumb Mark of St. Peter) An Irish village is the setting for Gordon’s fourth Gethsemene Brown mystery. When African-American violinist Gethsemane Brown takes a job leading the orchestra at a boys’ school in the village of Dunmullach, she has no idea her cliffside cottage comes complete with a resident ghost, Eamon McCarthy. Nor does she imagine she’ll become the village’s amateur sleuth—with a little help from Eamon, of course. When a wedding party descends on the village, Gethsemane learns the groom-to-be once jilted her friend Frankie’s new girlfriend, Verna. When the groom turns up dead, Verna is the logical suspect.