Here are 100 books that Files fans have personally recommended if you like
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Colin Koopman researches and teaches about technology ethics at the University of Oregon, where he is a Professor of Philosophy and Director of the interdisciplinary certificate program in New Media & Culture. His research pursuits have spanned from the history of efforts in the early twentieth century to standardize birth certificates to our understanding of ourselves as effects of the code inscribed into our genes. Koopman is currently at work on a book that will develop our understanding of what it takes to achieve equality and fairness in data systems, tentatively titled Data Equals.
W.E.B. Du Bois is widely acknowledged as the leading activist for racial equality of his generation. But until very recently little had been known of his deep commitment to the pursuit of equality within and through data technology. As Du Bois was preparing notes for his famous 1903 book The Souls of Black Folk, he was also preparing an exposition of what we would today call “infographics” (or what the editors of this volume aptly call “data portraits”) for exhibition at the 1900 Paris Exposition world’s fair. This volume handsomely reproduces for the first time a full-color complete set of Du Bois’s charts, graphs, maps, and ingenious spirals. A beautiful book to live with, it also subtly transforms one’s understanding of the history of racial progress and inequality in America.
"As visually arresting as it is informative."-The Boston Globe
"Du Bois's bold colors and geometric shapes were decades ahead of modernist graphic design in America."-Fast Company's Co.Design
W.E.B. Du Bois's Data Portraits is the first complete publication of W.E.B. Du Bois's groundbreaking charts, graphs, and maps presented at the 1900 Paris Exposition.
Famed sociologist, writer, and Black rights activist W.E.B. Du Bois fundamentally changed the representation of Black Americans with his exhibition of data visualizations at the 1900 Paris Exposition. Beautiful in design and powerful in content, these data portraits make visible a wide spectrum of African American culture, from…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Colin Koopman researches and teaches about technology ethics at the University of Oregon, where he is a Professor of Philosophy and Director of the interdisciplinary certificate program in New Media & Culture. His research pursuits have spanned from the history of efforts in the early twentieth century to standardize birth certificates to our understanding of ourselves as effects of the code inscribed into our genes. Koopman is currently at work on a book that will develop our understanding of what it takes to achieve equality and fairness in data systems, tentatively titled Data Equals.
Harcourt’s Exposed takes the reader inside the contemporary social, political, and legal configurations that haunt our online lives by paradoxically pulling on the strings of our desires and wants. Harcourt exposes how the insidious technologies of mega-cap high-tech coax out of us a desire to expose ourselves, that too-familiar desire to share so much (and so often too much) online. Harcourt is one of the leading voices in contemporary critical theory and at the same time a practicing death-penalty lawyer. He knows both the inside of our political-legal systems and can gain a broad view of the wider social dynamics of social media.
Social media compile data on users, retailers mine information on consumers, Internet giants create dossiers of who we know and what we do, and intelligence agencies collect all this plus billions of communications daily. Exploiting our boundless desire to access everything all the time, digital technology is breaking down whatever boundaries still exist between the state, the market, and the private realm. Exposed offers a powerful critique of our new virtual transparence, revealing just how unfree we are becoming and how little we seem to care.
Bernard Harcourt guides us through our new digital landscape, one that makes it so…
I write about race and technology, and specifically the histories of Black folks as they influence online activities, from memes and community-building to care networks and activist efforts. I use theory, research, and most importantly lived experiences to tell the story of Black digital practices. The books I choose here represent how diverse my thinking is when it comes to this topic: from fiction to non-fiction, these works are as fluid yet meaningful as I think identity is, on and offline.
Everyone has that one book that is the I-can’t-put-this-down book. Race After Technology was that book for me.
Ruha Benjamin writes in a way that is so down to earth, tackling heavy subjects like algorithms, systemic racism, and more in a way that is somehow accessible, scholarly, and whippingly smart all in one.
From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.
Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the "New Jim Code," she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
Colin Koopman researches and teaches about technology ethics at the University of Oregon, where he is a Professor of Philosophy and Director of the interdisciplinary certificate program in New Media & Culture. His research pursuits have spanned from the history of efforts in the early twentieth century to standardize birth certificates to our understanding of ourselves as effects of the code inscribed into our genes. Koopman is currently at work on a book that will develop our understanding of what it takes to achieve equality and fairness in data systems, tentatively titled Data Equals.
This book offers a beautiful data portrait of one of the most energetic polyglots of the first half of the twentieth century. Otto Neurath is famous among philosophers for his monumental effort to unify the sciences in an encyclopedic presentation. His metaphor of science as a massive flotilla out at sea repairing itself as it goes beautifully encapsulates the self-correcting enterprise of the sciences. This book offers another angle into Neurath’s life and work. Isotype was conceived by Neurath and collaborators as a universal picture language that can transcend borders, tongues, and divisions. Another grand dream of early-twentieth-century unification, with all its inevitable failings, is beautifully reproduced in this book.
From 1943 until his death in December 1945, Austrian sociologist Otto Neurath worked tirelessly on numerous versionsof an innovative visual autobiography entitled From Hieroglyphics to Isotype. Now, sixty-five years later, comes the first publication of his full text, carefully edited from the original manuscripts. This edition highlights the important role visual material played in Neurath's life—from his earliest years to his professional work on the Isotype picture language. This engaging and informal account gives a rich picture of Central-European culture aroundthe turn of the twentieth century, seen through the eyes of Neurath's insatiable intelligence, as well as a detailed exposition…
I’ve always been attracted to picking apart “taken-for-granted” things and wondered how ubiquitous and mundane technologies have become that way. What were they before they were ordinary? When I started researching and writing about push buttons, I discovered that the interfaces right under our fingers have a long and complex history. I loved reading about a time when pushing a button was both a novelty and a danger, and these recommended books similarly reframe familiar technologies as anything but familiar. I hope that these books will add a little bit of strangeness to the every day, just like they did for me!
Do filing cabinets matter anymore? I asked myself this question as I popped open Robertson’s book, quickly to find that these storage cabinets have a tremendous amount to teach us about “information” in the present moment.
Robertson demonstrates how the filing cabinet, through its vertical storage, became a “skyscraper” for the office, and this spatial arrangement not only influenced what information was but how it should be organized.
I love the fantastic archival images in the book, which made a humble and even “boring” technology incredibly relatable and vivid. At the same time, I appreciated Robertson’s ruminations on gender and the file clerk; it’s not just what gets filed, he convinced me, but also who does the filing.
The history of how a deceptively ordinary piece of office furniture transformed our relationship with information
The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work. In the first in-depth history of this neglected artifact, Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used.
Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged…
I love computers, and especially computer systems. I’m interested in how different pieces of hardware and software, like processors, operating systems, compilers, and linkers, work together to get things done. Early in my career, as a software security tester, I studied how different components interacted to find vulnerabilities. Now that I work on compilers, I focus on the systems that transform source code into a running program. I’m also interested in how computer systems are shaped by the people who build and use them—I believe that creating safer, more reliable software is a social problem as much as a technical one.
Although I don’t work in government, this is a book I’ll come back to whenever I need a reminder to put user needs ahead of process or wisdom about how to work inside a large bureaucracy to make that happen. Where Meltdown focuses on spectacular blow-ups, this book explores run-of-the-mill failures—like long, complicated online forms and websites that only load in specific, outdated browsers. (Though bigger failures, like the launch of healthcare.gov, get airtime too.)
I appreciated this book’s thoughtful analysis of how government software gets built—it goes beyond the stereotype of the incompetent government employee and digs into the underlying reasons that even competent and dedicated public servants can struggle to deliver critical software. Many of those reasons apply to private companies, too.
Learn more about Jennifer Pahlka's work at recodingamerica.us.
"The book I wish every policymaker would read." -Ezra Klein, The New York Times
A bold call to reexamine how our government operates-and sometimes fails to-from President Obama's former deputy chief technology officer and the founder of Code for America
Just when we most need our government to work-to decarbonize our infrastructure and economy, to help the vulnerable through a pandemic, to defend ourselves against global threats-it is faltering. Government at all levels has limped into the digital age, offering online services that can feel even more cumbersome than the paperwork that…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Some
time after starting out as an academic in the field of strategy, I became aware
of the fact that strategists thought and acted as if board members and
shareholders simply did not exist—executives made strategy. The
revelatory moment for me came when I tested this conception of the world
against the reality that I knew, Europe and family business, settings where shareholders
in particular have always played a critical role in deciding on the direction
of the firm. Ever since, I have made it my mission—in research, in
teaching, and in consulting—to make sure that strategy and governance
questions are always raised at the same time.
This is one of the very few books about corporate governance that provides truly useful, non-obvious tools for improving performance. Starting with a very good exposition of the challenges of modern corporate governance, Martin Hilb offers a variety of charts, self-tests, and questions for reflection that help owners, board members, and executives come to grips with their different roles in directing and controlling the firm. The situations discussed and the advice offered are relevant for listed and private companies – the best short primer on how to apply corporate governance.
In the 5th edition of this successful book Martin Hilb presents an innovative and integrated approach to the theory and practice of corporate governance. Central to this approach is a set of instruments - developed and tested by the author - that can be used by boards to offer effective strategic direction and control to their organizations. The board instruments can be readily applied to the selection, review, remuneration and development of board members, and for conducting board self-evaluations. This new approach to corporate governance is based on four guiding principles: keep it situational, keep it strategic, keep it integrated,…
I became interested in privacy in the mid-1990s. When I began my career as a law professor, I thought I might write one or two papers about privacy and then move on to other issues involving law and technology. But like Alice in Wonderland, I found an amazing world on the other side of the rabbit hole. I’ve written more than 10 books and 50 articles about privacy, and I have a list of topics and ideas that will keep me writing many more in the future. I recently wrote a children’s book about privacy called The Eyemonger, which is designed to spark a child’s thoughts and understanding about privacy.
Privacy’s Blueprintpresents a deep, vivid, and concrete account of how technology companies design devices, websites, and software in ways that diminish privacy. Design choices are frequently clandestine, built so that people don’t notice them or how they are being pushed and manipulated into sharing more data or making choices that surrender their privacy. With clear and engaging examples, Hartzog illuminates these shadowy designs and shows how they work. He contends that privacy law can’t be effective unless it regulates design. According to Hartzog, design can be regulated in ways that aren’t overly controlling or stifling to innovation. This is a great book, filled with countless insights, and it is highly accessible.
Every day, Internet users interact with technologies designed to undermine their privacy. Social media apps, surveillance technologies, and the Internet of Things are all built in ways that make it hard to guard personal information. And the law says this is okay because it is up to users to protect themselves-even when the odds are deliberately stacked against them.
In Privacy's Blueprint, Woodrow Hartzog pushes back against this state of affairs, arguing that the law should require software and hardware makers to respect privacy in the design of their products. Current legal doctrine treats technology as though it were value-neutral:…
I’ve always been interested in the bigger questions of life, spirituality, and the way our minds work, but it wasn’t until I came up close and personal with grief that I really delved into reading more about death and the afterlife. After my husband died, I read just about every book I could find on the topic, especially those that taught me more about the greater mysteries of love, loss, mental illness, and myself.
I couldn’t put this book down. It is a well-written, riveting story told by the lawyer who represented the Cruzans in their legal battle to remove the feeding tube from their daughter, Nancy, who had been in a persistent vegetative state for years.
If you enjoy medical and law topics as I do, then you will certainly enjoy this book. Moreover, it made me really think about the ethics of life and death.
Looks at the 1987 right-to-die trial affecting the parents who wished to remove the feeding tube from their vegetative daughter, and examines the surrounding protests that held them in the courtroom for the next seven years.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I like understanding television as culturally situated. Television is constructed along a number of sites: cultural, institutional, ideological, historical, or via the different ways audiences understand it. Interrogating television and what it does as a medium was historically relevant because it was a mass medium. But how can we evaluate the medium in times of highly fragmented audiences? Because of this, exploring Netflix as a new form of ‘television’ has become so important to me. The authors all try to get to terms with how television has changed over its short existence. This helps us understand the medium better, as well as our current moment.
This is one of my favorite books about contemporary television.
It deals with the processes that changed how television was viewed following the changes in HBO-style ‘quality’ television. It also critically explores the ways legitimization and associated words like ‘quality’ work as an ultimately classist system where television works as cultural capital.
Netflix established itself on the back of this legitimization, using HBO-style ‘quality’ TV series like House of Cards and Orange is the New Black. But HBO also used DVDs to ‘filter’ the individual program out from the ‘flow’ of television, which helped Netflix to establish itself as television.
Legitimating Television: Media Convergence and Cultural Status explores how and why television is gaining a new level of cultural respectability in the 21st century. Once looked down upon as a "plug-in drug" offering little redeeming social or artistic value, television is now said to be in a creative renaissance, with critics hailing the rise of Quality series such as Mad Men and 30 Rock. Likewise, DVDs and DVRs, web video, HDTV, and mobile devices have shifted the longstanding conception of television as a household appliance toward a new understanding of TV as a sophisticated, high-tech gadget.
