Here are 100 books that Figurative Art in Medieval Islam and the Riddle of Bihzad of Herat fans have personally recommended if you like
Figurative Art in Medieval Islam and the Riddle of Bihzad of Herat.
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I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
Have you ever read a book about a place which then allowed you to see that location in utterly new and thrilling ways?
As well as being a great study of a wonderful artistic culture, this is, for me, one of the greatest studies of a city and the place of its people, their beliefs, and their art in making it unique.
If that was not enough, it also constitutes one of the most important bodies of conceptual and theoretical thinking about the nature and character of Islamic art.
"A Saint in the City" examines the elaborate visual culture of the Mourides, a Senegalese Sufi movement based upon the mystical teachings of Sheikh Amadou Bamba (1953-1927). In the boldly visual city of Dakar, images abound despite the fact that Senegal is largely a Muslim country. Vibrant street murals, calligraphy and calligrams, didactic posters, drawings that protect and heal, advertising images, colourful clothing, Web sites, intricate glass paintings, and innovative architecture all attest to the transformative potency that expressive culture has for Mourides. One image is ubiquitous throughout urban Senegal: the portrait of Sheikh Amadou Bamba, based upon a colonial…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
I love the open-mindedness of this book and the way in which it can open your mind as a reader.
Can pictures think for themselves? How do pictures communicate with each other and with their audiences? These are the kinds of questions that this pathbreaking work opens up to its audience.
It also changed my sense as to how photography and painting/prints relate to each other, as well as providing a strong defence of the idea that deep cultural critique can be founded upon the study of quite ordinary objects and texts.
'Photos of the Gods' is a comprehensive history of India's popular visual culture. Combining anthropology, political and cultural history, and the study of aesthetic systems, and using many intriguing and unfamiliar images, the book shows that the current predicament of India cannot be understood without taking into account this complex, fascinating, and until now virtually unseen, visual history.
I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
This was the book that convinced me that it is worthwhile exploring the past so as to rediscover and rethink works of art made by indigenous people living under imperial conditions.
I love its movement around the world, the close readings of works that no other scholars had ever considered, and the moral urgency that underpins every one of its lines.
It is often assumed that the verbal and visual languages of Indigenous people had little influence upon the classification of scientific, legal, and artistic objects in the metropolises and museums of nineteenth-century colonial powers. However colonized locals did more than merely collect material for interested colonizers. In developing the concept of anachronism for the analysis of colonial material this book writes the complex biographies for five key objects that exemplify, embody, and refract the tensions of nineteenth-century history. Through an analysis of particular language notations and drawings hidden in colonial documents and a reexamination of cross-cultural communication, the book writes…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
I love this book (and think you will too) because of the way in which it weaves together architectural, art, social, and religious history so as to tell the story of one of the greatest cities in the Islamic world: Isfahan.
Its beautiful illustrations take readers to a place that many will not have a chance to visit while connecting the beauty of its built environment to cultures that come before and after the Safavid moment.
Its author is THE guide to the topic, and gaining a sense of the history of built environments is of critical importance for anyone interested in the history of Islamic art.
Winner of the Houshang Pourshariati Iranian Studies Book Award 2009 This beautifully illustrated history of Safavid Isfahan (1501-1722) explores the architectural and urban forms and networks of socio-cultural action that reflected a distinctly early-modern and Perso-Shi'i practice of kingship. An immense building campaign, initiated in 1590-91 at the millennial threshold of the Islamic calendar (1000 A.H.), transformed Isfahan from a provincial, medieval, and largely Sunni city into an urban-centered representation of the first Imami Shi'i empire in the history of Islam. The historical process of Shi'ification of Safavid Iran and the deployment of the arts in situating the shifts in…
Visits to galleries, museums, and castles were an integral part of my childhood. These filled me with an enduring love for art, architecture, and archaeology. My initial studies covered all areas of art history, but I became drawn to the visual cultures of the Islamic world. I have been lucky enough to live and work in different parts of the Middle East. I am committed to sharing knowledge about the arts and archaeology of the Islamic world through books, exhibitions, and websites. I have always enjoyed fiction that involves art as part of a story, and the selections in this list are my current favorites. I hope you enjoy them!
It was only on a second attempt at reading it that I really appreciated this complex and wonderful book. Opening with the description of the murder of a manuscript gilder in sixteenth-century Istanbul, this book functions at one level as a captivating mystery. It is, of course, much more than that.
Made up of first-person narratives, I loved how animals and even inanimate objects are given their own voices. In one chapter, a counterfeit gold coin reflects on the intimate (and stomach-churning) ways such precious items interact with the human body. In what other novel can you find the drawing of a tree offering reflections about whether art should represent the outer forms or inner meanings of the natural world?
The bestselling murder mystery from Orhan Pamuk, winner of the Nobel Prize for Literature.
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Winner of the Nobel Prize for Literature
Winner of the International IMPAC Dublin Award
'Wonderful' The Spectator 'Magnificent' Observer 'Unforgettable' Guardian
My Name is Red is an unforgettable murder mystery, set amid the splendour of sixteenth century Istanbul, from the Nobel prizewinning author
In the late 1590s, the Sultan secretly commissions a great book: a celebration of his life and his empire, to be illuminated by the best artists of the day - in…
To stop us from reopening a school for girls, a mob of angry and well-armed Pashtun men threatened to shoot my workers. I surprised myself. “If you are going to shoot my workmen, you will have to shoot me first!” My wife, Janna, and I bred cattle in outback Australia. On the weekends we played tennis. Yet, in 1984 we began a twenty-four-year adventure battling corruption, injustice, and disadvantage in the deserts, mountains, and cities of Pakistan and Afghanistan. I dug wells, built schools, and helped restore the eyesight of thousands of Afghans; until I myself became blind.
The three Pashtun virtues are hospitality, honor, and revenge. Pashtun hospitality epitomizes human warmth and generosity but Pashtun honor and revenge make a chilling and toxic cocktail. Christina Lamb gives a human face to the destruction wrought by the then unknown ultraconservative political and religious faction led by the one-eyed cleric, Mohammad Omar. Lamb was there before and after the tragedy. A great read. Will history repeat itself?
“Lamb’s long experience as a journalist is a solid stage upon which to build the story of her voyage through Afghanistan, told with a deep, loving honesty.” — Montreal Gazette (Canada)
A brilliant British war correspondent who has spent ten years in Afghanistan gives a first hand report on the war and its genesis.
Award-winning journalist Christina Lamb chronicles the human stories behind the rise of the Taliban in Afghanistan. Lamb spent the last phase of the Soviet War in Pakistan, relying on her friendship with exiled Afghans to smuggle her in and out of Jalalabad. Many of these friends…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
Long before I became a filmmaker and many years before I knew what pre-history meant, I was a restless traveler. I was an adventurer and a hiker, fascinated by maps and mountain peaks and constantly searching for the best place for a coffee break. In my list, I have tried to combine my passion for traveling with what is really important in life: people, friends, and travel companions.
I had this book beside me while recovering from an urgent hip replacement. A guy who walked solo from Herat to Kabul in the winter of Afghanistan can be a great aid when you struggle in the stairwell.
Stewart–a former MP and nowadays the host of The Rest is Politics podcast–did the job for me in his excellent book and brave walk. A few months after my operation, I hiked the Mont Blanc trail. It's nothing like Afghanistan, but I did come across some icy peaks.
In 2001 Rory Stewart set off from Herat to walk to Kabul via the mountains of Ghor in central Afghanistan. This was to be the last leg of a 21 month walk across Asia. The country was in turmoil following the recent US invasion and the mountain passes still covered in snow. Suspicious of his motives, and worried for his safety, the authorities provided Rory with two armed guards who accompanied him, but whom he soon out-walked. Later he was given a dog, whom he named 'Babur' in honour of the great Moghul Emperor in whose footsteps the two of…
I am inspired and driven by a lifelong curiosity about the larger framework of complexities and interconnectedness of evolution and its impact on our environment. Since childhood, this fascination has fueled my science career and compelled me to explore various viewpoints on the subject. My aim is not merely to grasp the direction of evolution but to unveil aspects of its driving force, empowering us to become more aware of the diverse avenues available for personal development. I appreciate these books for their valuable insights, which contribute to demystifying our evolutionary path and enriching the importance of mindfulness, intention, and emotional awareness as key components of our growth.
This book was recommended to me by the first sound practitioner who facilitated a memorable sound healing session with me. Trusting my intuition, I decided to give it a chance. I found myself deeply engrossed in Inayat Khan’s soothing and logical approach to sound, so much so that it inspired me to embark on a similar journey of my own. Shortly after reading this book, I left my corporate life behind to write my first book and open my sound healing practice.
This book is a true gem. Khan’s masterful presentation of abstract concepts like imagination, desire, mysticism, mortality, and immortality, and their connection to sound, has a profound, Rumi-like effect on the soul. I find myself returning to its wisdom every few months, continually reaping the rich bounty it offers.
The first teacher to bring Islamic mysticism to the West presents music’s divine nature and its connection to our daily lives in this poetic classic of Sufi literature
Music, according to Sufi teaching, is really a small expression of the overwhelming and perfect harmony of the whole universe—and that is the secret of its amazing power to move us. The Indian Sufi master Hazrat Inayat Khan (1882–1927), the first teacher to bring the Islamic mystical tradition to the West, was an accomplished musician himself. His lucid exposition of music's divine nature has become a modern classic, beloved not only by…
I’ve always been curious and passionate about how people overcame significant suffering in their lives. True stories of how people emerged stronger from traumatic events not only became an inspiration in my personal life but also my professional life as a therapist, where I became an agent of change. The ‘secret’ of these storytellers and their transformation became my focus. I only hope you find these stories as enjoyable as I did and also a challenge and an inspiration that makes a difference in your own life.
I read this book in two sittings. I couldn’t put it down.
The escape of Yasmine from a fundamentalist Muslim family is breathtaking, and it kept me turning the pages. I love her story of courage, resilience, betrayal, and hope. My emotions gyrated–anger–anxiety–sadness–hope.
I admire her passion to make a difference. Her sufferings have been transformed into energy that encourages me to confront any form of abuse, wherever it exists.
Ayaan Hirsi Ali's Infidel meets The Handmaid's Tale
Since September 11th, 2001, the Western world has been preoccupied with Islam and its role in terrorism. Yet public debate about the faith is polarized—one camp praises "the religion of peace" while the other claims all Muslims are terrorists. Canadian human rights activist Yasmine Mohammed believes both sides are dangerously wrong.
In Unveiled: How Western Liberals Empower Radical Islam, Yasmine speaks her truth as a woman born in the Western world who was forcefully married to a high-ranking member of Al Qaeda. Despite being a first-generation Canadian, she never felt at home…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
What struck me about this book is the idea that while we can talk about ‘Judeo-Christian culture’ and we understand all the different manifestations of Christianity as essentially the same thing, even after centuries of bitter conflict, the idea of an Islamo-Christian civilisation is discordant to our thinking.
The author asks why and provides a wealth of evidence that calls for a fundamental restructuring of Western thinking about relations with Islam.
It’s provocative stuff but a necessary correction to the ‘clash of civilisations’ view of history. It certainly made me think again.
Conventional wisdom maintains that the differences between Islam and Christianity are irreconcilable. Pre-eminent Middle East scholar Richard W. Bulliet disagrees, and in this fresh, provocative book he looks beneath the rhetoric of hatred and misunderstanding to challenge prevailing-and misleading-views of Islamic history and a "clash of civilizations." These sibling societies begin at the same time, go through the same developmental stages, and confront the same internal challenges. Yet as Christianity grows rich and powerful and less central to everyday life, Islam finds success around the globe but falls behind in wealth and power. Modernization in the nineteenth century brings in…
