Books like Field Days

Soon after it was published sixteen years ago my wife gave me a gift of Earth Shattering. I’ve valued this anthology ever since as an essential guide to ecopoetry.

The selection of poets includes writers of the past as well as leading contemporary poets from around the world. In particular the wilderness poetry of ancient China was a revelation to me as was the modern Native American poetry.

The editor Neil Astley’s summary of the key issues debated within ecocriticism is excellent and I often return to the clarity of his definition: “eco poetry goes beyond traditional nature poetry to take on distinctly contemporary issues, recognising the interdependence of all life on earth, the wildness and otherness of nature, and the irresponsibility of our attempts to tame and plunder nature.” 

By showcasing the rich tradition of queer poets whose writing is inspired by nature, Queer Nature opens up the nature poetry genre.

It is the book I needed twenty years ago when I began writing poetry. In my search for queer role models I was happy to find Mary Oliver, Kay Ryan, and Elizabeth Bishop but little did I know how many others were hiding in plain sight. This expansive anthology presents up to 200 more poets from 150 years ago to the present day, with a moving introduction by editor Michael Walsh.

Funny, sad, complex, and direct; the poems explore exclusion and alienation as well as love and belonging. Above all else this anthology confirms that poetry is as boundless as nature and that together they belong to everyone.

This is an exciting and important poetry anthology.

Spanning the history of black poetry in America, the editor Camille T. Dungy has collected one hundred and eighty poems by ninety-three poets. Her introduction radically enlarges the realm of eco-poetry as she considers the exclusion of African-American poets from the nature poetry genre while also exploring the complexity of their relationship with the land that witnessed or abetted centuries of racist subjugation.

Thought-provoking essays by Alice Walker, Marilyn Nelson, and others, introduce each of the ten sections in which I found a treasure trove of poets I’ve long admired, such as Rita Dove and Ross Gay, and poets I’ve never come across before, such as Kamilah Aisha Moon.

What’s distinctive about this gorgeous poetry anthology is not only that each poem has a specific tree or flower as its subject but that they are grouped according to plant family.

The editor Sarah Maguire was a gardener as well as a poet and translator. In what was clearly a labour of love she brought together poems from all over the world, spanning eight centuries of writing. Her fascinating introduction considers many aspects of nature poetry, including gender and colonialism.

As a gardener and poet I have loved finding poems by Medbh McGuckian, Emily Dickinson and D.H. Lawrence grouped together in the Gentian family or poems by Louise Glück, Seamus Heaney, Lorna Goodison, Robert Herrick, Marianne Moore, and Richard Wilbur thriving next to each other in the Mint family. 

Emma O’Donovan is a pretty and popular 18-year-old whose life completely changes after she attends a couple of parties and the following day is found semi-conscious on her doorstep. Unaware of what she has been through the night before, Emma struggles to cope with the public shaming that ensues. This is a brilliant examination of consent, rape culture, and how hard it can be to speak out and seek justice.

Grace O’Malley was my first pirate love and will forever hold a special place in my heart. This is the seminal biography of her by the woman who basically singlehandedly brought her whole story to the world. Anne Chambers is one of my women pirate researcher heroines and her depth of knowledge on Grace is unmatched. This book reads like a novel and is packed with amazing tales. I have read this one many times!

This masterful study of trimmings made and used in Britain and Ireland from 1320-1970 is a lesson in how to look carefully. Westman’s understanding of the most sumptuous elements in interiors, essentially the “bling”, offers insights into specialist working practices and the relationships between clients, suppliers, makers, and fashionability. Her forensic approach means that often the stunning images are paired with a detail of a tassel, cord, or fringe. You’ll never look at a painting of an interior in the same way again!

Dervla Murphy (1931-2022) was queen of the road when I started out. I learnt a lot from her.

Visiting Rwanda is probably my top pick among her many travelogues but her best book by far, in my opinion, is the autobiographical Wheels within Wheels. "I had been brought up to understand," Murphy writes, "that material possessions and physical comfort should never be confused with success, achievement and security."

I had been brought up to understand the opposite, and this book showed me, as I tackled a travel memoir of my own, that like Murphy I must take those crucial lessons as a starting point. 

Rebel Knot is set in 17th-century Ireland, torn apart by religious conflict between Catholics and Protestants. This is a war-ravaged Ireland, a land where hope is in short supply and peace is more of a dream than a possibility. And yet, in the midst of all that violence fragile love can flourish—even between people who belong on opposite sides of the religious fence. Ms. Bazos does a fantastic job of transporting the reader back in time, and her two main characters, Niall and Ainé, are wonderfully complex and relatable. The harshness of the times is vividly depicted—as is the growing attraction between the innocent and traumatised Ainé and her new protector, Niall. 

Elizabeth Bowen once described the Ireland-England relationship as ‘a mixture of showing-off and suspicion, nearly as bad as sex’. Her 1928 novel demonstrates this beautifully, eviscerating the attitudes of Anglo-Irish grandees in their Big House as the country around them crackles with guerilla war and showing the incomprehension between the Irish (at all social levels) and the British soldiers sent ostensibly to keep the peace.

Though it ends in tragedy, social comedy, as so often, shows the brutal realities beneath the surface. And the atmosphere of the Irish landscape, at once idyllic and brooding, comes alive in Bowen’s supercharged prose.