Here are 100 books that Fat Girl Dancing fans have personally recommended if you like
Fat Girl Dancing.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
Being overweight presents an intriguing paradox: being physically large and hard to miss, but also being essentially invisible and easy to ignore. Having struggled with weight for my entire life, I’m very familiar with this juxtaposition of opposites. I wanted to write a novel with a plus-sized protagonist set in a different time, the late 1970s in this case, before the notions of size positivity and body diversity had come to life in society’s collective imagination. For me, this was a way of making fat people more visible in books, especially as main characters. I put together this list of books for the same reason.
This book is a memoir of the childhood and early adulthood of a woman overshadowed by her own weight.
The writing in this book is beautiful and evocative, particularly the descriptions of food and eating. That being said, this work is, otherwise, a tough read. The author feels unwanted and alone. She never achieves self-love or the sense of belonging she desires. Moore grew up long before size positivity existed and so she focused her energy and strength on changing rather than accepting herself.
Though it is, at times, an excruciating chronicle of pain, this memoir is an important work because it reminds us how destructive anti-fat bias was in the past, highlighting, as well, how it continues today.
A angst-filled memoir of one woman's obsession with food and one's body offers a poignant coming-of-age story that sets the author's love/hate relationship with food against her painful longing for a family, love, and a sense of belonging. By the author of Never Eat Your Heart Out. 35,000 first printing.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As a queer, fat disabled Black woman in America, I am all too familiar with the experiences and history that these 5 aforementioned authors detail when it comes how deep fatphobia is embedded in this country. And how it harms us everyday—even if you’re not fat. I remain passionate about the eradication of fatphobia in our society because too much is at stake in terms of housing discrimination, employment discrimination, disability discrimination, healthcare discrimination and etc. for one notto care. - Clarkisha Kent, author and culture critic.
Yeboah is my favorite in this genre because she really nails the perils of dating as a fat Black woman during these modern times.
What we have to go through (fetishization, degradation, etc., etc.) is so ridiculous and she is able to speak to this in a way that is [sadly] honest, but still a bit humorous. Which is hard to do.
'I love Stephanie... She's one of my favourite truth tellers online, she pulls no punches and empowers so many women with her own commitment to equality... This book is going to mean a lot, to a lot of people.' - Jameela Jamil
Stephanie Yeboah has experienced racism and fat-phobia throughout her life. From being bullied at school to being objectified and humiliated in her dating life, Stephanie's response to discrimination has always been to change the narrative around body-image and what we see as beautiful.
In her debut book, Fattily Ever After, Stephanie speaks openly and courageously about her own…
I have been a feminist for as long as I can remember. I recall seeing a billboard featuring Sophie Dahl sprawling on a sofa, completely naked. I recognized that I had no control over the images that dominate the visual landscape I inhabit, and I wanted to change this. These books might seem varied, but they all critique aspects of contemporary culture and offer ways to change things. In my academic writing and artwork, I examine these issues through a queer, feminist, and anti-capitalist lens, and these books offer a glimpse into the struggles that I think are important and the methods for change that I think could work.
This book deals with a subject that I feel strongly about–fat discrimination. It includes diet culture and the damage caused by the medicalization of fat. Lupton’s book was the first I read on this subject, and it is a brilliant, concise introduction to the social and political meanings of fat today.
Importantly, it debunks things like the BMI (body mass index commonly used in medicine to determine a person’s health level) and introduced me to movements such as the Health at Every Size Movement. It describes ways that anti-fat biases are being fought against, and I try to practice them in my life and academic work.
In contemporary western societies, the fat body has become a focus of stigmatizing discourses and practices aimed at disciplining, regulating and containing it. Despite the fact that in many western countries fat bodies outnumber those that are thin, fat people are still socially marginalized, and treated with derision and even repulsion and disgust. Medical and public health experts continue to insist that an 'obesity epidemic' exists and that fatness is a pathological condition which should be prevented and controlled.
Fat is a book about why the fat body has become so reviled and reviewed as diseased, the target of such…
AcClaim is a dark, high-society romance about Beatrix Winslow-Hale, a successful romance author who believes desire can be negotiated and controlled—until enigmatic billionaire Dorian Wolker crosses the line between consensual surrender and violation. Publicly humiliated and emotionally shattered, Beatrix turns to Manon de Rochemaure, her fiercely loyal best friend and…
I’m a writer/artist inspired by a lifetime of reading graphic novels. A visual artist at heart with a BFA in Industrial Design I have worked over a decade in conceptual thinking for research and development in the manufacturing sector. I love the experimentation that breaks the boring norms of industry standards. I wanted to use my talent, experience, and passion to create a sci-fi graphic novel, Bear Serum, and break the medium norms. I wrote and drew it to satiate my own wild ideas in the sci-fi category to push the medium further.
I picked this book up on a whim, I’m glad I did. It was a pleasant surprise with no expectations. A simple, easy-to-read story with art guiding you frame by frame from artist Ann Xu. The smooth art guides you through the effortless story. It shines a light from a different perspective of life. It is soft, warm, and enlightening as we question death around the corner (especially close for the elderly woman in this story who literally vacuums up death). If you are looking for something different from a harsh dystopian/superhero graphic novel, pick up Shadow Life.
I suggest that you read this one on a Sunday morning.
When Kumiko's well-meaning adult daughters place her in an assisted living home the seventy-six-year-old widow gives it a try, but it's not where she wants to be. She goes on the lam and finds a cosy bachelor apartment, keeping the location secret even while communicating online with her eldest daughter. Kumiko revels in the small, daily pleasures: decorating as she pleases, eating what she wants, and swimming in the community pool. But something has followed her from her former residence - Death's shadow.
Kumiko's sweet life is shattered when Death's shadow swoops in to collect her. With her quick mind…
I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell!
As a kids’ storyteller, I’ve often used this book, and it bears telling even without its gently comic pictures. When Farmer Joe complains of his daily toil, his clever wife tricks him into becoming so uncomfortable that, once returned to normal conditions, he will never complain again! The story carries a message about positive attitude, without being didactic. Best of all, kids can chuckle along with Farmer Joe’s wife, understanding her trick while hapless Joe does not. Kids, in my experience, love to be smarter than at least one grownup in a story, and this book delivers that in spades!
Farmer Joe has a problem: he works so hard that by the end of the day he is very hot and tired.
"What can I do?" he asks his wife.
You'll laugh at the clever way Farmer Joe's wife helps him keep his cool. Or does she?
Farmer Joe's Hot Day was both the author and illustrator's debut book, and the trilogy became a favourite with kids and teachers alike. Now the classic series returns in a bright levelled reader format for a new generation of book lovers!
I have always loved history and art. Combining the two makes perfect sense and provides the inspiration to keep writing. I can spend hours in a museum, just soaking up the magic in Impressionist paintings. I never get tired of researching the artists or their paintings, and I relish the unexpected discoveries.
I love the way there is a mystery within a mystery. A group of actors is staging a play for the benefit of the passengers on a transcontinental train trip across Canada. The protagonist, who is undercover and posing as a waiter, befriends the lead actor and takes a page out of Hamlet, using the play to pressure the villain into making a mistake and incriminating himself. Accurate details about working as a waiter lend a sense of ‘David versus Goliath’ to the storyline.
To the Jockey Club, the racing world would be a better place without Julius Apollo Filmer. An expert in corruption with a devastating line in witness intimidation - and proving to be a slippery character to put behind bars.
Baffled, they call in undercover security agent Tor Kelsey to keep an unflinching eye on Filmer and his associates. A mission that takes him from the finest of English racecourses to the wild Canadian interior - on a luxury transcontinental train journey to end them all.
On board, a troupe of actors are playing out a murder mystery for…
"A profound and often affecting story of resilience." —Kirkus Reviews
The Silent Women, an extraordinary novel inspired by the real women of Oak Ridge, Tennessee—the Manhattan Project’s “Secret City," where thousands kept the deadliest secret of World War II—is a sweeping, absorbing, and deeply human story about chosen…
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
Nobody for my dollar moves between front story and back story better than the Canadian author Alice Munro, whose 2013 Nobel Prize was recognition not only for the brilliance of her career but also for the possibilities of the short story as a form.
The final story in the collection Hateship, Friendship, Courtship, Loveship, Marriage, “The Bear Came Over the Mountain,” is among the most lasting fiction I’ve read, a meditation on memory and its limitations, as well as the compromises people make to help those they love and have hurt.
In the her tenth collection (the title story of which is the basis for the new film Hateship Loveship), Alice Munro achieves new heights, creating narratives that loop and swerve like memory, and conjuring up characters as thorny and contradictory as people we know ourselves. A tough-minded housekeeper jettisons the habits of a lifetime because of a teenager’s practical joke. A college student visiting her brassy, unconventional aunt stumbles on an astonishing secret and its meaning in her own life. An incorrigible philanderer responds with unexpected grace to his wife’s nursing-home romance.…
I started to write poetry because I loved the poetry my father recited. I've kept writing poems because poems brought me closest to the mystery my father and mother were to me. Both my parents lived through the Depression in England and the Second World War that followed. Both of them suffered, one as a civilian casualty, the other as a soldier, and both carried to their deathbeds the things they did and the things that were done to them. The books that move me most offer me the words that lift the weight of sorrow and the understanding that replaces grief and anger with compassion.
This is a book about extreme compassion, and the long and torturous work of it in the face of neighbourhood fear and municipal hostility towards those who live without fixed addresses and all that that entails.
Further, I see in Encampment the hope that on a personal and social level, we all have it within us to understand people we didn't think we could and keep alive the capacity we're born with to love those whom so many tell us we should not.
An activist priest provides sanctuary for an encampment of unhoused people in her churchyard
The housing crisis plaguing major urban centres has sent countless people into the streets. In spring 2022, some of them found their way to the yard beside the Anglican church in Toronto's Kensington Market, where Maggie Helwig is the priest. They pitched tents, formed an encampment, and settled in. Known as an outspoken social justice activist, Helwig has spent the last three years getting to know the residents and fighting tooth and…
I was born and raised as both an anglophone Canadian and a diaspora Jew. After living in Montreal, Jerusalem, and New York for a total of about 15 years, I returned to my hometown of Toronto and took up the position of the J. Richard Shiff Chair for the Study of Canadian Jewry at York University, where I work as a professor of history. I teach undergraduate students, graduate students, fellow academics, community leaders, and the wide public about all sorts of dimensions of this very religiously diverse, culturally diverse, socio-economically diverse, and politically diverse community of 400,000+ souls, with its 260+-year-old history.
This collection of Canadian Jewish fiction gave me 33 different short fiction, personal essays, and poetry windows into the hearts and minds, longings, fears, and dreams of Canadian Jews.
I can’t think of another volume that captures so much life at the intersection of Jewish literary vitality and Canadian content–understood liberally. I think I was most moved by David Bezmozgis’ and Isa Milman’s contributions.
The New Spice Box includes short fiction, personal essays, and poetry by Jewish writers from a broad range of cultural backgrounds. Fresh and relevant, profound and lasting, this anthology features works by acclaimed short story writers David Bezmozgis, Mireille Silcoff, and Ayelet Tsabari; groundbreaking memoirists Bernice Eisenstein and Alison Pick; and award-winning poets Isa Milman, Jacob Scheier, and Adam Sol.
The driving force behind The New Spice Box is the desire to uncover the twin touchstones of original expression and writerly craft, and to balance the representation of genres, styles, and authorial perspectives. Here, authors summon the past as they…
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation
by
Brian Lofton,
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation, is a raw and faith-centered memoir about life after military service—and the internal battles many never see. Brian Lofton shares his journey through addiction, shame, identity loss, and spiritual distance, revealing how the hardest struggles often begin after…
I was born and raised as both an anglophone Canadian and a diaspora Jew. After living in Montreal, Jerusalem, and New York for a total of about 15 years, I returned to my hometown of Toronto and took up the position of the J. Richard Shiff Chair for the Study of Canadian Jewry at York University, where I work as a professor of history. I teach undergraduate students, graduate students, fellow academics, community leaders, and the wide public about all sorts of dimensions of this very religiously diverse, culturally diverse, socio-economically diverse, and politically diverse community of 400,000+ souls, with its 260+-year-old history.
I love this book’s choc-a-block presentation of actual archival fragments from Jewish life in the British colonies that would eventually become Canada.
I also like that the book’s husband-wife, antiquarian, author team aimed to fuse together two objectives in one book: on the one hand, to paint a relatable picture of what Jewish life looked like during this period when Upper Canada was still being formed, and on the other hand, to account for the step-by-step process of Jews gaining civil rights in the new world.
When I teach Canadian Jewish history, I not only read this book with my students but also bring them into the archives that contain Godfrey’s trove of archival fragments of early Jewish Canadiana, which they collected before and while writing the book.
Mapping the history of Canadian Jews from the arrival of the first settlers before 1750 through to the 1860s, Search Out the Land introduces a new set of colourful players on Canada's stage. Ezekiel Solomons, John Franks, Jacob Franks, Chapman Abraham, Rachel Myers, Moses David, Samuel Hart, Elizabeth Lyons, and a host of others now take their appropriate place in Canadian history. Focusing on the significant role played by Jews in British North America in the fight for civil and political rights, the authors compare the development of Canadians' rights with that in other British jurisdictions of the time and…