100 Books Like Family Business

Until I read Wasson’s provocative book, it was my understanding that Robert Towne crafted his Oscar-winning Chinatown script with guidance from his star (Jack Nicholson), producer (Robert Evans), and director (Roman Polanski), all of whom urged Towne to find a cogent narrative inside a sprawling concept embedded with powerful metaphors.

Then Wasson debunked the romantic myth of the genius scribe working in isolation by revealing not just the extent of Polanski’s notes but, even more explosively, the involvement of Edward Taylor as Towne’s “editor” and possible uncredited co-writer. I didn’t think it was possible for me to be shocked anymore by discoveries about my chosen field, but Wasson’s book reminded me that solo screenwriting credits are, at best, abstractions and, at worst, misnomers.

Pulp magazines were the forerunners of comic books, and two of the greatest pulp characters, Doc Savage and the Shadow, inspired Superman and Batman, essentially kickstarting the superhero industry. I grew up and cut my future fiction writer’s teeth on paperback Doc Savage and Shadow pulp reprints—the primary authors behind these respective pulp heroes.

Lester Dent and Walter B. Gibson clash and eventually join forces to combat a Depression-era menace that could only spring from classic pulps in Malmont’s brilliant meta novel. L. Ron Hubbard and H.P. Lovecraft also make the scene creepily in this intoxicating brew tailor-made for pulp fiction and 20th-century noir-fiction lovers.

Racism is a dominant theme in my book and in historical work about Chinese Canadian history. Racist ideologies in the 1880s and 1890s drove the Chinese out of the United States and into urban and rural Canada. In Becoming Yellow, Keevak explains how the colour “yellow” developed to become a racial category used to describe people who were Chinese and to exclude them from the United States and Canada.  

Today most people associate Chinatowns with restaurants and tourism. In the past and for many Chinese Canadians, Chinatown was a ghetto and place of exclusion. But for many Chinese and other first-generation migrants, Chinatown was simply home. It was where friends (and sometimes families) lived and socialized, operated businesses, and felt a sense of belonging through mutual support networks and devotion to Sun Yatsen at KMT and other political meetings and events. Peter Kwong’s The New Chinatown tells a complicated narrative of Chinese political, social, and cultural life and dispels many Chinatown stereotypes. In my book, I tried to tell a similar story of Chinese political and social lives that weren’t defined by Chinatown stereotypes.

Picture it: you’re a woman married to a man whose first wife went missing, presumed dead. Then: knock, knock, who’s there? It’s the missing wife.

I loved the freaky premise, the mystery, and the scheming among the members of this shockingly unexpected and awkward ménage à trois. I can relate to Merritt, the caring second wife who feels a moral obligation to help the now-unmissing Lydia. I’d want to help too, and like Merritt, I’d probably feel guilty for enjoying a dreamy new life with another woman’s husband.

I enjoyed pondering the thorny legalities of the situation, but as the parties involved dig deeper into the circumstances of Lydia’s disappearance, it turns out that who’s legally married to whom is the least of their worries.

Better Luck Next Time is a funny, feminist dramedy about a family falling apart and putting itself back together again and again and again as they grapple with all mid-life has to offer: waning marriages, ageing parents, angsty teens, and crippling careers.

The characters are real and relatable, the dialogue whip-smart and the ending sublime. The perfect read if you’ve ever blamed something on a sibling and got away with it. True, poignant, and perceptive.     

It’s time I was reading Lydia Davis’s own stories, I tell myself, which are said to be remarkable, and I find that they are just that. She is nothing new to readers of serious literary fiction, having been writing her curious short stories since the late seventies. Her constructions are precise and elegant. Although plainspoken, her language is stylized and restrained in its effects. She is very much in control of her fictional creations. In some instances, they seem like exercises in logic, however Kafkaesque. Unlike Snijders’ stories, hers are more formal in tone and presentation. They have a satisfying shape and a sense of an ending that is not arbitrary.

Davis’s theater is that of consciousness. Personages in her small dramas of “the mind working” are exceptionally alert, sometimes painfully so; often they have trouble falling asleep. Their dreams have the solidity of objects. Dither and nervousness characterize… show more.

Janet has a penchant for coming up with the craziest and most outrageous scenes with her characters who go around investigating strange cases as bounty hunters. This is a short and sweet holiday version based on the original Stephanie Plum series. Every book features explosions, mishaps, romantic hookups, and epic failures. She makes me laugh every time, and I don’t feel as bad about having an old car, small apartment, empty fridge, or lack of romance. Totally worth it.

I read this 1933 mystery novel as a teen, and it might have begun my love affair with the hero in disguise. In this book, we meet Death Bredon, a newly hired copywriter at Pym’s Publicity. We know, of course, that he is Lord Peter Wimsey in disguise, but we don’t know why the aristocratic amateur detective is pretending to be a working Joe.

The mystery is flawless; the ad agency setting is delightful; the banter is witty; and the climactic cricket match, in which our disguised hero lets his mask slip, is delicious.

Like with Robert Crais’s Cole/Pike buddy novels, Coben has a number of books featuring the teamwork of two “good” guys—Myron Bolitar, former pro-basketball candidate and now a literary/sports agent who somehow gets involved in solving mysteries; Win Lockwood, a business tycoon you don’t want to mess with physically. What makes this book stand out is that a line is crossed in the adventure, one that had not occurred in their previous collaborations and one that could affect their lifelong friendship.