100 Books Like Eyewitness to the Old West

Dee Brown’s landmark 1970 book Bury My Heart at Wounded Knee provided a beautiful and much-needed antidote to the ‘march of the pioneers’ and Manifest Destiny narratives that held sway over much of the history of the western United States from 1850s-1890.

Over time, however, Brown’s book (and more specifically the massacre at Wounded Knee) became calcified as the ‘end point’ of histories about indigenous people. Treuer challenges this perspective by showcasing native resistance, resilience, and flourishing in the wake of Wounded Knee. Indigenous history is deep, varied, and filled with fascinating people and events—Treuer shows us how to find hope and joy in history even though there is also profound pain.

This book was my first portal into the North American Plains-Indian worldview.

It is a powerful narrative of a profoundly spiritual visionary that “has become a North American bible of all tribes,” writes Vine Deloria in his Introduction to the 1979 Bison Books edition.

“So important has this book become that one cannot today attend a meeting on Indian religion and hear a series of Indian speakers without recalling the exact parts of the book that lie behind contemporary efforts to inspire and clarify those beliefs that are ‘truly Indian.’”

It has also become the genre exemplar of American Indian spiritual narratives—autobiography as the armature on which to sculpt a spiritual worldview. Black Elk fought against George Armstrong Custer at the battle of Little Bighorn alongside his cousin the great Crazy Horse, and he was a leader of the Ghost Dance which ended tragically in the massacre of Wounded Knee.

A Hopi Indian named Don Talayesva was born in 1890 in the northeastern desert of Arizona. This is his personal life journey on the Sun Trail. I’ve never read anything quite like this. Every sentence immerses you into his mind’s eye, and you’ll see life through the lens of the Hopi worldview. Legends and myths run through every experience–yet everything feels real. The Spider Woman, Guardian Spirit, Katcina dancers, Six-Point-Cloud-People, Masau’u the bloody-headed Fire Spirit who wanders the mesa at night, and the secret society of Two-Hearts, who cast spells to take lives, to prolong their own. Don’s personal joys, opinions, and flaws are all part of the mix. In my own novel, I created a Hopi character with a vivid inner dialogue, thanks to Sun Chief.

Elisabeth Elliot’s approach to faith and to missiology was heavily influenced by 19th-century Irish missionary Amy Wilson Carmichael. Carmichael moved to India in her twenties and spent the rest of her life there, working to rescue children from exploitation and abuse. She also wrote poetry, biography, meditations on missiology, and books about her experiences.

Elliot was introduced to Carmichael’s writing by the headmistress of her high school, and over the next several years, she devoured everything of Carmichael’s that she could get her hands on, even writing to Carmichael to thank her for her work. Carmichael died at age 83, when Elliot was 25. More than three decades later, Elliot traveled to India to research and write this book, the story of the woman she called her spiritual mother. 

In the late 1800s, at age 28, Amy Carmichael went to India as a missionary, compelled to stay by the children she adopted as her own.

I love that Amy was stubbornly unconventional. Unlike other missionaries of her time, she adopted the cultural dress of saris and sandals, and lived among the people she served. She stood up against local practice to rescue children and though she had no children of her own became a mother to many.

Amy was so captivated by her love for India its people that she stayed there for 55 years, writing 35 books. There is something raw and honest about Amy’s story that gave me a passion for missions.

Slogum House is a fairly brutal account of the dynamics between a gentle patriarch who married a shifty woman and the influence her brutality had on the family. Parts of this novel are disturbing and hard to read, but this is an interesting tale of a desperate and driven woman who will literally stop at nothing to get what she wants, and how that ruthlessness colors her family and children’s lives. The setting is the remote western sand-hills of Nebraska. Brilliant writing.

While this is a short story, not a novel, it is, in my opinion, the quintessential psychological Western. Depicting the struggle of an ordinary man saddled with extraordinary tasks, to maintain his honor and his values in the face of temptation, it delves into the minds of the two participants, and takes the reader on a wild ride as they wait for the train. Tension you could cut with a knife replaces action, keeping the reader on the edge of his/her seat until the end.

The Broken Gun has one of the tightest plots of any of the many Western novels from the late, great Louis L’Amour. L’Amour’s Westerns are almost all set in the mid-1800s. His good guys are good, and his bad guys bad. His books are all fun, easy to read, full of action, and keep you turning the pages. Some readers think Louis L’Amour was a 2nd rate writer…but he knew what he was doing & literally millions of folks have loved his books. Many, like myself, have read all of his Westerns, some of them several times. When I go camping I always toss in a few of his paperbacks. When it’s too windy to fish, I kick back and re-read a Louis L’Amour Western. Always fun.

Bob Fudge worked for the famous XIT, a large cattle outfit based in the Texas Panhandle, during the late 1800s and early 1900s. Bob Fudge lived an iconic cowboy life, driving cattle from Texas to Montana. He told his life story in 1932, a year before his death. I first heard about this rare book during a song intro, by western singer Ian Tyson on his Live At Longview album. Before he plays the song “Bob Fudge,” Tyson tells a story of how someone left this book on his guitar case during an earlier performance—and it captivated him. The book captivated me, too, and served as inspiration for my own western novels. Another Canadian western singer, Colter Wall, recorded a live cover version (watch it on YouTube) that is quite cool.

I’ve been to the Tomboy Mine. All that’s left of the camp are old foundations in a rocky basin above timberline, surrounded by high peaks, 3,000 feet above Telluride. The only gold left behind is in the rich hues of a Colorado sunset. While the Tomboy may be gone, it’s the same view Harriet Fish Backus saw every day. Life at a remote mountain mine was full of “mishaps and makeshifts,” and she kept a diary of daily events. Nothing she writes is a dull description, nor is it the soaring purple prose of Victorian-era romanticism. Her account of mining life in 1906, from a woman’s perspective, detailing daily routines, friendships, and fears, is invaluable as a western author, to create believable female characters in the Old West.