100 Books Like Evidence Not Seen

Winner of the Baillie Gifford Prize for nonfiction, this magnificent book begins as a memoir with Flannagan visiting the site of the POW camp in Japan where his father was subjected to slave labor during WWII, was starved, and faced certain death, saved only by the atomic bomb dropping on nearby Hiroshima. Throughout this book, Flanagan grapples with the fact he exists only because of this tragedy (as I grapple in Irena’s Gift with the fact I exist only because a Nazi SS officer who tortured and killed women saved my mother.)  

Often, in families of war survivors, one son or daughter becomes curious—obsessed even—with how their parent survived, perhaps not realizing they are also seeking to understand their own identity given they inherited their parent’s trauma. Frustrated by a Japanese museum’s omission of his father’s slave labor experience, Flanagan poses his dilemma: “Sometimes I wonder… show more.

Shame and the Captives is by the award-winning Tom Keneally.

I have had the pleasure of meeting Tom, and the edition that I have is signed by him. The novel is set in World War Two and based on the escape of Japanese prisoners of war at Cowra, Australia. The story moves between the camp itself and residents of the town, which gives the narrative a strong base for dramatic tension.

Throughout the novel, Keneally displays his ability to convey the subtleties of each character, which adds depth to the story and feeds questions about the choices made under situations of stress and uncertainty.

Many British, Australians, Canadians, Dutch, and Americans have written about their appalling treatment by the Japanese as POWs during World War II. Urquhart's account is one of the more compelling, all the more so because he waited for more than 60 years to tell this harrowing, anecdote-rich story.

Almost impossible to put down—this was the first book that made me physically feel the words.

I wouldn’t call it enjoyable in the usual sense; the experience was excruciating. But that’s exactly what makes it unforgettable. Hillenbrand’s prose, paired with the true story of Louis Zamperini’s plunge from Olympic track star to the unrelenting hell of a POW camp, smacks you off your cozy little couch and right into a world where Sleepytime tea, candles, and Netflix don’t exist.

What struck me most was how it captured not only the brutality of survival, but the stubborn, almost irrational resolve of the human spirit—and the possibility of forgiveness that would defy logic. This isn’t a book that’s light to hold—it’s grit, torment, and triumph in equal parts. I recommend it because it inspires without sugarcoating—harrowing and uplifting in the same breath.

For anyone who wants proof of just how deep the… show more.

Most of the best books about the Japanese American World War II experience are memoirs by those who actually lived through it, and this is one of the best.

Removed along with her family from Berkeley, California and confined at the Topaz, Utah camp, pick any page and the reader will see Uchida’s skillful descriptions: “As we plodded through the powdery sand toward Block 7, I began to understand why everyone looked like pieces of flour-dusted pastry.”

Also, that I am a writer for young readers was trailblazed by Yoshiko Uchida who, along with her publisher, had the courage to write and publish her first book, The Dancing Kettle, and Other Japanese Folk Tales in 1949──during a time in America when hatred against all things Japanese still ran strong.

Part sports book, part WWII book, and large part survival story: Hillenbrand's narrative never ceases to astonish. What Louis Zamperini endured adrift in a life raft for six weeks and in POW camps for two years is beyond imagining, and yet Hillenbrand documents it all in harrowing detail. 

But first, Louis is just a troubled kid with a knack for making mischief. Running saves him. He qualifies for the 1936 Olympics and places 5th in the 5,000 meters. His Olympic dreams for 1940 are shattered by the war, but he becomes a bombardier in the Army Air Forces. Louis’s story doesn’t end with his rescue after the war. In the moving final section, Louis finds unexpected redemption and makes a triumphant Olympic return.

In 1942 about 22,000 Australians – an entire army division – were captured by the Japanese, mostly in Singapore. When the survivors returned from the Burma-Thailand railway and camps across south-east Asia and Japan, a third of them were dead. This ordeal, so much at variance with Australia’s tradition of victory in war, remained largely neglected. In the early 1980s academic historian Hank Nelson teamed up with Tim Bowden, a radio presenter, to interview hundreds of former PoWs of the Japanese, many speaking for the first time, and together they produced a powerful Australian Broadcasting Corporation documentary series which told their stories. Hank produced the equally profound book based on the recordings, effectively kick-starting the investigation of PoW history, now an important part of Australian military history.

Winner of the 1999 Pulitzer Prize for Nonfiction, this book gives the reader an in-depth analysis of the effects of World War II on the political, economic, and social life of the Japanese people. It depicts the ways in which Japan moved into the twentieth century and gave up many of its feudalistic habits – some for the better and some for the worse. 

Composed of letters to the editor in Tokyo’s highly respected Asahi Shimbun newspaper from 1986 to 1987, SENSŌ provides vivid insight into wartime life in Imperial Japan. Composed of honest reflections 40 years after the war, the topics covered (often with powerful emotion) include: life in the military, the Sino-Japanese War, Pacific War, home front, the bombing of Japanese cities, and post-war reflections. In the end, I was impressed how the Japanese experience and emotions during the war were not dissimilar to what I might imagine feeling as an American in a similar situation.

This is a World War II memoir by United States Marine Eugene Sledge, first published in 1981. 

It is a powerful depiction of war, honest and authentic, describing what it was like to fight in some of the fiercest battles of World War II. The writing is vivid and gripping, sometimes humorous, but mostly reflective of the horrors of war. There is a very refreshing “non-commercial” tone to the narrative.

Sledge originally wrote this as a private memoir for his immediate family, a way to finally tell them what he could never verbalize in person. Sledge’s passion comes through on every page, a reminder that the best books come from the heart.