Books like Evidence Not Seen — picked by fans

Winner of the Baillie Gifford Prize for nonfiction, this magnificent book begins as a memoir with Flannagan visiting the site of the POW camp in Japan where his father was subjected to slave labor during WWII, was starved, and faced certain death, saved only by the atomic bomb dropping on nearby Hiroshima. Throughout this book, Flanagan grapples with the fact he exists only because of this tragedy (as I grapple in Irena’s Gift with the fact I exist only because a Nazi SS officer who tortured and killed women saved my mother.)  

Often, in families of war survivors, one son or daughter becomes curious—obsessed even—with how their parent survived, perhaps not realizing they are also seeking to understand their own identity given they inherited their parent’s trauma. Frustrated by a Japanese museum’s omission of his father’s slave labor experience, Flanagan poses his dilemma: “Sometimes I wonder… show more.

Shame and the Captives is by the award-winning Tom Keneally.

I have had the pleasure of meeting Tom, and the edition that I have is signed by him. The novel is set in World War Two and based on the escape of Japanese prisoners of war at Cowra, Australia. The story moves between the camp itself and residents of the town, which gives the narrative a strong base for dramatic tension.

Throughout the novel, Keneally displays his ability to convey the subtleties of each character, which adds depth to the story and feeds questions about the choices made under situations of stress and uncertainty.

Many British, Australians, Canadians, Dutch, and Americans have written about their appalling treatment by the Japanese as POWs during World War II. Urquhart's account is one of the more compelling, all the more so because he waited for more than 60 years to tell this harrowing, anecdote-rich story.

What stays with me is not the survival story, but the change that followed.

Louie’s struggle with anger and pain after the war felt familiar. This story shows that endurance by itself is not enough. Freedom comes through forgiveness and faith.

The movement from anger to grace stood out to me. It made me consider that even when hard experiences influence us, they do not have to decide our future.

Most of the best books about the Japanese American World War II experience are memoirs by those who actually lived through it, and this is one of the best.

Removed along with her family from Berkeley, California and confined at the Topaz, Utah camp, pick any page and the reader will see Uchida’s skillful descriptions: “As we plodded through the powdery sand toward Block 7, I began to understand why everyone looked like pieces of flour-dusted pastry.”

Also, that I am a writer for young readers was trailblazed by Yoshiko Uchida who, along with her publisher, had the courage to write and publish her first book, The Dancing Kettle, and Other Japanese Folk Tales in 1949──during a time in America when hatred against all things Japanese still ran strong.

Part sports book, part WWII book, and large part survival story: Hillenbrand's narrative never ceases to astonish. What Louis Zamperini endured adrift in a life raft for six weeks and in POW camps for two years is beyond imagining, and yet Hillenbrand documents it all in harrowing detail. 

But first, Louis is just a troubled kid with a knack for making mischief. Running saves him. He qualifies for the 1936 Olympics and places 5th in the 5,000 meters. His Olympic dreams for 1940 are shattered by the war, but he becomes a bombardier in the Army Air Forces. Louis’s story doesn’t end with his rescue after the war. In the moving final section, Louis finds unexpected redemption and makes a triumphant Olympic return.

In 1942 about 22,000 Australians – an entire army division – were captured by the Japanese, mostly in Singapore. When the survivors returned from the Burma-Thailand railway and camps across south-east Asia and Japan, a third of them were dead. This ordeal, so much at variance with Australia’s tradition of victory in war, remained largely neglected. In the early 1980s academic historian Hank Nelson teamed up with Tim Bowden, a radio presenter, to interview hundreds of former PoWs of the Japanese, many speaking for the first time, and together they produced a powerful Australian Broadcasting Corporation documentary series which told their stories. Hank produced the equally profound book based on the recordings, effectively kick-starting the investigation of PoW history, now an important part of Australian military history.

A well-known historian brilliantly tells the last months of World War II in the Pacific. 

Frank immerses readers in the details of strategy, planning, and thinking on both sides, culminating with the dropping of the atomic bombs and the Japanese surrender. The book provides a clear record of the often misunderstood end of the Pacific War.

Composed of letters to the editor in Tokyo’s highly respected Asahi Shimbun newspaper from 1986 to 1987, SENSŌ provides vivid insight into wartime life in Imperial Japan. Composed of honest reflections 40 years after the war, the topics covered (often with powerful emotion) include: life in the military, the Sino-Japanese War, Pacific War, home front, the bombing of Japanese cities, and post-war reflections. In the end, I was impressed how the Japanese experience and emotions during the war were not dissimilar to what I might imagine feeling as an American in a similar situation.

Takashi Fujitani offers a surprising historical narrative, telling the story of Korean soldiers in the Japanese army alongside that of Japanese-American soldiers in the United States during World War II. What is striking here is how total global war pushed both the United States and Japan to similar policies toward minority populations. Both abandoned more “vulgar” forms of racism (explicit discrimination) for what Fujitani calls a “polite racism,” where minority groups were now deemed as capable of cultural assimilation. But what really is inspiring is that Fujitani juxtaposes two wartime enemies—the United States and Japan—to show just how similar they actually were.