63 Books Like Encyclopedia of Demons in World Religions and Cultures

Here’s another great resource for the armchair novelist.

This military handbook has all the information a character might need to survive in many different terrains. From shelter to food, wound dressing to vehicle maintenance, it covers a vast array of subjects and even has sections on urban survival and terrorism added to the later editions.

It’s a great reference for designing characters who understand the challenges of survival, as well as ignorant ones who don’t have a clue, and is full of wonderful setting details and story ideas to inspire a writer. 

Need to design an alien species? If so, you won’t find a better resource than this one.

Kershenbaum does nothing less than attempt to identify universal principles governing all biological organisms and does a damned impressive job of it. Beginning with the question of whether the human concept of “evolution” would even exist on an alien world, he works his way up to detailed and insightful analyses of what types of life forms would likely evolve in different environments and how they might communicate and socialize.

This is pure brain food for any lover of science or science fiction, an intellectual exploration you won’t be able to put down. It’s in my top 10 list for books of any kind.

How do you write violent scenes in a compelling way when you have no personal experience in that arena?   

Drawing on a lifetime of experience with violent individuals and institutions, Miller explores the concept of how violence works: not only the act itself but how human beings respond to it. The text covers many different weapons and situations, all with an eye toward providing the kind of information that will help make a writer’s violent scenes ring true.

It’s a dark read, to be sure, but a fascinating one, and its value can’t be overstated, especially to those of us whose most physically stressful experience is struggling to get the lid off a can of coffee creamer.

Poisoning is a complicated business. Your character needs to know what poisons are available, along with their toxicity, method of administration, reaction time, symptoms, and treatment.

This book offers all that information and more in language that you don’t need a chemistry degree to understand. From classic poisons to common household substances, natural venoms to street drugs, and pesticides to medical compounds, this book offers detailed information on all facets of the art of chemical assassination.   

The deepest level of witchcraft and magical experience is psychological.

Most executed witches are unlikely to have carried out the practices of which they were accused – certainly not attendance at the sabbat, and not usually deliberate magical harm. But magical practitioners offered a wide range of mostly positive services: healing, finding lost and stolen goods, and love magic.

Edward Bever’s book is densely-written, often quoting from medical sources, but worth persevering with: it opens up a realm of magical action and experience. My favourite chapters deal with how beneficial magic was perceived to have worked, but there is darker material too – including intentional curses.

This book is based on Hubert (Bert) Dreyfus’s famous undergraduate philosophy course at U. C. Berkeley, affectionately called “From Gods to God and Back.” Like me, Sean was Bert’s teaching assistant for the course. We all loved this course because it draws out of our Western literary traditions a form of spirituality that we believe is essential for good lives today.

The book begins by looking at the relationship between Athena and Odysseus in Homer’s Odyssey. It’s a friendly mentoring relationship without any suffocating philosophical-theological pretensions such as omnipotence or omniscience. Later, we join St. Augustine as he tries to undermine (though unsuccessfully) the theological pretensions. The book ends with Melville’s polytheism in Moby Dick.

The book inspires us to look for “attainable felicities”: simple divine experiences without pretensions. 

This book made me rethink how we consider the idea of the Middle Ages–full stop.

Pegg tracks the medieval period through the concept of holiness, and if you think that might be boring, then I have got news for you about how wild medieval (and Late Antique!) people were.

Whether it is being stoked to be sent to your death in the gladiatorial ring or writing transcendent fiction about how the girl you had a crush on as a teenager is waiting for you in heaven, Pegg shows that medieval people were constantly rethinking what it meant to be alive and how to square that in a Christian society. I guarantee it will make Trad Caths absolutely livid.  

This book packs a lot into <100 pages and does so very comfortably. Although there are other books better focused on the key issue of religious literacy, I particularly like that this book specifically includes several aspects of religious literacy, such as the fact that religions are all internally diverse, not monolithic, and that we all have a perspective, a situatedness, from which we see and interpret the world around us. In addition to familiarizing readers with common features of common religions like many books do, this one goes further and includes sections on philosophy of religion, on religion and violence in our world, and on religion and science, all of which encourage valuable thinking and reflection. The book does a relatively good job of meeting the stated goal of promoting understanding and respect of different people and different types of belief and nonbelief.

What I like best about this book is that it is particularly well edited by one of the best scholars of religion today (Martin Marty), and that it is very unbiased, not favoring any one religion over others, simply stating what believers in each faith tradition generally believe and do. It is a little light on indigenous religions but gives a good overview of and introduction to the major faith traditions, covering the Abrahamic, Vedic, and other major traditions in adequate, appropriate detail. Highly recommended.

A prequel to the famous best-seller The Pillars of the Earth this book follows the fortunes of three disparate characters as they navigate the perilous Viking-riven world of 10th-century England. Although some of Follett’s books are considered ‘light’ reading by many he’s a meticulous author who enjoys his period research and always presents his readers with stories as rich in historical accuracy and verisimilitude as they are in drama and intrigue. A broad cast of characters gives us a view of life from all the strata of English (and Norman) society: from noblewoman to slave; craftsman to monk. A long, long book that will leave you wanting even more.