Here are 100 books that Enchantée fans have personally recommended if you like
Enchantée.
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I love Paris. It is one of my favorite cities on Earth. One of the reasons I adore it so much is because it has such a palpable sense of enchantment. There is magic in its cathedrals and catacombs, its pâtisseries and feal markets, its rich tradition of art and joie de vivre. You can feel it in your soul as you walk through the city, under the gazes of its gargoyles and the charm of its cafes. Thus, I’ve always been drawn to stories that take this one step further—exploring a Paris that harbors actual magic.
Imagine National Treasure set in a magical Belle Epoque Paris featuring an ensemble of endearing thieves—I absolutely inhaled this story!
Chokshi’s writing is as luxurious as velvet, and her wit shines through in the antics of her characters as they set about solving riddles and stealing a series of magical artifacts. I fell in love with Severin and the rest of his crew, and I would give anything to wander the streets of this magical setting!
Paris, 1889: The world is on the cusp of industry and power, and the Exposition Universelle has breathed new life into the streets and dredged up ancient secrets. In this city, no one keeps tabs on secrets better than treasure-hunter and wealthy hotelier, Severin Montagnet-Alarie. But when the all-powerful society, the Order of Babel, seeks him out for help, Severin is offered a treasure that he never imagined: his true inheritance. To find the ancient artifact the Order seeks, Severin will need help from a band of experts:
An engineer with a debt to pay. A historian who can't yet…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I love Paris. It is one of my favorite cities on Earth. One of the reasons I adore it so much is because it has such a palpable sense of enchantment. There is magic in its cathedrals and catacombs, its pâtisseries and feal markets, its rich tradition of art and joie de vivre. You can feel it in your soul as you walk through the city, under the gazes of its gargoyles and the charm of its cafes. Thus, I’ve always been drawn to stories that take this one step further—exploring a Paris that harbors actual magic.
If you’re searching for a book that serves up monstrous werewolves in Paris’s catacombs and opera houses, then I highly recommend picking up this book.
I loved how Susan J. Morris used references to Sherlock Holmes and Dracula in her characters, who are racing to find a man-eating beast in 1900s Paris. This was a taut, twisty-turny read!
'A whip-smart, lusciously atmospheric adventure' Frances White
'Fantastic and fresh' Wesley Chu
'Inventive, engaging, and terrific fun' H.G. Parry
In Belle Epoque Paris, a monster is murdering powerful men. Stopping it may be a woman's job.
When the Gendarmes ask the Royal Society for the Study of Abnormal Phenomena for help, they don't expect them to send Samantha Harker.
She's a researcher, more used to papercuts than knife fights. Sam is also the daughter of Dracula's killer and can see into the minds of monsters. It's a perilous power, one that could help her crack this case or have her…
I love Paris. It is one of my favorite cities on Earth. One of the reasons I adore it so much is because it has such a palpable sense of enchantment. There is magic in its cathedrals and catacombs, its pâtisseries and feal markets, its rich tradition of art and joie de vivre. You can feel it in your soul as you walk through the city, under the gazes of its gargoyles and the charm of its cafes. Thus, I’ve always been drawn to stories that take this one step further—exploring a Paris that harbors actual magic.
I’m a big sucker for magical circuses, so when I found out this book featured a magical circus set in Paris in 1925, I was doubly invested.
I loved the carousels that took you back in time, the floating trapeze artists, and the dark allure lurking under the carnival’s performances. This story switches back and forth between two timelines, drawing readers into an unfolding mystery about the circus’s fate.
I was captivated right until the story’s shocking end.
From the author of A Witch in Time comes a magical story spanning from Jazz Age Paris to modern-day America of family secrets, sacrifice, and lost love set against the backdrop of a mysterious circus.
Paris, 1925: To enter the Secret Circus is to enter a world of wonder—a world where women weave illusions of magnificent beasts, carousels take you back in time, and trapeze artists float across the sky. Bound to her family's circus, it's the only world Cecile Cabot knows until she meets a charismatic young painter and embarks on a passionate affair that could cost her everything.…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I love Paris. It is one of my favorite cities on Earth. One of the reasons I adore it so much is because it has such a palpable sense of enchantment. There is magic in its cathedrals and catacombs, its pâtisseries and feal markets, its rich tradition of art and joie de vivre. You can feel it in your soul as you walk through the city, under the gazes of its gargoyles and the charm of its cafes. Thus, I’ve always been drawn to stories that take this one step further—exploring a Paris that harbors actual magic.
Megan Shepherd has long been a favorite author of mine, and her Grim Lovelies series is the perfect mix of magic and Paris.
When Anouk, a witch’s enchanted familiar, is suddenly accused of her mistress’s murder, she must flee through the city to discover who actually committed the crime before time runs out and she turns back into an animal.
I loved the magical wishing fountains, the glitzy shopping sprees in Galeries Lafayette, and the tense race to keep the main character’s humanity.
"A magical dash through the streets of Paris. Part caper, part fairy tale, part opulent witch society, you'll be swept away by all of it. GRIM LOVELIES absolutely dazzles." -Kendare Blake, #1 NYT bestselling author of the Three Dark Crowns series
"A darkly enchanting saga...bound to attract fans of Leigh Bardugo, Holly Black, and more." -Entertainment Weekly
"I lost myself in this magical book." -Stephanie Garber, New York Times bestselling author of Caraval and Legendary
Seventeen-year-old Anouk envies the human world, where people known as Pretties lavish themselves in fast cars, high fashion, and have the freedom to fall in…
One fateful day in 4th grade, after finishing the Chronicles of Narnia, I picked up a YA spy novel off my teacher’s bookshelf. I never went back. I was immediately drawn to the depth of the characters, the nuance of how their public persona didn’t always match their internal thoughts, and their ability to succeed when no one thought they could. Eventually, what I read became what I wrote. Now, whenever I get overwhelmed, I love to turn to the genre that helped me through High School. Whether I reread old favorites, revisit my own stories, or find new friends, these characters remind me I can do anything.
When my roommate suggested I read The False Prince, I did not expect to be drawn in and read the entire 5 book series in a week. What’s a sleep schedule?
Sage is the kind of character that can keep everyone guessing…including the reader, even though you are reading from his point of view. He is guarded and defiant. As he is being sculpted to be what someone else wants him to be, he remains spitefully himself, even when it might mean his demise. He might not technically be a spy, but he embodies everything I love about the genre.
Sage has an unwavering knowledge of who he really is, and I can only hope I can have that for myself someday.
If you love the danger and sword-fighting of MERLIN, you'll like this! In a discontent kingdom, civil war is brewing. To unify the divided people, Conner, a nobleman of the court, devises a cunning plan to find an impersonator of the king's long-lost son and install him as a puppet prince. Four orphans are recruited to compete for the role, including a defiant boy named Sage. Sage knows that Conner's motives are more than questionable, yet his life balances on a sword's point - he must be chosen to play the prince or he will certainly be killed. As Sage's…
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
With this excellent and seamlessly co-authored study, Christine and Tracy have Adams delve into the creation of the post of the royal significant other—an often-overlooked category of premodern female power and influence. They move beyond the salacious to an intellectual understanding of the complementarity of gendered premodern political power.
Kings throughout medieval and early modern Europe had extraconjugal sexual partners. Only in France, however, did the royal mistress become a quasi-institutionalized political position. This study explores the emergence and development of the position of French royal mistress through detailed portraits of nine of its most significant incumbents: Agnes Sorel, Anne de Pisseleu d'Heilly, Diane de Poitiers, Gabrielle d'Estrees, Francoise Louise de La Baume Le Blanc, Francoise Athenais de Rochechouart de Mortemart, Francoise d'Aubigne, Jeanne-Antoinette Poisson, and Jeanne Becu.
Beginning in the fifteenth century, key structures converged to create a space at court for the royal mistress. The first was…
The French court has fascinated me since boyhood visits to Blois and Versailles. The appeal of its unusually dramatic history is heightened by the prominence of women, by the number and brilliance of courtiers’ letters and memoirs, and by its stupendous cultural patronage: Even after writing seven books on the French court, from Louis XIV to Louis XVIII, I remain enthralled by Versailles, Fontainebleau, and Paris where, as the new science of court studies expands, there is always more to see and learn. The power and popularity of the French presidency today confirm the importance of the French monarchy, to which it owes so much, including its physical setting, the Elysée Palace.
Born a German princess, married to Louis XIV’s gay younger brother, ‘Liselotte’, as the Duchesse d’Orleans was often known, was an outsider who also, by her rank, was an insider. She put her venom and her frustrations into her letter-writing, denouncing the French court’s morals, policies, and personnel to her German relations. Versailles made her prefer dogs to people: she called Madame de Maintenon, the king’s second wife, ‘the old whore’. Her letters make us feel we are living at Versailles, when it was at the heart of European politics and culture.
Married in 1672, at 19, to Louis XIV's bisexual brother, the Duke of Orleans, Liselotte began her voluminous and fascinating correspondence from the Court of Versailles which she continued until her death 50 years later, making her the greatest chronicler of her day. Feared for her sharp tongue and her bluntness, Liselotte refused to be drawn into the viscious life at the Sun King's Court, of which she was outspokenly critical and her letters, collected here in this volume, describe the bawdy, spontaneous and idiosyncratic personages and life of Louis XIV's corrupt court.
I prefer to write historical fiction because so many fascinating stories have already happened in the past, and these tales are filled with real-life characters with rich backstories and personalities. I try to find the best historical figures and scenarios I can through exhaustive research and then stitch them together into thrillers that mesh seamlessly with the history I researched. My books are written to educate and entertain, and nothing makes me prouder than when readers follow the breadcrumb trails I leave behind for further research. I hope you enjoy the hunt!
If you’ve ever been a fan of the James Bond books or movies, spy-thrillers, or anything involving MI6, this book is about where it all began: the golden age of English espionage. Filled with captivating plots and characters straight out of history, this book was the bedrock that I built my story upon. Please check it out. You will never look at English history the same way again.
Sir Francis Walsingham's official title was principal secretary to Queen Elizabeth I, but in fact this pious, tight-lipped Puritan was England's first spymaster. A ruthless, fiercely loyal civil servant, Walsingham worked brilliantly behind the scenes to foil Elizabeth's rival Mary Queen of Scots and outwit Catholic Spain and France, which had arrayed their forces behind her. Though he cut an incongruous figure in Elizabeth's worldly court, Walsingham managed to win the trust of key players like William Cecil and the Earl of Leicester before launching his own secret campaign against the queen's enemies. Covert operations were Walsingham's genius; he pioneered…
As an author and a lifelong lover of books, I read all genres. My favorites are set in fantastical worlds with unique settings. The mash-up of history and fantasy is endlessly compelling to me, and I always want to see a romantic subplot (or main plot!) in the books I read. I want a happily-ever-after even when the strange world and its villains are conspiring against the main characters.
Set in the mid-1400s in France, this series starter contains action, court intrigue, romance, and assassin nuns! I read it years ago and it remains a favorite, not only for the beautiful language, but for the strong heroine, Ismae, and her journey from following the rules and doing as she’s been told, to learning how to discern right from wrong and follow the guidance of her own moral compass. This is a book I would loveto watch as a movie, not only for the action, but the costumes.
Seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where the sisters still serve the gods of old. Here she learns that the god of Death Himself has blessed her with dangerous gifts—and a violent destiny. If she chooses to stay at the convent, she will be trained as an assassin and serve as a handmaiden to Death. To claim her new life, she must destroy the lives of others. Ismae’s most important assignment takes her straight into the high…
My fascination with pre-revolutionary France began when my love of genealogy and my family research took me to the France of my ancestors. Most of my French ancestors migrated to Canada in the 1600s and 1700s. Twenty of my 7th and 8th-great-grandmothers were recruited to emigrate as part of the Filles du Roi (Daughters of the King) program, and I have often wondered what life was like for them before they left France and what it was like for their ancestors. I have discovered that I am descended from several of the earlier kings of France and England, and that feeds into my passion for reading about the French.
I was intrigued by how quickly this one pulled me into the dynamics of this family of five sisters, each of whom conspired to become Louis XV’s mistress in the early 18th century. This book is the first in a trilogy called The Mistresses of Versailles.
Told from multiple points of view, the sisters’ relationships and their romantic intrigues were brought to life for me both through their narrations and through letters back and forth among them.
Court intriguers are beginning to sense that young King Louis XV, after seven years of marriage, is tiring of his Polish wife. The race is on to find a mistress for the royal bed as various factions put their best feet, and women, forward. The King's scheming ministers push sweet, naive Louise, the eldest of the aristocratic Nesle sisters, into the arms of the King. Over the following decade, she and three of her younger sisters, ambitious Pauline; complacent Diane, and cunning Marie Anne, will conspire, betray, suffer, and triumph in a…
