Books like Empress of Forever

My name is Thomas Tarasios and I'm a fantasy author. I was a huge fan of the Final Fantasy games growing up, particularly I to IX, and as a voracious fantasy reader I've made it my business to find novels that deliver that 'Final Fantasy feeling' (eccentric ensemble cast, adventure, hard magic system, grim yet fun, etc.), scouring the web, message boards and Reddit for recommendations on this topic and reading the suggested books. When it came time to write my own fantasy series, I set out to write as if it were an original Final Fantasy game—a fan novelization of an awesome new Final Fantasy game that doesn't actually exist as a game!

I’ve obviously read a lot of Holmes retellings. Part of the impetus behind my new novella was trying to figure out why I was so attracted to them. Part of it, I realized, is the neurodivergence aspect: fundamental to the Holmes story is the idea of someone who thinks differently—and who finds a way to interact with the world that uses that as an asset. The other component I love is the Holmes-Watson dynamic. Whether it's romantic or not, the development of a relationship of affection between two people who think very differently is an emotional counterpoint to plot-driven mysteries. Those elements—along with stellar writing, gripping mysteries, and characters I love spending time with.

Tolkien ignited my love for fantasy, but after a decade of publishing failure, I quit writing altogether. When I returned to the typewriter more than ten years later it was to create something that “I wanted to read” rather than a book that I “thought could get published,” Ironically, those were the stories that made my career: one that has spanned sixteen years, twenty published books, and multiple New York Times bestsellers. In retrospect, I realize that my books and my recommendations share many of the same elements: bonds of unbreakable friendship, humor, and a grand adventure. So, if that sounds like something you’d enjoy, please check out my recommendations.

I’m a writer and also a history nerd. I love historical fiction—learning about the past through a story just makes the world come alive in a way that non-fiction doesn’t. As I child, I was entranced by middle-grade historical novels like The True Confessions of Charlotte Doyle and The Shakespeare Stealer. But I also love fantasy novels and how they use magic to make the truths of our world bigger and bolder, turning the elephant in the room into a dragon that can’t be ignored. Mixing history and fantasy together is my book version of peanut butter and chocolate.

My graduating class in high school once designated me as “the most likely to start a feminist revolution.” That was a lot to live up to, but I’ve made a very small stab at it by writing about women who have changed our world. I love to bring awareness about the contributions great women have made in history, but I also want modern women to see themselves in these struggles. I always say that Historical Fiction is an exercise of empathy, and I hope my work encourages women today to get involved and make a difference in the world, too.

I have specialized in writing about Asia since first moving to Hong Kong as a journalist in 1989, and spent the past three decades trying to improve understandings between East and West. My Asian women friends repeatedly asked me why Western men expected them to pour their drinks and serve them food. I answered “because that’s what they saw in the movies.” The James Bond films perpetuating these images of servile Asian women scrubbing white mens’ backs in the bathtub were pervasive when they were growing up. I decided to uncover and explain where this history of imagery and the stereotypes they result in come from – and, as someone with an anthropological background, also explain cultural practices that foster misunderstandings. 

I'm Professor and Director of the Gender and Women’s History Research Centre at the Australian Catholic University. I've always been interested in the power of ideologies about gender to shape people’s lives, and in the experiences of women in times past. I started off exploring these topics in early modern Europe and then looked at how women, and ideas about gender, shaped the ways European peoples engaged in the world at this period. This has helped me to see the very significant ways that the lives of women and men are always shaped by gender ideologies across the globe and across time, and the innovative ways that people respond to the challenges and opportunities that they encounter.

I can’t explain the fascination with Rasputin, but one hears the name so frequently via the Boney M pop song, so I took that as the inspiration - and the title - of my book. I saw a book about him in Waterstones one day and had to pick it up, even though it was so big it might’ve doubled as a doorstop. But from then I was hooked; I read everything I could, watched more, and researched until I actually went to Russia. And then I research some more!

A tiny mention of the legendary ‘fragrant concubine’ in a travelogue had me search out more information… and more and more until I’d researched and written the stories of four imperial concubines in the Qing era (18th century China). Some rose to power, while others fell to madness. Their extraordinary lives within the high red walls of the Forbidden City fascinated me. Along the way I found a banished empress and a real woman who had endless myths grow up around her, as well as secondary characters like the Italian Jesuit turned court painter. An irresistible era and way of life to explore, in all its shades of light and darkness.

Ian Ross was born in England and studied painting before turning to writing fiction. He has been researching the later Roman empire and its army for over a decade, and his interests combine an obsessive regard for accuracy and detail with a devotion to the craft of storytelling. His six-novel Twilight of Empire series follows the career of Aurelius Castus as he rises from the ranks of the legions to the dangerous summit of military power, against the background of a Roman world in crisis.