Books like A Story of Survival

This is the granddaddy of all EMP stories—the one that arguably kicked off the entire genre and the one that got me interested in EMP disaster books. So grounded that it has been cited as a cautionary tale in Congress, the story doesn’t shy away from the grim realities of a world where technology suddenly stops working.

Retired army officer John Matherson suffered his share of hardships, but I liked the way he never lost hope or stopped fighting for his family and community. 

In this 2014 Next Generation Indie Book Awards Finalist book, a different scenario of an apocalyptic event—a meteor that slams into earth, causing a shift in the planet’s magnetic core—ushers in the end of the age of technology and the beginning of a dystopian future where knowledge is not only power, it is currency. I loved this book because it’s a clever and exciting take on a dystopian tale. Being set in Australia provides lots of interesting scenes and plot twists and the idea of using knowledge as currency brings new meaning to the phrase "knowledge is power." This is a thoroughly enjoyable story that is hard to put down. I highly recommend this book to anyone who likes a good adventure with just a touch of romance!

In this dystopian novel, the apocalyptic event is the financial collapse of the United States. In the neighborhood of Logan Pond, the neighbors must work together to survive while hiding from the tyrannical government which has usurped authority after the collapse. I loved this book because the characters were so genuine, I almost believed they were real. If it weren't for the horrifying situation these characters found themselves in, I think I would actually enjoy the challenge of living off-grid in a community like this. The ending of the story was satisfying, not exactly a happy ending, mind you, but a hopeful one all the same. This is a must-read for anyone who likes the post-apocalyptic/dystopian genre or is worried about the financial stability of our country. Highly recommended! 

Lights Out is another great non-fiction book about electrical grid vulnerabilities. Koppel also spotlights High Power Transformers as the Achilles Heel of our electrical system 

But Koppel also does a deep dive on the survivability—or rather lack thereof, of our society if the grid were to be taken down. He even broke down various social classes of people: rural versus urban, and talked about how each group would survive based upon their skillsets and resources available to them. FYI: Ranchers fare best

He even discussed the amazing organization the Mormon Church has put together with regards to the preparedness of each of their members, as well as how they would leverage their collective strengths together as a group.

This book felt so real. Ilsa Beck did such an amazing job at writing a book about a very saturated genre that was fresh and terrifying because her use of science really made me think this was a very real way the world could end. Also, it is wonderful when a book features a flawed, but strong female lead, something I always strive to write in my books. The main character, Alex, is real and three-dimensional and relatable, even as she’s trying to survive a sudden zombie apocalypse all on her own.

This is a monster mm romance in a dystopian setting with a human soldier who hates the monsters that breached into the human world.

When faced with the enemy, the soldier learns that the monsters are not what they seem.

I love this one because the monsters aren’t all good, but neither are they the evil the world thinks. The lines are blurred, and I think it works. 

This book drew me in from the first sentence: “It is possible I already had some presentiment of my future.” I was amazed that in just eleven words, Wolfe conjured three time periods (the present moment, the future, and a later future while looking back).

The incredible adventures of the narrator, Severian, span five books, and I’ve read them all several times. Shadow is also one of the most challenging science fiction books I’ve read because the author leaves mysteries behind for me to figure out myself.

Do not read this series if you have Seasonal Affective Disorder (SAD). 

Coral is on vacation when her world lights up. It starts with a fire so intense that the ash entirely blocks out the sun, not for a season, but for years. The sky is perpetually grey, and her world goes seriously cold. She must survive the elements, but the real threat comes from the desperation of those left alive and fighting for their lives. This is a brutal world. 

As a paranoid survivalist, this book had me taking notes. Some books you read and forget, others teach you something. Most authors push a moral agenda, but this book teaches real-life skills, like how it’s a good idea to burrow into snow when it’s REALLY cold, or why hanging out in caves isn’t just for Neanderthals, and my personal favourite, how to spot a cannibal. 

I loved the fun enemies-to-lovers-back-to-enemies romance between “memory merchant” Liv and rookie foreman Adrian, set against a disturbingly realistic dystopia. In the world of the Metro, people have traded security for real experiences.

They’ve never tasted real food, spent time in nature, or seen the stars. Instead, they are constantly grinding to keep up their productivity scores. I was drawn to the critique of the gig economy and the use of technology to maximize efficiency over humanity. Dystopian sci-fi is back, baby!

“What is this?” I asked myself on first reading. “Fiction?”

Each short piece contained a moving story that was like a jewel to view and think about, but something was strange, in a wondrous way. It seemed like fiction posing as journalism, like the great classical Chinese tale “A Record of the Peach Blossom Land” by Tao Yuanming (6th century) that inspired my most popular play.

It upended my concept of short story, and of art, opening doors to ways of writing. “Fiction in disguise.” Astonishingly creative, yet peaceful and profound. Wildly creative themes and twists narrated by a quiet objective voice. Maestro Borges taught me that you can shock an audience through very calm narrative, and how profound creativity starts with format.

A master class in creativity that ends with compassion.