Books like Emma of 83rd Street — picked by fans

I’m a contemporary romance author who writes in paranormal romance on the side, but everything I write always comes down to one thing, and that’s the romance between characters. I love books that make me connect to and root for the main protagonists, no matter their flaws or situation. I specifically love romance novels that take place during the summer or in places that are warm year-round because no matter what season it is when you read them, you’re immediately transported to a warm, sunny, swoon-worthy world.

I read many different genres, but my favorite to write and read is romance. I love ones that have angst, adventure, danger, and a passionate push and pull between the love interests. Those seem to stick with me long after I turn the last page. In my own writing, I like to do the same, giving readers a love story they want to visit again and again. The books I’ve listed are just some of the wonderful, unforgettable novels I’ve read, and I hope you enjoy them too! Happy reading!

I have been fascinated by the role of power dynamics and psychological games in relationships for as long as I can remember, frequently seeking out entertainment and exploring these topics to make sense of what was happening in the world around me. Now as a writer of 42 novels, many of my stories center around these themes and their consequences and complications, always from a point of view that empowers women. Dirty Filthy Rich Men, and its follow-up Dirty Filthy Rich Love, specifically focus on the difference between the devastating act of rape and consensual rape play, with the intention of validating women who are drawn to edgier fantasies in fiction. 

I love a romance where the hero has his viewpoint changed by the woman he falls in love with. He might become a better family man, or transform his politics, or change his priorities, but it all cases loving her alters him. Additionally, I love a heroine who is exceptional in a distinct way but overlooked or dismissed by others. They can be bluestockings or spinsters, reformers or quiet and shy, but they’re all steadfast and they all derive strength from the hero’s support. In short, the love they find together makes them better people. 

I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view? 

I am Lynda Rees, The Murder Guru, multi-award-winning author of historical fiction, contemporary mystery, suspense, romance, middle-grade mysteries, and children’s fiction. I love all things historical, especially American history. I am part-Cherokee, a coal miner’s daughter born in the Appalachian Mountains, and I grew up in northern Kentucky when Newport prospered as a gambling, prostitution, and sin mecca under the Cleveland Mob. My fascination with history’s effect on today’s lives works its way into my written pages. Having traveled the world negotiating with heads of industry and foreign governments during a corporate career in marketing and global transportation, this workaholic adventurer has succumbed to my passion for writing.

I was born in Ukraine and moved to the Midwest in the early 1990s. I am the author of two novels: At the End of the World, Turn Left, which was called “elegant and authentic” by NPR and named by Booklist as one of the “Top Ten Crime Debuts” of 2021, and the domestic thriller Breakfall (April 2023). Perhaps one of the oldest literary tropes, affairs up the ante in literary works while simultaneously exploring human nature. Throw an affair into a novel, and most likely, some characters will be blowing up their lives; add it into a mystery novel, and murders are likely to happen. 

I’m an omnivorous reader, a literature teacher, a novelist, and a homeschooling mother of five. I’m a firm believer that literature should be delightful and instructive, and that reading wonderful books should inspire a growth in virtue. At the same time, I loathe cloying, proselytizing presentations of goodness. This is one of the many reasons I love the Gothic; the genre permits me to play around with good and evil, virtue and vice—without preachiness. I am also absolutely terrified of the task of writing a book list and am now going to bury my face in a book before I have time to second-guess any of my own choices.

I have loved the Regency for decades. I cut my teeth on it as a young reader, and it’s been exciting to see the genre expand to include all types of stories from manner-driven drawing room dramas that highlight the nuances of the era to seductive, sexy stories that simply take place during those years, to stories that draw heavily on the events of the era to design unique and exciting historical plots. The diversity within the genre reflects the diversity of life and experience during the Regency. I have tried to capture a little of each across the 70+ books I’ve written for Harlequin, Mills, and Boon and in my own reading.

Why do I love dual-timeline romance so much? Because, for me, it’s all about character depth. I’m fascinated by what makes characters tick—those defining moments in their past that shape their inner wounds, their dreams, and subsequently, their reactions in the present. When a dual timeline is done right, I am fully invested in both narratives. And being able to watch the main characters fall in love not just once but twice doubles the emotional impact and makes their happily ever after even sweeter. Witnessing them fall in love initially and then earn their second chance in the present always keeps me riveted!