Here are 100 books that Elsie and Mairi Go to War fans have personally recommended if you like
Elsie and Mairi Go to War.
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I discovered my passion for the First World War when researching my great-grandfather’s service history in the cavalry. I also write historical fiction with several of my books being set during the First World War and have spent thousands of hours over the past twenty years researching different aspects of this period, both from the point of view of the V.A.D.s, wounded soldiers, medical staff treating them, as well as grieving families. The stories I’ve come across never fail to haunt me and I can’t imagine I’ll ever tire of wanting to discover more about the people who survived these experiences, or stop needing to write books about them.
I first read this book about twenty years ago and still find it heartbreaking to think it was written by someone who experienced first-hand the horror of the First World War and with it so much pain and grief brought about not only from her experiences as a V.A.D. but also from her own personal losses.
It is a book that helped me understand as much as anything possibly could living in the twenty-first century, how much of a struggle it must have been for ordinary people to keep going and survive that dark time in history.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Wendy Moore is a journalist and author of five non-fiction books on medical and social history. Her writing has appeared in the Guardian, Times, Observer and Lancet. Her new book is about Endell Street Military Hospital which was run and staffed by women in London in the First World War.
Murray’s book was the inspiration, guide and companion for my own. Flora Murray and her life-long partner Louisa Garrett Anderson were both doctors and suffragettes. Murray was honorary doctor to the suffragette movement and Anderson went to prison for four weeks for smashing a window. As women doctors they were confined to treating only women and children. They seized the war as a chance not only to do their bit but to prove women doctors were equal to their male counterparts. They ran two hospitals in France before setting up Endell Street in 1915. Murray wrote her book, first published in 1920, as testament to the achievements of all the women involved. Her account is bracing – in the manner of the wartime “Blighty spirit” – but packed with fascinating detail and heroic acts.
Flora Murray's book is a record of the Women's Hospital Corps in France and the Endell Street Military Hospital, London. Despite a lack of training in trauma and orthopaedics, and with no previous experience in military medicine, she met the challenge of treating often horrific wartime casualties and returning battle-injured men to society. She, along with her partner Dr Louisa Garrett Anderson, redefined gender roles in military medicine.
Wendy Moore is a journalist and author of five non-fiction books on medical and social history. Her writing has appeared in the Guardian, Times, Observer and Lancet. Her new book is about Endell Street Military Hospital which was run and staffed by women in London in the First World War.
Shipton’s book is a brilliantly researched account of the thousands of incredible women who refused to sit at home knitting socks when war began. Using diaries, letters and memoirs, she tells the story of the women who put on uniforms of various hues to drive ambulances, carry stretchers, nurse the wounded and even to bear arms close to the frontlines of World War One. They included the wonderful Flora Sandes who went to Serbia to nurse casualties and ended up joining the Serbian Army. It’s a testimony to women’s bravery, daring and refusal to take no for an answer.
The First World War saw one of the biggest ever changes in the demographics of warfare, as thousands of women donned uniforms and took an active part in conflict for the first time in history. Female Tommies looks at the military role of women worldwide during the Great War and reveals the extraordinary women who served on the frontline.
Through their diaries, letters and memoirs, meet the women who defied convention and followed their convictions to defend the less fortunate and fight for their country. Follow British Flora Sandes as she joins the Serbian Army and takes up a place…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
Wendy Moore is a journalist and author of five non-fiction books on medical and social history. Her writing has appeared in the Guardian, Times, Observer and Lancet. Her new book is about Endell Street Military Hospital which was run and staffed by women in London in the First World War.
History is just “one damned thing after another” is a common phrase. For me this is the book which has led me to my next project. Cahill traces the story of the women who went to Russia in 1916 with the voluntary outfit the Scottish Women’s Hospitals. Set up by a Scottish surgeon, Elsie Inglis, the SWH became the biggest women’s medical organisation serving abroad in the war. The SWH women ran hospitals in France, Serbia and Russia. Here Cahill tells the story of their astonishing adventures in Russia – driving ambulances close to the firing line, retreating with the Serbian and Russian armies, surviving the cold, food shortages and the Russian Revolution – through the women’s own words. It’s staggering stuff – and great material for my next book about one of those incredible women pioneers.
Shipped from UK, please allow 10 to 21 business days for arrival. First Published by PENTLAND, EDINBURGH, 1999 BETWEEN THE LINES: Letters and Diaries from Elsie Inglis's Russian Unit. Arranged and edited by Audrey Fawcett Cahill. 372 p., ill., maps A very good, near fine soft-cover copy.
I’ve been fascinated by the First World War ever since I read Vera Brittain’s Testament of Youth at the age of 19. When I lived in France in my twenties I started to read French nurses’ memoirs and diaries, and for the last fifteen years or so have continued to read and write about women’s experiences during and after the war as a university academic researcher, often from a comparative perspective. Men’s stories and memories of the First World War still dominate our understanding of it, but I believe that women’s perspectives give us a vital and often overlooked insight into the war and its consequences.
British people have often heard of Edith Cavell, who has been commemorated in Britain as a national heroine of the war after she was executed by the Germans in 1915 for her role in running an escape network in Belgium for Allied Soldiers. But Cavell was only one individual amongst hundreds who resisted the authorities in occupied France and Belgium. Like Cavell, young Belgian woman Gabrielle Petit was remembered as a national heroine after her execution during the war. De Schaepdrijver’s book vividly brings her story to life, explaining how she was became involved in espionage, as well as showing how a cult of remembrance grew around her in the decades following the 1918 armistice.
In central Brussels stands a statue of a young woman. Built in 1923, it is the first monument to a working-class woman in European history. Her name was Gabrielle Petit. History has forgotten Petit, an ambitious and patriotic Belgian, executed by firing squad in 1916 for her role as an intelligence agent for the British Army. After the First World War she was celebrated as an example of stern endeavour, but a hundred years later her memory has faded.
In the first part of this historical biography Sophie De Schaepdrijver uses Petit's life to explore gender, class and heroism in…
As an American novelist and Anglophile who enjoys writing about British history, I never planned to venture into world war fiction, but once a story led me there I was hooked. I love doing deep-dive research and learning about real men and women of the past who faced high stakes: life and death situations and having to make impossible decisions, both on the battlefield and in the hidden world of espionage. Their courage and resourcefulness inspire me, and I realize that even when we’re at our most vulnerable, we can still rise to become our best and bravest when it counts.
Talk about a real-life action heroine! I grew up loving stories of intrigue and suspense, and Marthe McKenna’s 1932 memoir is like reading a thriller! As a young woman in German-occupied Belgium during WWI, she worked for the Resistance right under the enemy’s nose. I felt her fear as she witnessed brutality or took outlandish risks, and her exploits were incredibly brave for a woman of her time. I was in awe to read the book’s foreword by Sir Winston Churchill himself, lauding Marthe’s extraordinary courage and ingenuity during her ordeal. She taught me that we can all do more than we ever imagined if it means our survival, and her story inspired the high stakes I created in my novel.
“The Greatest War Story of All – Takes rank with All Quiet on the Western Front. She fulfilled in every respect the conditions which made the terrible profession of a spy dignified and honourable. Dwelling behind the German line within sound of cannon, she continually obtained and sent information of the highest importance to the British Intelligence Authorities. Her tale is a thrilling one … the main description of her life and intrigues and adventures is undoubtedly authentic. I was unable to stop reading it until 4 a.m.”
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I had finished The Bluebird Trilogy, three novels that centred on the first half of the Second World War, and I heard echoes of the Great War ringing faintly in the egos of my older characters. I started to read more of the history and was drawn to the aerial maelstrom that befell the RFC over Arras in 1917. I was also interested in working with a larger cast of characters, many transients, and telling their stories over a short stretch of time. The result was Major Claypole and Jackdaw Squadron, Glory Boys every last one.
The First World War stripped Britain of hundreds of thousands of its young men. In an age where women’s lives were funnelled towards the certainty of marriage, this left a big shortfall on the balance sheet of matrimony, creating what became known as the Surplus Women. Now they had to find their own sources of income and become responsible for their own future happiness.
Nicholson curates many memoirs and diaries of such women from all tiers of society. Adding material from interviews she conducted herself, she tells the stories of lost potential and loneliness, together with inspirational tales of liberation, fresh-forged independence, and the unprecedented freedom that self-reliance brought for those who rose to the challenge.
The First World War deprived Britain of three-quarters of a million soldiers, with as many more incapacitated. In 1919 a generation of women who unquestioningly believed marriage to be their birthright discovered that there were, quite simply, not enough men to go round. The press ran alarming stories about the `Problem of the Surplus Women - Two Million who can never become Wives . . .'. But behind the headlines were thousands of brave, emancipated individuals forced by a tragedy of historic proportions to rethink their entire futures.
Tracing their fates, Virginia Nicholson shows how the single woman of the…
I've been drawn to the experience of women on the home front since, at the age of seven, I witnessed my grandmother’s raw, unprocessed grief at the death of her favourite brother. Later, I read accounts by women and men caught up in that war who all displayed a breathtaking degree of selflessness. This novel is my homage to them. It meant a lot to me to write it, prompting tears several times while I typed. Evocatively written about sensitive issues, I wanted to capture the emotional toll that bravery involves and to write about the characters’ experiences with empathy and love. I hope it is a book you can curl up with.
It is very important to me to write about the home front in World War One with as much accuracy as is possible at over one hundred years’ distance. Kate Adie’s brilliant, readable, and engaging book is full of the kind of details a novelist thrives on.
Written with her authority and expert eye, I couldn’t put it down. It provided me with ideas and inspiration, along with Kate’s unique perspective and knowledge.
As I read, I felt I was in the hands of a reliable author whose take on the social and political context as it affected women during World War One was credible and true. It was an invaluable resource for me as I carried out my research.
'Adie uses her journalistic eye for personal stories and natural compassion to create a book definitely worthy of her heroines' Big Issue
'Fascinating, very readable . . . provides a complete wartime women's history' Discover Your History
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Bestselling author and award-winning former BBC Chief News Correspondent Kate Adie reveals the ways in which women's lives changed during World War One and what the impact has been for women in its centenary year.
IN 1914 THE WORLD CHANGED forever. When World War One broke out and a generation…
I have always been intrigued by the dark side of life. It seems a natural fit for me, having grown up in a big dark house near a cemetery, a house crammed with Victorian furniture and dusty old books, where the Brontes, Dickens, and Sherlock Holmes were my constant companions. I soon developed a fascination with the dark underbelly of London, and I’ve spent the last twenty years writing about many aspects of it, from death and burial to capital punishment, murder, sex work, and gangsters. I’ve told the stories of Londoners, from William Shakespeare to Nell Gwyn and from Dr Crippen to the Krays. I’ve also contributed to several documentaries.
I first encountered medical historian Lindsey Fitzharris when she published The Butchering Art, a biographer of pioneering surgeon Joseph Lister. This is another gore-flecked narrative that focuses on facial surgeon Harold Gillies’ pioneering work formulating ingenious surgical innovations and transforming the lives of patients disfigured fighting in WW1.
Plastic surgery has been around since the French Revolution, but attempts at facial reconstruction were limited. Gillies became fascinated by plastic surgery after watching French surgeon Hippolyte Morestin remove a cancer tumor from a patient’s face and cover it with a flap of skin taken from their own neck. In 1916, he requisitioned a ward at Cambridge Military Hospital, Aldershot, to cope with the grotesque procession of disfigured men disembarking from the hospital trains. He assembled a team of retired doctors, medical students, and even a vet to try to give these men their dignity back. A Daily Mail reporter at…
A New York Times Bestseller Finalist for the 2022 Kirkus Prize
"Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." —Erik Larson, author of The Splendid and the Vile
Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery.
From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I have always been drawn to narratives where a group of individuals needs to collectively overcome a seemingly insurmountable challenge. And, as someone who loves reasonable outdoor challenges such as whitewater rafting trips, I love stories that combine the two. I have been lucky enough to partake in two private float trips of the Colorado River in the Grand Canyon. With no internet, or electricity for 16 days at a time, a carefully crafted book list is key for any river descend. All these books at their core are narratives of individuals digging in deep, and cultivating that collective human superpower known as teamwork, to overcome challenges many thought could not be overcome.
Davis in this book completes the literary equivalent of juggling bowling balls and razor blades. He crafts an incredible, readable adventure narrative on a generation of men seeking to make sense of the world after the slaughter of the Western Front concluded.
Using the vehicle of Mallory and Irvines’ 1924 attempt to summit Everest, Davis interweaves several intriguing narratives including the British coming to terms with the cause and effects of empire, climbers using mountains to overcome survivor’s guilt, and man’s indelible need to explore.
Sweeping in both detailed research and the human costs of mechanized warfare, Davis book is a prime example of the paradoxical notion of wounded men seeking solace on the top of the world’s tallest peaks.
The definitive story of the British adventurers who survived the trenches of World War I and went on to risk their lives climbing Mount Everest.
On June 6, 1924, two men set out from a camp perched at 23,000 feet on an ice ledge just below the lip of Everest’s North Col. George Mallory, thirty-seven, was Britain’s finest climber. Sandy Irvine was a twenty-two-year-old Oxford scholar with little previous mountaineering experience. Neither of them returned.
Drawing on more than a decade of prodigious research, bestselling author and explorer Wade Davis vividly re-creates the heroic efforts of Mallory and…