54 Books Like Ed the Happy Clown

Everything Lynda Barry touches is earthy human gold.

One! Hundred! Demons! is one part memoir of a difficult childhood, one part comics how-to, and six parts warmth and humor and unruly red hair. It isn’t quite as dark as some of her other work, though it certainly gestures in that direction at times.

It also exemplifies Barry’s knack for finding beauty and delight inside the most difficult, unfair garbage life can throw at you. Such a great book.

This is the most profoundly absorbing experimental art-comic the world has ever produced.

It’s a fun book to sit with someone else and page through, backward or forward, or just ambling around, discovering things. The very simple conceit is that it’s a book that spans millions of years in time, but all happens in exactly one single space. It grew out of a six-page short story that blew people’s minds in the 80’s comics anthology Raw.

I remember hearing that the author had decided, two decades later, to expand it to book form, and wondered if that was really necessary. The short version had been such a perfect jewel of a piece. Turns out he had very good reason. 

This is a book about deep listening. It follows two childhood friends – a journalist and a former American soldier – on a kind of road trip through Turkey, Syria and Iraq in the close aftermath of the U.S. war there.

We watch them wrestle over the meaning of the conflict and their places in it. It’s reportage – the author is a third friend, following along, chronicling their conversation and laying out their arguments, blind spots and occasionally questionable reasoning as they try and deal with something almost too big and complicated to get a handle on.

The characters are not generals, or presidents, or militia leaders, they are just two old friends, trying to reckon with a war on a very human scale. Also the watercolored art is gorgeous.

I have probably read this book more than twenty times. Maybe thirty. Maybe more.

I was six or seven the first time I read it and in my mid-forties the last time. And it has only gotten richer and more profound to me in that time. On the surface it is, like any other Tintin book, a children’s adventure comic, and if that’s all you want it’s a brilliant example of the genre.

Funny, exquisitely drawn, a cliffhanger on every page. But you don’t have to dig very far below the surface to find a deep, complicated meditation on friendship and loyalty, on determination in the face of doubt and adversity, and on discovering that the world is more mysterious and remarkable than we are accustomed to think. 

Malkom Slaine is the archetypal hot tortured hero, as long as you’re into horns. He may not be the son of Satan but a demon from a demon world isn’t far off. He’s another blood and sex slave, who was sold into slavery by his whore demoness mother and forced to kill his best friend. When he meets his one true mate Caro, a witch, he is being set up for betrayal, yet again. Caro has to trick him into coming to the human plane, to be imprisoned and tortured some more, to save her adopted daughter. He has a lot of healing to do and Cole takes the time to make the process realistic.

Yet again, this book is part of a bigger series, where the many storylines intermingle. There’s a lot of fight scenes and action, but little actual torture, thank goodness. This was a very exciting book… show more.

Nyx will do anything to save her people, including marrying the terrible Ignifex, the evil ruler of her kingdom. But there is more to Ignifex than she initially imagined, and as Nyx falls in love with him, she fights to find a way to save both her people and her love. This book portrays such fun banter between Nyx and Ignifex and poses a truly difficult riddle that is bound to break your heart.

The world-building in Rena Barron's brilliant tale of African magic, bloodlines, and religion is exceptional. Far from a light and fluffy read, this novel addresses some very serious topics wrapped in hope and the pursuit of good. It is action-filled with twists and turns around every corner. This book will grab you and pull you in with its thrilling mystery and challenge you with its themes of darkness, secrets, and betrayal. Her despair, as well as her sincere quest for truth and redemption, won my heart.

This was one of the first books I picked up after my reading slump in 2012, and I absolutely couldn’t put it down. The story concept was fascinating; I love it when story worlds have supernatural elements and societies hidden within the “regular world.” The characters are written very well, and you feel as though you are watching a movie while reading with the authors great attention to detail in the scenes she sets.

The world building is great and offers a unique take on the classic fantasy creatures, werewolves, vampires, and fey. You really feel that “found family” book trope in this series, and the ups and downs of book one will have you hooked. 

Whether you believe in Ed and Lorraine Warren’s now legendary cases of paranormal investigation or not is irrelevant to enjoying this “non-fiction” book. The Warrens investigated many of the most famous hauntings from the 1950s to the 1990s—most notably, a murder/haunting in Amityville, NY, a possessed doll named, Annabelle, and a reported poltergeist in the town of Enfield in north London, England—all of which have been dramatized in popular horror movies, further expanding their legacy. The Warrens have their supporters and detractors like anyone claiming to have evidence of the paranormal. The abundance of evidence (“haunted” artifacts, such as dolls, mannequins, stuffed animals deemed responsible for paranormal activity) in the Warren’s cases, however, was stored in their own home which also operated as an occult museum. If you are suffering from the onset of demonic possession, it could be beneficial to chuck Grandma’s hand-me-down Raggedy Ann doll out the window. 

There are some artists who are so talented they are, simultaneously, incredibly inspirational and discouraging.

Mike Mignola is one of those guys. Mignola is the commander of figure/ground. His beautiful sense of shape and form and utter control of black and white is just amazing. He builds story beautifully and constructs his pages cinematically.

When I looked for people to grace the pages of my book, I shot for consummate talent like that, and, if I can blow my own horn just a bit, the book succeeds along those lines. When I grow up, I want to be able to draw like that.