81 Books Like Ecstasies

I chose this book because it is such a wide-ranging compendium of Russian folk beliefs in general (in English!) as well as of Russian customs involved in trying to ensure the fertility and health of crops, farm animals, and women, all desperately needed for the survival of the community. It is these fascinating and picturesque customs that so often get incorporated into dances. Furthermore, the Dancing Goddesses were often pressed into service for divination of the future, especially by young girls worrying about whom they would marry and how many children they would have, or if they would die first. (I accidentally witnessed one of these ceremonies in Danzig in 1993—they have not died!)

This book is a rich source of information about how certain attire, especially the “string skirt” and its variants, has traditionally been drafted in Europe to promote women’s health and fertility, a tradition that we can trace back, through evidence, for some 20,000 years. Wonderfully illustrated, the data here range from Greece and Turkey in the south, through Central Europe to Latvia and Norway in the far north, as well as occasionally deep into Eurasia. And of course, such apparel was particularly donned for dancing on occasions where the wearer would be seen by all. (Being a show-off runs deep in humanity!)

Humans also draft dance to help heal body and mind. I loved Kligman’s personal ventures deep into the complex concerns about life and death, fertility and health, found in related pre-Christian rituals in three areas of the Balkans: the Căluşari in SW Romania, the Rusaltsi in NW Bulgaria, and the Kraljevi—often with other names—just west in former Yugoslavia. (The word Rusaltsi comes from Rusalka, a Slavic name for the “dancing goddess”, as does Rusalii, the thrice-yearly festival in their honor.)  Her intriguing study comes from direct observation of the healing rituals, and on personal discussions with the dancers—including one who was particularly vulnerable to trance!  This is also true of L. Danforth’s remarkable account of the firewalkers of SE Bulgaria and northern Greece (Firewalking and Religious Healing). 

I selected this book because it finally offered me some answers to questions I’d asked myself all my life: Why am I so driven to dance? Why does dancing make me feel so euphoric? McNeill found himself asking this last question when forced to go through endless military close-order drill (a sort of dance!) as a young draftee. Whence these surprisingly positive effects of “keeping together in time”? Over the course of his later life as a historian, he tracked down a fascinating array of anecdotal and cognitive answers.  The relation of this phenomenon to unique details of how the human brain is put together was then further addressed by Oliver Sacks toward the end of his book Musicophilia, where I first learned of McNeill.

Elizabeth Miller is one of the foremost scholars on Dracula and the literary (and cinematic) vampire. Although my research has focused on folklore about vampires and similar beings, you can’t really discuss the significance of vampires without discussing Dracula.

Elizabeth’s book tells you about Bram Stoker’s sources, his writing process, the geography of Dracula, and Vlad the Impaler, among other things, separating out facts from wrong ideas that have gotten passed around in popular culture. This book was invaluable for the chapter in my book discussing the novel Dracula.

I will argue that the rapid increase in attention to the folkloric basis of the vampire legends in English-language literature is the result of the work of the late Prof. Jan Perkowski, whose book The Darkling: A Treatise on Slavic Vampirism changed my life. I left a fairly lucrative high-tech career to get my doctorate in Slavic Folklore at the University of Virginia, where (full disclosure) I became Perkowski’s teaching assistant.

In 2006, I was asked to write the Preface for a collection of all of Perkowski’s seminal writings on the Slavic vampire. Vampire Lore is a compendium of his complete books, as well as harder-to-obtain articles about more arcane aspects of vampire folklore, in one solid volume.

My copy is well-worn, as this volume contains not only The Darkling but two other complete volumes, including Vampires of the Slavs and Vampires, Dwarves, and Witches among the Ontario Kashubs.… show more.

Serious students of vampire folklore are aware that the motif is found all over Eastern and Central Europe. Gabor Klaniczay is a Hungarian historian whose research focuses on witches and other supernatural entities in the cultures of Austro-Hungary and its environs.

This book showed me so many things that I and other American readers get wrong. For example, most people believe that the “blood countess,” Erzebeta Bathory, drank the blood of local virgins, but Klaniczay shows that these reports were actually constructed to get her out of the way of an inheritance scheme. Klaniczay is also an expert on Central European shamanism, and this led to my assertion that vampire lore incorporates some shamanistic beliefs.

During the final phases of my dissertation research, I taught a course at the University of Virginia titled “Blood and Sacrifice.” Girard's book validated my hypothesis that the vampire figure is a scapegoat. It discusses topics such as ‘stereotypes of persecution,’ ‘violence and magic,’ and others. I used Girard’s writings on sacrifice to bolster my claim that societies need to construct scapegoats (such as vampires or witches) to avoid creating internal social chaos and blame.

Though his approach is that of a literary scholar, his erudition creates a very thorough understanding of a socio-structural phenomenon that has existed as long in human history as we have had writing, and certainly longer.

Although this is part of Rice’s Vampire Chronicles, it is the ghost story involving the entity known as Goblin that fascinates me the most in this novel and challenges me to write ghost stories as well.

This was the first story I read where a spirit is miraculously tethered to a specific living being, Quinn Blackwood, from the beginning of his existence and throughout his lifetime, influencing every decision that he makes; a blueprint for Griffin Meade’s journey with the ghost of Angelus Bartholomew III in my novel.

The final plot twist as to why Goblin haunts Quinn blew me away and I dare anyone to try and guess it!

I liked this story because of its inclusion of a main character drawn into a new world of magic and elemental powers. It is situated in an academy, but the story takes the character elsewhere, too, letting us see more of the world.

It includes vampires and other mythical creatures and leads the reader on a journey to solve a whodunit and the mystery of the MC herself. The dialogue she has with others is funny at times, and I like how the academy is to train agents for this magical world. I enjoyed listening to this on Audible and have listened to the series twice.