Here are 100 books that Dying to Do Letterman fans have personally recommended if you like
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Writing is about the metaphysical as well as the rational if it’s any good. As an author, I am always more interested in the wreckage of a crisis than the crisis itself—in the aftermath. Survivors search for purpose above all else. They undertake long sojourns, seek spiritual counsel, or find solace in art or politics. As a writer who has dealt with illness for most of my adult life, I think one path that is shared by all these novels is the discovery of agency—over one’s body, one’s choices, and one’s own life and death. There lies meaning.
Vietnam was a war complicated by political lies, class antagonism, and generational trauma.
The author seamlessly blends non-fiction with fiction, creating verisimilitude which references memoir without always being bound by the weight of facts, freeing the narrative. The horrors and hollowness of war are recounted through intimate encounters, unrequited loves, and imagined lives. In doing so, he keeps alive the friends and lovers who have died.
I found a catharsis in the clarity and coolness of his internal voice, which needs no embellishment to deliver its emotional blow. In writing about the everyday violence both during and after the conflict, he reminds us of the importance of love and morality.
The million-copy bestseller, which is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling.
'The Things They Carried' is, on its surface, a sequence of award-winning stories about the madness of the Vietnam War; at the same time it has the cumulative power and unity of a novel, with recurring characters and interwoven strands of plot and theme.
But while Vietnam is central to 'The Things They Carried', it is not simply a book about war. It is also a book about the human heart - about the terrible weight of those things we carry through…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I have taught writing to adults for over half of my life—starting in my twenties, when I looked so young that my students once mistook me for a confused kid having wandered into the wrong room! I love love love seeing writers find their writing voice—and the only way to do so is simply to do it. Writing and communicating well is an art, a delight, a form of self-expression, and a way of being in the world—and it is VERY easy to learn with a good teacher. All of these books inspire me because their writers are excellent, encouraging, practical teachers.
Each time I read it, I am reminded that the creation of art is a sacred ritual; that the beautiful process is what creates the beautiful product; that the showing up matters most; and that when we choose art-making as a vital part of our lives, we will do a brave thing each day we go to greet our project.
A succinct, engaging, and practical guide forsucceeding in any creative sphere, The War ofArt is nothing less than Sun-Tzu for the soul.
What keeps so many of us from doing what we long to do?
Why is there a naysayer within? How can we avoid theroadblocks of any creative endeavor—be it starting up a dreambusiness venture, writing a novel, or painting a masterpiece?
Bestselling novelist Steven Pressfield identifies the enemy thatevery one of us must face, outlines a battle plan to conquer thisinternal foe, then pinpoints just how to achieve the greatest success.
This list opens the door to the inner life of physicians: our hopes, fears, insecurities, and all of the internal and external pressures we face in our training and practice. As a doctor, I see myself in these books—not a superhero with “all of the answers,” but a human being in a profession suffering one of the largest crises of workforce burnout and moral injury. Seeing our physicians as real people will help us feel more empowered to bring our own true selves to the relationship. And really good healthcare is more likely to happen when souls connect.
Shem provides a satirical look at the often sadistic training of physicians.
This was a classic when I was coming up in my training. Trigger warning: While this book importantly highlights the hidden underbelly of medical training and culture, some of the stories are so egregious that they should be used in educational settings to discuss what NOT to do. But under every satire lies some truth and something to be learned.
By turns heartbreaking, hilarious, and utterly human, The House of God is a mesmerizing and provocative novel about what it really takes to become a doctor.
"The raunchy, troubling, and hilarious novel that turned into a cult phenomenon. Singularly compelling...brutally honest."-The New York Times
Struggling with grueling hours and sudden life-and-death responsibilities, Basch and his colleagues, under the leadership of their rule-breaking senior resident known only as the Fat Man, must learn not only how to be fine doctors but, eventually, good human beings.
A phenomenon ever since it was published, The House of God was the first unvarnished, unglorified,…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
When life’s experiences fall dismally short of expectations, many of us find ourselves lost at a crossroads. When my path to becoming a doctor began to exact an unacceptable toll, I had to find a way out; discharging myself from the hospital was the solution, and by far the best clinical decision of my brief medical career. As a result, I’m still fascinated by choices others make when faced with what seem like impossible obstacles, and where those decisions lead. Following the medical dream from age five, it wasn’t easy to change my life’s course, but that crucial choice allowed me to grow in ways I couldn’t imagine.
I know John Patrick McAfee from art shows where the ‘art husband’ helped his wife set up and present her work. I came to understand him better after completing a year of research on the US Army Special Forces, while creating a drawing honoring the Green Berets.
Slow Walk In a Sad Rain has been described elsewhere as the Catch-22 of the Vietnam War. The story more than lives up to the comparison. McAfee’s wry, tragic humor represents an authentic slice of the life he lived as a Special Forces medic; how he was able to move on from that experience and remain an affable, productive individual capable of sharing his multiple gifts is the greatest mystery, and a testimony to every man and woman who survived the ordeal.
Here, from a remarkable literary talent, is a novel destined to become the Catch-22 of the Vietnam War--a poignant, darkly comic tale based on the author's own experiences as a Green Beret in Vietnam. This deeply affecting novel follows the trials of a Special Forces Unit dispatched to the Laotian jungle who stumble upon a heroin operation.
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I started this book because I liked the drawing style. Within the first 3 pages, I couldn’t put the book down. It’s not just Jennifer Hayden’s illustration skills or the freshness of her lines and patterns and mark-making and the way each panel is a masterpiece in itself, it’s the story that pulled me in. This is a book about life and love and family, told with humor, insight, and intelligence. In Jennifer Hayden’s words, the book is “a dramatic comedy sewn together from real events and real emotions,” but that doesn’t begin to convey the richness and depth of this narrative journey and the quirky sarcastic honest way it tells it like it is. The story still resonates long after I finished reading it.
When Jennifer Hayden was diagnosed with breast cancer at the age of 43, she realized that her tits told a story. Across a lifetime, they'd held so many meanings: hope and fear, pride and embarrassment, life and death. And then they were gone. Now, their story has become a way of understanding her story. Growing up flat-chested and highly aware of her inadequacies... heading off to college, where she "bloomed" in more ways than one... navigating adulthood between her mother's mastectomy, her father's mistress, and her musician boyfriend's problems of his ownnot to mention his sprawling family. Then the kids…
I'm a long-time journalist, wife, mother, and grandmother, who was diagnosed with GYN cancer at the beginning of the Covid pandemic in the spring of 2020. My usual subjects are the arts and trauma, but since I’m now one of the more than 600,000 American women with GYN cancer, I decided to write this report about my year of treatment.
This is a scholarly memoir by a co-author of The Madwoman in the Attic, the feminist literary classic, and a professor of English and women’s studies at Indiana University. She was diagnosed with late-stage ovarian cancer in 2008, then a virtual death sentence. Gubar describes several stages of treatment including "debulking" and chemotherapy and the importance of a loving support system.
The writing is sober, well-documented, comprehensive, and, though published ten years ago, all too relevant.
Diagnosed with ovarian cancer in 2008, Susan Gubar underwent radical debulking surgery, an attempt to excise the cancer by removing part or all of many organs in the lower abdomen. Her memoir mines the deepest levels of anguish and devotion as she struggles to come to terms with her body's betrayal and the frightful protocols of contemporary medicine. She finds solace in the abiding love of her husband, children, and friends while she searches for understanding in works of literature, visual art, and the testimonies of others who suffer with various forms of cancer.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Loren Mayshark is the author of three non-fiction books. His first book Death: An Exploration won the 2016 Beverly Hills Book Award in the category of Death & Dying and was selected as the honorable mention recipient for the book of the year in the 2016 Foreword INDIES Awards in the category of Grief/Grieving (Adult Nonfiction). Mayshark has a BA in World History with a minor in World Religion from Manhattanville College.
Hitchens was a man on a mission with a razor sharp intellect. These precious words written while Hitchens was losing a fatal battle with cancer are fascinating and he touches on some profound ideas. I was especially struck by the conviction of a man who was a staunch atheist unflinchingly prepared for a godless death. Hitchens was not only witty, but inspirational and courageous.
The starting point of this book was when Christopher Hitchens found he was being deported 'from the country of the well across the stark frontier that marks off the land of malady'. Over the next year he underwent the brutal gamut of cancer treatment, enduring huge levels of suffering and eventually losing the power of speech.
Mortality is at once an unsparingly honest account of the ravages of his disease and the climax of a lifetime's work of fierce debate and peerless prose. In this confrontation with mortality Hitchens writes eloquently of his fear of losing the ability to write,…
I am an expert on being a cancer patient because I was diagnosed with breast cancer in the fall of 2017. I am also a former oncology and hospice nurse. A cancer diagnosis always feels like a calamity and my work with very sick cancer patients showed me how serious the disease can be. I also thought that our health care system would react to cancer with compassion, but I was wrong. I felt on my own as a patient, and that experience led me to reflect on my nursing work. Healing alternates between me being a nurse and a patient. The alteration shows the failings of our health care system, and how to make it more caring.
I found The Undying Project beautiful and bracing. Like me, the author of this book had breast cancer. Unlike me, she had an aggressive cancer that is difficult to treat and often deadly. Her fear and struggle get transformed into blocks of prose that loosely tell the story of her treatment, but also discuss more philosophical writing on suffering and its meanings. At times I found the book hard to take, but I am so glad I read it because it gave cancer a personal and intellectual context; I hadn’t realized I needed that. The Undying won the Pulitzer Prize in 2020.
WINNER OF THE 2020 PULITZER PRIZE IN GENERAL NONFICTION
"The Undying is a startling, urgent intervention in our discourses about sickness and health, art and science, language and literature, and mortality and death. In dissecting what she terms 'the ideological regime of cancer,' Anne Boyer has produced a profound and unforgettable document on the experience of life itself." ―Sally Rooney, author of Normal People
"Anne Boyer’s radically unsentimental account of cancer and the 'carcinogenosphere' obliterates cliche. By demonstrating how her utterly specific experience is also irreducibly social, she opens up new spaces for thinking and feeling together. The Undying is…
Life caught me by surprise when our youngest son was born with a birth defect that launched our family into the world of surgeries, and treatments. After experiencing the management of chronic care for our child firsthand, I realized how important it is to share personal stories and experiences. It enables empathy and a deeper understanding and appreciation of what patients and families go through. Autobiographical accounts of patients and families are still very limited. We need more people to come forward and share their own patient/family experiences in order to promote the betterment of healthcare and healing through relating with others and learning from others’ experiences.
Imagine being a medical school student in the best of health and full of spirit and ambition, and suddenly being engulfed by a strange and mysterious illness that even the best of doctors in the most renowned hospitals are unable to appropriately diagnose, let alone treat. This chilling story of a doctor who literally chases his own cure is a great example of the much-needed patient advocacy that may often be required to diagnose and treat rare and complex conditions effectively. The author’s passion for finding the underlying cause of his disease (Castleman’s disease) and experimenting with innovative unlikely combinations of drug therapies makes his story memorable and truly inspiring.
LOS ANGELES TIMES AND PUBLISHERS WEEKLY BESTSELLER • The powerful memoir of a young doctor and former college athlete diagnosed with a rare disease who spearheaded the search for a cure—and became a champion for a new approach to medical research.
“A wonderful and moving chronicle of a doctor’s relentless pursuit, this book serves both patients and physicians in demystifying the science that lies behind medicine.”—Siddhartha Mukherjee, New York Times bestselling author of The Emperor of All Maladies and The Gene
David Fajgenbaum, a former Georgetown quarterback, was nicknamed the Beast in medical school, where he was also known for…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I earned a Ph.D. in Modern Thought from Stanford and have been an award-winning professor of Women’s, Gender, and Sexuality Studies for over three decades. I've also lived with Crohn’s Disease for more than 50 years. At the intersection of these two experiences, I developed a therapeutic practice oriented towards those with chronic and life-threatening illnesses called Healing Counsel. As both a teacher and a counsellor, I ask people to reconsider the ways they make sense of their experiences. I try to assist people to open up new possibilities for healing, not only as individuals, but also as societies, maybe even as a species, or perhaps even as planetary beings.
This classic text by medical sociologist Arthur Frank was written in the wake of two life-threatening events: a heart attack at age 39 and a cancer diagnosis a year later.
Frank draws on both his scholarly and personal experiences to guide others who find themselves in similar circumstances. He helps us understand that when we place ourselves in medicine’s hands, we also subject ourselves to their ways of knowing. Their stories bleed into our stories, but they are never the same as our stories because what medicine knows as disease is not the same as what we experience as illness.
Thus, Frank teaches us: “These two stories, the story of medicine taking the body as its territory and the story of learning to wonder at the body itself, can only be told together, because illness is both stories at once.”
A medical sociologist who has been seriously ill twice (heart attack and cancer) explores his experiences and examines what they taught him about how to live. An important resource for caregivers and patients.
In this deeply affecting memoir, Arthur W. Frank explores the events of illness from within: the transformation from person to patient, the pain, the wonder, and the ceremony of recovery.
To illuminate what illness can teach us about life, Frank draws upon his own encounters with serious illness—a heart attack at age thirty-nine and, a year later, a diagnosis of cancer.
