Books like Dreaming the Biosphere — picked by fans

This was one of the first books to open my mind to the possibility of a country that would put social responsibility and ecological sustainability at the forefront of its goals.

Ernest Callenbach’s story is told through the journalist reports and personal writings of William Weston, who visits Ecotopia to report on this unique country, originally the Pacific Northwest and Northern California.

I love how Weston’s skepticism turns toward understanding. He eventually embraces what Ecotopia stands for and decides to live there himself to be a conduit of connection to the world outside of Ecotopia.

I was so moved by how a fictional story could so illuminate our own fears, our own hopes, and the possibilities of our future, that my own writing turned toward eco-fantasy after reading this book. 

I loved this book as it opened up a whole new perspective on climate change for me, and how we can tell a different story, a new one.

Discussions about climate change are often characterised by an adversarial nature and war-like terminology (we need to fight climate change, we need to prove the sceptics wrong), and the book moves beyond simplistic carbon reductionism and climate fundamentalism to focus on our love of nature and how we can use that to create a different story of “interbeing,” a story of regeneration, of reanimation, of love and of abundance to care for and protect nature on which we all depend.

And who can argue with love?

Architect-philosopher Paolo Soleri writes in an oracular style introducing his way-outsized book of designs for hyper-dense, concrete-megastructure cities in the deserts or oceans or even in space, none actually realized except for a very small prototype called “Arcosanti” in the high plateaus north of Phoenix, a campus that could have been built in a summer by a middle-sized reinforced-concrete contractor but in fact has been slowly erected by trainee-volunteers and a diehard community of followers over the last half-century. But there is something to it. “Tightly-woven minimalist packages will become mandatory.” I recommend the tabloid-sized original edition: it fits the buildings.

How many times have I reread it? Science/futurist fiction in the style of an Odyssey-scale and -style epic poem about (yes) the terraforming of Mars, a spectacular interplanetary saga framed against the background of the struggle against a misanthropic and authoritarian “Ecotheism” that has taken over Earth, and ending with a long and compelling hymn to the result, a new start on our transformed sister planet. Ecotopia, in short... on Mars!

I am a huge fan of dreampunk books and this book helped create the genre. Reading it took me into a dreamworld that lead into another dreamworld and then yet another.

As with all Philip K. Dick books I was left wondering if I ever did return to the reality I believe I live in. I also found the character of Palmer Eldritch himself to be one of my all-time favorites.

This book has the ideal traits I appreciate in science fiction—as with H.G. Wells’s classic tales, it’s reasonably short and can be read as pure adventure or allegory. We meet the archetypal figure of the “Teacher” birthed by a bioprinting machine on a starship soon to terraform an exoplanet. The Teacher has to grapple with survival, his purpose, the ship’s mission, and his realization that everything is haywire in this high-tech Eden full of monsters. Hull Zero Three is a detective tale with philosophical undertones as the Teacher slowly makes sense of the chaos that surrounds him, contends with his earlier clones, and undergoes a quest. Anyone who has ever experienced the drudgery of actual teaching will appreciate Bear’s creation of the Teacher as a mythic archetype.  

This is a captivating and thought-provoking novel set on a multi-generation starship traveling to another star. Robinson skillfully develops the characters' backgrounds and personalities.

I found the meticulous detail Robinson provides about the ship's design and operation particularly fascinating. The rotating artificial gravity, the precarious workings of the ship systems, and the ecological balance required to sustain life on the starship are described with such precision that Aurora feels like a real place.

The story takes unexpected turns, and through the struggles of the characters and the harsh realities of space colonization, he emphasizes that our home planet is irreplaceable and that it's a better choice to preserve it than to depend on the hope of life in outer space.

This book blew my mind! It changed my life and gave me food poisoning; well, maybe it was some lousy shrimp that did that, but it came around the same time anyhow.

I loved the initial point of revenge, how the main character was abandoned to die in a broken spaceship in the middle of nowhere. I, too, would be pissed if a ship flew by me without stopping to save my butt.

I was happy that the book also played with metaphysical notions and cranked up the ending to a glorious finish that broke from the standard good-guy wins trope.

I first read this book when I was a teenager, and it became my gold standard on how to write engaging, imaginative worlds and the unique histories, languages, and cultures that populate them.

More than the intricate space politics and incredibly innovative anthropology present in this massive series, however, I was most drawn to how the main character, Bren (a human diplomat trying to navigate his way through the court intrigue of an alien government) eventually finds a family unlike any other in his atevi bodyguards, Banichi and Jago. 

Bren also gathers a wide collection of allies and companions on the strange world his space-faring ancestors crash-landed on 150 years ago…all while trying to avoid being assassinated or starting an interplanetary war. 

I don’t know who will reach Mars first, Elon Musk, NASA astronauts, or Chinese Taikonauts. Whoever does must deal with serious problems of long-duration space flight, including lethal radiation and life support, plus issues of living, breathing, and raising food on Mars or other objects, such as Callisto, Jupiter’s second-largest moon. No natural object in the solar system other than Earth is inhabitable. Chris Wanjek, a science writer with NASA experience and solid knowledge of medical matters and nutrition, writes with humor; he was a contributing joke writer to the Tonight Show with Jay Leno. Wanjek advocates terraforming Mars to support human colonists. That means engineering changes in the planet to enable people to live there without resources from Earth. If you’re thinking of relocating from Earth, read Spacefarers first.