Here are 100 books that Distant Waves fans have personally recommended if you like
Distant Waves.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
This list could be full of Toni Morrison novels and be no worse for it.
I’d argue that the late writer is the finest we’ve ever had on the topics of grief, loss, and ancestry—especially from the Black American perspective. One of my favorite examples is Song of Solomon, a mesmerizing journey through what it takes to craft an identity in the midst of racism and the ruptures it creates in our lives.
Morrison's singular prose is pure magic as it weaves a tale of the enduring power of love. A literary masterpiece.
'Song of Solomon...profoundly changed my life' Marlon James
Macon 'Milkman' Dead was born shortly after a neighbourhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly.
In 1930s America Macon learns about the tyranny of white society from his friend Guitar, though he is more concerned with escaping the familial tyranny of his own father. So while Guitar joins a terrorist group Macon goes home to the South, lured by tales of buried family treasure. But his odyssey back home and a deadly confrontation…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always loved the idea of time travel. I was born in a Northern mill town where King Cotton ruled. By the time I was a teenager, all the mills had shut, leaving behind empty hulks. I desperately wanted to experience the town in its heyday. I devoured the Blackburn-set memoir The Road to Nab End, by William Woodruff: I could hear the clogs strike the cobbles, picture the waves of workers, smell the belching chimneys. While I couldn’t travel back in time for real, I could in my imagination. My debut children’s novel, out in Spring 2026, is about a time-travelling seventh son.
I’ve always been fascinated by terrible periods in history: the Nazis, witchcraft trials, and the American Deep South in the days of slavery. I need to know why people behaved in the heinous ways they did; paradoxically, a bit like time travel, the more I read, the less things make sense.
Our heroine is an African-American woman from modern times who finds herself sent back to early nineteenth-century Maryland when slavery was rife. We experience her reactions to it through a modern lens. It reminded me of the TV series Outlander in the way it builds whole lives back in time. It didn’t pull any punches and wasn’t always easy reading, but I couldn’t put it down.
From the New York Times bestselling author of Parable of the Sower and MacArthur “Genius” Grant, Nebula, and Hugo award winner
The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now.
“I lost an arm on my last trip home. My left arm.”
Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon…
As a Dominican-American writer, I grew up constantly looking for representation and characters I could relate to. I could never really find whatever I was looking for until I got to college and discovered the long history of infusing realistic storytelling with surreal elements that finds roots in Indigenous and Black communities in Latin America. Once I found it, I was obsessed. I was so bored of western storytelling and basic, straightforward books, and here was this well of creativity that belonged to my ancestors. That’s when I noticed that the books I loved in my childhood all had this same quality – just a touch of magic.
One of my all-time favorite books. I recommend the whole trilogy. This YA book focuses on a young girl named Janie who has grown up with the annoying (sometimes dangerous) power of constantly getting sucked into people’s dreams when they sleep near her. It’s dark and realistic. There’s a mystery and it turns into a Veronica Mars-esque detective story, especially as the books progress. The romance is also amazingly developed. Chef’s kiss.
For seventeen-year-old Janie, getting sucked into other people's dreams at any given moment is getting tired. Especially the falling dreams, and the standing-in-front-of-the-class-naked ones. But then there are the nightmares, the ones that chill her to the bone... like the one where she is in a strange house...in a dirty kitchen...and a sinister monster that edges ever closer. This is the nightmare that she keeps falling into, the one where, for the first time, Janie is more than a witness to someone else's twisted psyche. She is a participant...
When an EMP brings down the power grid, Dr. Anna Hastings must learn what it means to be a doctor in a world deprived of almost all technology. She joins devoted father Mark Ryan and his young daughter on a perilous journey across a thousand miles of backcountry trails.
I am a contemporary romance writer, mom, queer, dog-lover, and coffee enthusiast. I have a deep love of the genre, particularly sparkly and swoony, sapphic romcoms, with a borderline obsession with happily-ever-afters. Knowing I will always have a happy ending while smiling through pages gives me the comforting hug I sometimes need. My goal is to spread queer joy in my writing and provide a safe, celebratory, and affirming space for my readers to escape reality.
I’ve heard people say this book is “magical,” and that description is spot on.
I cannot get over how cute this book was! A sprinkle of magic, found family, finding yourself, and amazing descriptions of the city. This book gave me so many sparkly feels. I begged for the two characters to get together and rooted for the MC from page one. The plot was phenomenally creative, genuinely like nothing I had ever read within contemporary romance.
I finished this book faster than any other book of the year.
For cynical twenty-three-year-old August, moving to New York City is supposed to prove her right: that things like magic and cinematic love stories don't exist, and the only smart way to go through life is alone. She can't imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there's certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures.
But then, there's this gorgeous girl on the train.
Jane. Dazzling, charming, mysterious, impossible Jane. Jane with her rough edges…
History is learned in the worst way by most, through textbooks. Textbooks are written heavy on dates, timelines, and synopsizing events for multiple-choice, maybe a few, essay questions in schools. Whose facts are they? To paraphrase Frederick Douglass, what does the Fourth of July mean when you’re black? History is taught in these fact silos. But that’s not how it happens. History happens in layers that build under pressure, erupt, and shift like rock sediment evolving over time. I chose these five nonfiction books because they unapologetically show the fault lines and pressures that make American history. These books also uncover the hidden gems created by those societal pressures.
Watching reenactors wearing tricorne hats and stockings, I never associated the American Revolution with war atrocities until I read this book. What’s worse is it happened in my own backyard. After the British landed and routed Washington’s fledging army, they occupied Manhattan.
Their biggest problem was prisoners of war. They were housed in twenty-something “hulked” ships with cannon and sails removed in Wallabout Bay off Brooklyn. Watson focuses on the most infamous of these floating prisons, the HMS Jersey.
His vivid descriptions of the thousand or so men and boys shackled there make for claustrophobic reading. After the war, the Bill of Rights was issued in response to our treatment by the British. The HMS Jersey was sunk–a ghostly reminder of our past.
Moored off the coast of Brooklyn, the derelict HMS Jersey was a living hell for thousands of Americans either captured by the British or accused of disloyalty. Crammed below deck without light or fresh air, the disease-ridden prisoners were scarcely given food and water. More Americans died in its ghastly hold than on all the war's battlefields. Throughout the colonies, the mere mention of the ship sparked a fear and loathing of British troops that, paradoxically, helped rally public support for the war.
Utilizing hundreds of accounts culled from old newspapers, diaries, and military reports, award-winning historian Robert Watson follows…
In my day job I write about art for British newspapers and magazines. I’m lucky enough to spend a lot of
time talking to artists. As a group they’re always one step ahead in identifying important issues and ideas. So
Lapidarium has been fuelled by years of conversations with artists exploring geology as a way to think about
things like migration, ecology, diaspora, empire, and the human body. The book is also embedded in personal experience. stone artefacts from cities I’ve lived in, from Washington D.C. to Istanbul. I’m never happier than
when walking with my dog, so many of the stories in Lapidarium are also rooted in the British landscape.
Raffles explores geology through both a historic and an autobiographical lens.
We might understand the ‘unconformities’ of the title as both unconventional geological formations and members of Raffles’s own family (though I imagine he might question my urge to distinguish between the two.)
The book is episodic, and follows Raffles on his travels to sites of geological and personal significance.
Throughout he also draws out the long history of exploitation bound up in our relationship to the mineral realm, including the removal of iron-rich meteorites from indigenous communities in the arctic circle, and the forced labour of the Glimmerwerke– mica splitting workshops – at Theresienstadt ghetto during the Second World War.
In my book I describe geology as a storytelling science – Raffles is something closer to a poet.
From the author of the acclaimed Insectopedia, a powerful exploration of loss, endurance, and the absences that permeate the present
When Hugh Raffles’s two sisters died suddenly within a few weeks of each other, he reached for rocks, stones, and other seemingly solid objects as anchors in a world unmoored, as ways to make sense of these events through stories far larger than his own.
A moving, profound, and affirming meditation, The Book of Unconformities is grounded in stories of stones: Neolithic stone circles, Icelandic lava, mica from a Nazi concentration camp, petrified whale blubber in Svalbard, the…
Connections In Time Bain's Story
by
S.G. Boudreaux,
Finding Family, Discovery, Destiny. This is what nineteen-year-old Bain Brinley is searching for.
In his homeland, far in the mountains, he stepped into what he could only describe as a time-portal and landed in a strange land known as Egypt. Then he falls through another portal during a storm, only…
From over three decades of work on development projects in countries of the Middle East, Afghanistan, Pakistan, and Africa, I am convinced that when efforts fail, it is invariably because we lack the cultural understanding of what people want or how we provide it. These books all reinforce my point by either underlining the way culture shapes the way people see the world or by showing how when we neglect culture, we do so at our own peril. Culture can be discovered through multiple entry points with these books offering a good start. Even something as mundane as advice columns in newspapers offer political insights when plumbed for the meanings below the surface.
This book describes the rich multi-ethnic, multi-cultural, and multi-lingual communities that co-existed peacefully in Alexandria and Cairo in the 1940s and early 1950s. They forged close ties in such public domains as commerce and schooling, while keeping their family and religious lives mainly private and marrying within the community. By the mid-50s as Arab-Israeli problems spread to Egypt, the Nasser government stoked animosity against the Jews and other non-Muslim communities, forcing many to migrate. The book shows graphically how even during normal times cultural communities distinguish between areas where it is safe to mingle with outsiders and those where it is better to draw tight boundaries against penetration if they are to sustain their uniqueness. The latter are mostly areas that define them, including religion, values, and bloodlines.
In vivid and graceful prose, Lucette Lagnado re-creates the majesty and cosmopolitan glamour of Cairo in the years between World War II and Gamal Abdel Nasser's rise to power. Her father, Leon, was a boulevardier who conducted business on the elegant terrace of Shepheard's Hotel, and later, in the cozy, dark bar of the Nile Hilton, dressed in his signature white sharkskin suit. But with the fall of King Farouk and Nasser's nationalization of Egyptian industry, Leon and his family lose everything. As streets are renamed, neighborhoods of their fellow Jews disbanded, and the city purged of all foreign influence,…
I'm a professor of modern U.S. history and have spent my career researching this list's fascinating era. This moment began our modern political history. The first Red Scare in the United States, erupting in the wake of World War I and the Russian Revolution, was a conflict over the definition and limits of radicalism in a modern democracy and the limits of its repression. It was also tied to other seismic questions of the era that remain relevant, including how far the fights of women and Blacks for opportunities and rights that other Americans took for granted could succeed, whether to end mass immigration, the meaning of ‘Americanism,’ the extent of civil liberties, the limits of capitalism, and the role of social movements in the republic.
Gage uses the story of the bomb explosion on Wall Street in September 1920 and the investigation that followed the most deadly terrorist attack in U.S. history at the time to sketch an era of escalating revolutionary activity and its policing. We meet revolutionaries, gain insight into their networks, and understand how both local and federal policing, the latter through the rise of J. Edgar Hoover and the FBI, responded. Gage deftly ties all of it to national debates over immigration and civil liberties in the era that resonate today.
Just after noon on September 16, 1920, as hundreds of workers poured onto Wall Street for their lunchtime break, a horse-drawn cart packed with dynamite exploded in a spray of metal and fire, turning the busiest corner of the financial center into a war zone. Thirty-nine people died and hundreds more lay wounded, making the Wall Street explosion the worst terrorist attack to that point in U.S. history. In The Day Wall Street Exploded, Beverly Gage tells the story of that once infamous but now largely forgotten event. Based on thousands of pages of Bureau of Investigation reports, this historical…
My print-journalist father covered the crime beat. He often took me with him to the police station and I got hooked on crime. My background is eclectic, a professional trumpet player with a BA in Mathematics and a Masters in Fine Arts. While teaching at Berklee College of Music in Boston, I discovered my dark side and began writing crime thrillers. Most are inspired by actual events or news reports about stalkers, domestic homicides, or serial killers. In 2001, I moved to New Orleans. My crime thriller series features NOPD Homicide Detective Frank Renzi. I'm fortunate to be able to consult three former NOPD homicide detectives who advise me on police procedures and investigations.
Half the fun of reading a Detective John Corey novel is his smartass humor and snarky dialogue. The other half is watching his dogged pursuit of the bad guys. InRadiant Angel, he's working for the Diplomatic Surveillance Group in New York City. His assignment? Keep tabs on a Russian diplomat who may be an enemy agent on a deadly mission.
The threat? A nuclear bomb—aka radiant angel—small enough to fit in a suitcase, big enough to blow New York City to smithereens, with enough radioactive fallout to cripple the US for years. The bonus is experiencing the action from the Russian agent's perspective, including his fear of failing to complete his mission. And the clock is ticking so John Corey must figure out how to stop him pronto.
Prescient and chilling, DeMille's #1 New York Times bestselling novel takes us into the heart of a new Cold War with a clock-ticking plot that has Manhattan in its crosshairs.
After a showdown with the notorious Yemeni terrorist known as The Panther, John Corey has left the Anti-Terrorist Task Force and returned home to New York City, taking a job with the Diplomatic Surveillance Group. Although Corey's new assignment with the DSG-surveilling Russian diplomats working at the U.N. Mission-is thought to be "a quiet end," he is more than happy to be out from under the thumb of the FBI…
The Go-Giver tells the story of an ambitious young man named Joe who yearns for success. Joe is a true go-getter, though sometimes he feels as if the harder and faster he works, the further away his goals seem to be.
Being overweight presents an intriguing paradox: being physically large and hard to miss, but also being essentially invisible and easy to ignore. Having struggled with weight for my entire life, I’m very familiar with this juxtaposition of opposites. I wanted to write a novel with a plus-sized protagonist set in a different time, the late 1970s in this case, before the notions of size positivity and body diversity had come to life in society’s collective imagination. For me, this was a way of making fat people more visible in books, especially as main characters. I put together this list of books for the same reason.
Unlike the other recommendations, the plus-sized protagonist in this book is a man. Arthur Opp is a lonely shut-in who has lost his career, his friend, and his family of origin. His main solace is his correspondence with a former student, who, one day, asks him for help in guiding her son, Kel.
From that point forward, the story is told from the alternating perspectives of Arthur and Kel. Both are plagued by isolation and tragedy. Though Arthur views himself as part of the shared soul of the lonely, he nonetheless begins to welcome people back into his life again and extols the virtues of found family to Kel.
This is a haunting, yet hopeful, book that stays with the reader for a very long time.
Former academic Arthur Opp weighs 550 pounds and hasn't left his rambling Brooklyn home in a decade. Twenty miles away, in Yonkers, seventeen-year-old Kel Keller navigates life as the poor kid in a rich school and pins his hopes on what seems like a promising baseball career-if he can untangle himself from his family drama. The link between this unlikely pair is Kel's mother, Charlene, a former student of Arthur's. After nearly two decades of silence, it is Charlene's unexpected phone call to Arthur-a plea for help-that jostles them into action. Through Arthur and Kel's own quirky and lovable voices,…
