Books like Dispatches from the Front — picked by fans

First of all, I loved this book because the historical background Larson writes about benefited my understanding of the early rule of Hitler as Germany’s Chancellor.

This is the period my novel opens in. As Larson’s story unfolds, he does an excellent job of making the historical truth read like a novel. I loved this. However, what disturbed me was Ambassador Dodd’s inability to convince the State Department of the horrors unfolding under Hitler’s rule. While this truth disturbed me, it also gave me insight as to how this information would enhance the reliability of my novel’s historical background.

Please understand what I’m trying to convey here. This was not a work simply to help me write a novel. No. This book is profound in revealing to a reader how Washington didn’t act quickly enough in recognizing Hitler as a world threat. And Larson presents this truth in a page-turning… show more.

You can feel the danger lurking behind every day as radio journalist Shirer watched Hitler build on one horror after another.

Reynolds writes in a way you can hear him, in a stye that echoed his broadcasts. Even after the declaration of war, “life here is still quite normal… the theatres and movies, all open and jammed.”

And this item when he went to the front: “At last will get a chance–maybe–to see how this German colossus has been doing it, walking through Belgium, Holland and now, Northern France, so fast.”

What I like about Shirer’s approach is that he takes you along with him on every day’s events. There were so many things he touched on that often got missed in other books. I enjoyed being with him each day and you will, too.

As the title suggests, this is a compendium of American visitors’ impressions of Nazism in the 1930s. Their reactions varied from confusion to rage to applause, but Nagorski notes that, sooner or later, most came to the realization that Germany was “a society undergoing a horrific transformation in the name of a demented ideology,” and feared the implications for humanity. Another useful reminder of the essential role of solid, independent journalism, and of the methods by which seemingly decent people and entire societies can be devoured by hatred and tribalism. It seems, sadly, that we need a lot of reminding about such things…

Fromm, too, was a journalist alarmed by the rise of Nazism and Germans’ increasing embrace of hatred and falsehood. She differs from Halton and Shirer in that she was 1) born in Germany, and thus had a deeper perspective on Nazism’s place in German history and culture, 2) a woman, and thus expected to report on “society” and fashion stories, although her interests and abilities soon drew her to politics, and 3) Jewish, and therefore subjected to the daily indignities, threats, and violence that in 1938 led her to flee a land her family had inhabited for five centuries. Fromm seemed to know everybody, including Nazi bigwigs, and was continually astounded by the degrees to which foreign visitors fell for blatant Nazi propaganda. Mackenzie King should have been listening.

First published in 1961, and reissued many times since, The Spanish Civil War remains the single best account of the Spanish Civil War. Thomas was a historian who had served in the British government and whose political allegiances shifted from the Labour to the Conservative party. His seminal work was quickly adopted by the left in Europe and the United States as the go-to work on a legendary clash between the right and left. Despite a few errors and the publication of new accounts, Thomas’s book deserves to be the first on any list like this one. It was banned in Spain until after Franco’s death. Travelers would smuggle copies across the border.

This book fascinated me with its title, a contradiction in my Dutch mind. It proved to be a rewarding and intriguing read.

I loved to be on the other side and be in the mind of the child, affected by the cruel history of WW2, and feel how to make a life afterward. It made me grateful for my own life in Canada. 

Imagine being 20 years old, and a freshly minted lieutenant with just two weeks in the line. You are a forward observer for a 105mm artillery battalion. Your first duty position is atop a 314-meter-high hill at Mortain France. It is early August 1944 and Adolf Hitler sends four panzer divisions to Mortain to stop the Allied breakout from Normandy. First they must take that hill.

Weiss’s stunning book details how he and 700 other men held Hill 314 for five long days. Chronicled more recently by an Aurora Award-winning documentary on PBS it is one of those World War II personal memoirs one never forgets.

This fascinating book takes the seemingly banal topic of Hitler’s domestic interiors as a way into exploring both how Hitler chose to project himself and how others – from foreign diplomats to ordinary Germans – learned to see him. From his initial humble quarters in Munich to his conservatively furnished apartments in Berlin and his mountain retreat in the Alps, the evolution of Hitler’s interior design ethos reflected his move from ordinary front soldier to European statesman. The reproduction of his furnishing choices in glossy consumer magazines, meanwhile, offered aspirational Germans a chance to remake their own homes in emulation of their idol. If this sounds familiar, well, that may be the point.

On 21 March 1943 Gersdorff, a German colonel, showed Hitler around a display of captured weapons in Berlin. He set off the timer for a bomb secreted in his capacious army pocket, but Hitler suddenly left the building: Gersdorff was unable to follow, and had to race to a toilet cubicle to tear the fuse from his bomb. Gersdorff was a committed opponent of the Nazis, and his account traces the highs and lows of the German opposition.

Many people will remember Spike Milligan as the anarchic comedian from the Goon Shows. But long before he became a radio and television celebrity, he served with the Royal Artillery in North Africa and then Italy, until he was physically wounded, psychologically traumatised, and then medically downgraded.

Milligan wrote a series of war memoirs beginning with Adolf Hitler: My Part in His Downfall. Some of the humour may appear a little dated now, especially to younger generations. But to me the books are hilarious, full of satire, irony, and pathos, albeit written in tones – reflective of the times – that are, well, let’s just say, are not ‘politically correct’. Underneath the humour though, is a story of the unutterable sadness and personal tragedy of war. But leaving all these ‘big’ issues aside, in a personal sense, I’ve always like Milligan because he was different, an oddball, someone willing to… show more.