Books like Directory of British Scientific Instrument Makers, 1550-1851 — picked by fans

This book provides a history of the London instrument makers who worked during the period 1540 to 1610. Few precision instruments survive from this period, and Gerard L’E Turner has constructed a fascinating in-depth account of the London trade and the instrument makers of the time, as well as providing a description and history of the different kinds of instrument, and a detailed descriptive catalogue of the known surviving instruments. This is an invaluable resource about a period considered to be the dawn of the precision instrument trade in England.

This comprehensive account traces the instrument makers, the instruments, and the social and scientific factors that resulted in the burgeoning European scientific instrument trade during the 17th and 18th centuries. Huge scientific advances were made during this period, and these would not have been possible without corresponding advances in the capabilities and accuracy of the available scientific instruments, and the development of new types of instruments. M. Daumas describes the scientific challenges faced by scholars, practical astronomers, surveyors, navigators, and others, and the close collaboration between them and the artisans who developed and produced the required instruments. Translated from the French by the science historian Dr. Mary Holbrook, this is a fascinating, and highly informative book.

Much of the literature about British scientific instrument making focuses on the London trade. This book explores the history of British provincial instrument making from the late 18th century to the mid-19th century. A.D. Morrison-Low places this trade in the context of the London market, as well as examining the social and economic factors, the origins of the provincial trade, the nature of their market, and how industrialisation impacted the instrument makers. A substantial appendix contains a directory of the provincial makers, their addresses, and business successions. This is not only an in-depth and interesting historical account, it’s also a valuable reference.

During the 19th century, the scientific instrument industry underwent a transformation. Not only did industrialisation see companies and corporations gradually take the place of individual skilled instrument makers working in their own names, but science took some new, previously unseen, directions. These included disciplines such as electromagnetism, vacuum technology, and spectroscopy, and required new instruments and new skills. This book describes the science and associated instruments in each of fifteen scientific disciplines, with photographs and information about the instruments, background, history, and makers. This is an excellent source of information for historians, collectors, and curators.

John Morris was an ancient historian specializing in the later Roman Empire who late in life turned his attention to Dark Age Britain. I only met him very briefly at a conference in the mid-1970s, by which time he was already very ill. He wrote by far his best-known work while presiding over the translation of a host of source materials for early medieval Britain and their publication by Phillimore, all the time fighting his own battle against cancer. He didn’t just accept Arthur as a real historical figure but made him the pivotal figure of British history in the decades around 500, accepting as authoritative all sorts of stories written many hundreds of years later. In so doing he was largely responsible for bringing the Arthurian Period of British history into existence and certainly gave it enormous popular appeal. Rarely has one writer had such an impact on a… show more.

I love cheese, and I love how British cheeses have reinvented themselves as dairy farmers have been forced to diversify in order to keep in business.

This fascinating book has taken me on a journey around the British Isles and in time and place from the Stone Age and the Roman era, the influence of Monasteries, the post-war industrial boom, to right now, and the renaissance of traditional farmhouse artisan cheesemaking.

I love this book because it does not just outline British cheeses; it is also the human story of the people who handcrafted them. Best of all, I can actually find and purchase some of these cheeses to enjoy while reading the book!

When I arrived in Oxford in 1998 to begin my doctorate, I knew a bit about English medieval history, but almost nothing about the histories of Wales, Scotland, and Ireland. That deficiency was corrected by Prof Rees Davies, at whose feet I was lucky enough to sit. Earlier that same year Rees had delivered the prestigious Ford lectures in Oxford, and they were published two years later as The First English Empire. Deeply learned, but also beautifully written, they are a powerful meditation on centuries when English power expanded aggressively into the rest of the British Isles, and the effects this had on national identities, which continue to resonate to this day.

Still the best introductory text for students covering all major events in the Wars of the Three Kingdoms in a concise and accessible manner. This book steps away from the more Anglo-centric analyses of the conflict, looking at events in Ireland, Scotland and Wales in some detail. In contrast with the books above, Bennett also steps away from the experience of political elites and examines the experiences of ordinary soldiers and civilians during the conflict.  

This book is a classic natural history quest: Patrick Barkham tries to find all the butterfly species in Britain and Ireland in one summer. It explores our age-old relationship with these fantastic insects, the eccentricities of the butterfly watcher's world, and the author’s adventures along the way, all tied together by the challenge he’s set himself. This is a really entertaining book and brilliantly captures the butterfly obsession, offering an excellent portrayal of what makes butterfly watchers tick.

Helen Marquard’s search for a piano teacher led her to Hedwig Stein who had fled Berlin in 1933 with her Russian Jewish husband, both concert pianists, to start again from nothing. A large, vivid woman, Hedwig freely shared her ideas on music, art, philosophy, literature. Later, Marquard discovered Hedwig had written a diary, and determined to bring us this story that would otherwise have been lost, enabling Hedwig and her husband to take their rightful place in the roll-call of émigrés who have contributed so much to UK cultural life. Hedwig put her husband’s career and her children first, yet she never gave up on her own career, which continued its own quiet flourishing after her husband’s sudden death.