82 Books Like Dinosaurs

A biography that summarily destroys the myth of one of the great outlaws of western cinema. As it turns out, Johnny Ringo was a very minor outlaw and not a particularly good one at that. He was a depressive, an alcoholic, a poor shot, shunned by his friends, rejected by his family, and pretty much a ne’er-do-well. Finally, after an extended binge, he found a comfortable spot beside Turkey Creek in Cochise County and put a bullet through his head (there are a number of authors who have invented elaborate conspiracy theories on how Ringo really came to his death which are only worth reading for their absurd entertainment value). After considering all the facts, Burrows concludes the only reason John Ringo is remembered today is because he had a wonderfully mellifluous name).

This was the book that inspired me to look at Arizona histories with a more critical eye,… show more.

Most meticulously researched book on the worst blood feud in U. S. History, but, being Mr. Dedera was a news journalist and columnist with The Arizona Republican, it is very readable. Prior to the publication of this manuscript, books about the feud between the Tewksbury and Graham families tended to be biased, sympathizing with the latter while condemning the former (in part because the Tewksburys were half Native American). Dedera was one who discovered the document which proved it conclusively was the Graham who had turned on the Tewksburys. Still, Dedera does not take sides, and he does not pull his punches. He lays out the facts before the reader, and when he does draw conclusions, they are based on the evidence presented. Highly recommended.

We take our sunsets seriously in Arizona, enough that we put a variation of one on our state flag. But Bruce Berger's book made me rethink how I look at the smeared colors in the evening sky.

Look not west, he says, but to the mountains in the east: the “decreasing wavelengths and cooling colors–vermillion to salmon to plum” on the slopes that provide a lightbox to the garish display at your back.

This is only the start. In finely wrought prose befitting the author’s other career as a pianist, he renders the harsh beauty of the Southwest in a set of twenty essays that draw a portrait of landscape and memory.

Everything about this book steals my heart, from Chloe's tenderness with horses to the Diné (Navajo) children who don't have enough books at their school.

But let me back up and tell you that Chloe is pregnant with Hank's child. She shouldn't be riding horses at all, but the call is too strong. Hank's a good guy who can't find professor work in Arizona, ends up teaching the Diné children, and finds he loves them more than working at a university.

It should be a happy ending between Hank and Chloe and the upcoming baby, except the horse belongs to an artist named Junior Whitebear, who returns to town and forms an instant, overpowering connection with Chloe. Mapson writes so well that she makes me ache.

Brian Jabas Smith lived a hard life on society’s margins and developed the ability to see people–the forgotten, the filthy, the addicted, and unattractive–that most of us simply look through on our way to someplace else.

In this wonderful book, Smith writes portraits of the invisible people of Tucson, Arizona, most of them down and out, and all of them with stories to tell. But he never slips into mawkishness and doesn’t expect the reader to “do anything” about society’s problems except pay attention to the human beings who take the worst of it.

His graceful and empathetic prose style makes that easy to ride along, and what’s left is a curious glow of hope. Smith is probably the best working journalist in the Southwest today, finding stories where others would never think to look.

The Broken Gun has one of the tightest plots of any of the many Western novels from the late, great Louis L’Amour. L’Amour’s Westerns are almost all set in the mid-1800s. His good guys are good, and his bad guys bad. His books are all fun, easy to read, full of action, and keep you turning the pages. Some readers think Louis L’Amour was a 2nd rate writer…but he knew what he was doing & literally millions of folks have loved his books. Many, like myself, have read all of his Westerns, some of them several times. When I go camping I always toss in a few of his paperbacks. When it’s too windy to fish, I kick back and re-read a Louis L’Amour Western. Always fun.

Who knew there were volcanoes in northern Arizona? Wendell Duffield takes readers on a visual and literary tour de force of this amazing region. The San Francisco Volcanic Field contains over 600 vents and cones with one large stratovolcano, a half a dozen or more silicic dome volcanoes, and hundreds of basalt cinder cones. All are explained in clear, concise prose. And who knew the Grand Canyon had volcanoes too, some of which spilled cascading lava flows into the canyon, damming the river at least 17 times. It’s all here in this little book that has a big impact.

This book has amazing characterization. Also, the voice of the narration is spectacular. And the chemistry between the love interests is palpable. They are tough characters. Loving and smart and honest. You want to keep them around. Please read it. I can’t say enough good things about it.

I really enjoyed this book firstly because of the complete plausibility of the scenario, an extraterrestrial pathogen that comes to earth about which we are powerless to do anything.

Crichton’s medical background is on solid display here, and it is intriguing to experience the author’s very first fiction effort, knowing, as we do, the many great stories to come in the ensuing years (Jurassic Park, etc.). I also very much enjoyed the idea of a group of talented people from a wide range of disciplines working together to tackle a challenge of immense importance. 

The ‘crime’ in Animal Dreams is a legal technicality, and this is a literary contemporary novel rather than a crime one, but its narrative drive comes from the same need to untangle the past to set the characters free (or as free as they can be) in the present.

The writing is glorious – rich, deep, surprising, layered – reaching levels of technical mastery that few other writers even glimpse. There are several point-of-view characters and, unlike most books with this structure, Kingsolver wrings every last drop of drama and interest from the nuances this offers.

Instead of longing to get back to a preferred perspective, the reader revels in how vivid, how real, each character feels in turn. If you love LP Hartley’s The Go-Between, you’ll probably adore this.