Books like Devolution — picked by fans

What stays with me is not the survival story, but the change that followed.

Louie’s struggle with anger and pain after the war felt familiar. This story shows that endurance by itself is not enough. Freedom comes through forgiveness and faith.

The movement from anger to grace stood out to me. It made me consider that even when hard experiences influence us, they do not have to decide our future.

Before I was an author, I was primarily a national magazine copy editor, a job I finally scored after eight years of climbing up the magazine journalism ladder.

I wrote once in a while, but this mostly meant TV recaps by the time I was entrenched in magazines. But one day, an article about a safe-driving activist crossed my desk, and soon I was speaking with him in high schools.

Around the time I checked off “swim the width of a river” from my father’s bucket list, I also read Huckleberry Finn, as the setting seemed only right. I wrote a tribute to it in the second chapter of my book. My dad’s favorite author was Twain, but what I appreciated about him was that he wrote the novel as veiled propaganda. It’s a book that professes Twain’s anti-racism perspective. He just put his cause into a novel.

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I adore this book.

Not only is it loaded with suspenseful moments, but the heartache, Pi’s incredible journey, and the masterful metaphor make it one of those books that will always be near the top of my reading pile. Even the side story of why Pi changed his name is written with humor and heart.

I am a fan of survival stories, and I’m also an animal lover, so the combination of animals playing such a huge role, coupled with Pi struggling to survive when the odds are against him, makes this a great read.

This book provided an insight into WWII in Italy. It is captivating and informative.

It tells the story of Pino, a brave 17-year-old who not only spied on the Germans who occupied his homeland but also crossed the Alps many times to save Jewish people. Full of mystery and intrigue, it was hard to put down until the end.

This author is new to me, but she won’t be for long. As Western romances go, it was different. I liked that there was a quest. I also liked that the female character was intrepid, strong-willed, and fierce. And the man had to accept that.

Both of them were tough; they had to be, and yet both of them were soft-hearted, and they recognized that they were equal. It was a delight to read. It even brought forth a giggle or two as they spared and rangled like a really good John Wayne movie.

In Jesus and John Wayne, Du Mez examines the rise of the Christian right through the lens of popular culture. She argues that over the past seventy-five years evangelicals have remade Christianity into a form of toxic masculinity and Christian nationalism. They have extolled strong, heroic models of masculinity from the fictionalized characters in John Wayne and Mel Gibson movies to political figures, including Ronald Reagan, Oliver North, and even Donald Trump. Their projected strength was vital to protect and promote Christian values. This muscular Christianity supports patriarchy, authoritarianism, and aggressive foreign policies, and opposes the expansion of rights for minorities and women. Du Mez explores a vast array of artifacts of evangelical popular culture—popular books, movies, songs, and merchandise—all intended to promote those values as the essence of Christianity. Jesus and John Wayne helps to explain how evangelicalism became the cultural and political force it is today and how… show more.

My personal author coach (David Farland) suggested this read.

The premise of a teenage, self-diagnosed sociopath who works at a morgue but doesn’t want to become a serial killer was far too intriguing to pass by. Well’s background research into sociopath profiling and morgue duties kept me engaged, but never felt intrusive or information-dumpy.

Refreshingly, Wells keeps the teen character intelligent. Instead of the overwritten, arrogant teen who makes stupid decisions, the main character is thoughtful and bright, and recognizes beforehand that his choices driven by curiosity are a tad foolish.

Although I won’t read the sequels because they dive into a subgenre I’m not fond of, I consider I Am Not a Serial Killer one of the most innovative reads of this century.

Because this book concentrates on only six 1939 movies – Gone with the Wind, The Wizard of Oz, Mr. Smith Goes to Washington, Stagecoach, The Hound of the Baskervilles, and The Adventures of Huckleberry Finn – Adams is able to go into much more detail about the making of each film and the critical reaction each received. I'd be hard-pressed to pick only six movies from that eventful year and movie fans will disagree with Vieira's choices somewhere down the line. But once you get past that, this book is filled with important information and plenty of trivial details that it is a great read.

Forget the Alamo is a take-off on the popular saying at the time in Texas, “Remember the Alamo,” which was a battle cry. I love this book because of the logic the authors use and the tremendous hard-core research of letters and documents, to show why one of America’s legendary tales was a lot more myth. The true story of “why” more than the actual outcome continues to be battled today. John Wayne’s version, which many of us grew up with, was so far from the truth, it boggles the mind. The documentation in this book and the logic behind the letters that were written reveal the sad truth of what happened and more importantly what led up to the tragic end for so many brave souls.

The author, son of a silent screen star and a respected actress, acted in nine movies made by the man he called “Uncle Jack”—John Ford, winner of four Oscars and arguably the greatest director in Hollywood history. Carey could ride, shoot, and wear a convincing toupee—all of which were requirements for actors in Ford’s classic Westerns, including She Wore a Yellow Ribbon, Rio Grande, and The Searchers. His memoir is affectionate, intimate, and critical, not just of the hard-drinking, physically and emotionally abusive Ford—“the man I loved and, at times, tried very hard to hate”—but also of John Wayne, the great man’s favorite actor and regular whipping boy, and other members of the cast and crew whom Ford mercilessly bullied and inspired in film after film, many of them shot in breathtakingly picturesque Monument Valley.