41 Books Like Delphi

My journey to specialising in gender and revenge in ancient Athens began when I read this trilogy of tragedies by Aeschylus in the original ancient Greek. These plays captivated me because of their stunningly powerful and breathtakingly beautiful use of imagery and language.

The characters are equally striking, especially the clever and determined queen Clytemnestra, a ruthless and duplicitous killer who murders her husband in the bath. In turn, her son Orestes is faced with the dreadful prospect of killing his own mother to avenge the death of his father. Performing matricide brings forth the terrifying Erinyes, goddesses of vengeance, who demand that Orestes pay the price.

The powerful female characters and the dilemmas of the revenge plot are what make this trilogy one I return to time and time again.

Euripides is the Greek tragedian who, in my humble opinion, appeals most to the modern sensibility. Even in his own time (5th century Athens, BCE) he was regarded as an innovator who questioned the certainties of previous ages. The Bacchae is probably his greatest play, but Ion is the play set in Delphi. It includes the oracle (the Priestess of Apollo), as well as Apollo and Athena, as characters and, in it, the playwright begins to question the legitimacy of the gods themselves. Ion is the result of a divine rape, taken from his mortal mother at birth. The son of Apollo, he believes his parents abandoned him and works as a dogs-body and general helper in Apollo's Temple in Delphi. Then his mother and her husband, childless, arrive for a consultation...

The final sentence of The Mask of Apollo has haunted me for decades since I first read the book in my teens. When I read it again, many years later, I discovered that the story is as moving as I remembered. Renault weaves a fascinating re-creation of classical Greek theatre with Plato’s attempt to tutor a true philosopher king in the kingdom of Syracuse. But it’s the final chapter, after Plato’s death, that raises the book to the level of tragedy. For then we meet the young Alexander, already almost god-like in his charisma, a fire seeking fuel for its burning. Alexander burns through the world seeking it, but what he is looking for in the world has already left it: a broken Plato has already died.

This one's a bit of a cheat, but fun. It's one of the hugely successful Marcus Didius Falco series by Lindsay Davis, set in Flavian Rome (first century), in which she recounts the adventures of the disreputable private investigator Falco as he walks the mean streets of Rome in search of truth, a denarius or two and a loose woman (though not in this book, he's well and truly hitched by then). Raymond Chandler meets Robert Graves. The first in the series The Silver Pigs won the Author's Club First Novel Award in 1989 and it's easy to see why. It spawned twenty more. Delphi is the seventeenth and our heroes only get to the shrine in Part Four. Their passage up the Sacred Way, as they try to rid themselves of a limpet like freelance guide is one of the funniest descriptions I've read of arriving the Temple (and… show more.

Wolf Girl reminded me of a Werewolf Bachelor. One guy. Lots of women. All of them werewolves. This story was unique and unlike anything I’d ever read before. I loved Demi’s sassiness and Sawyer was definitely swoony. I’m warning you beforehand though, it does have a hellacious cliffhanger.

This is the daddy of travel books about Greece, penned by a Greek from western Turkey who toured the sights during the pax Romana (2nd century AD).

Catching ancient Greece before it fell into ruin, he enthusiastically wrote up the buildings and artworks and the local history of places both famous and obscure. My own copy, decidedly battered, has been a companion of my academic career since my twenties.

You can still follow Pausanias on certain archaeological sites, like Delphi or Olympia. On others it’s fascinating, after visiting them, to turn to this ancient guide to read how he described the same places when they were intact.

Peter Levi’s translation is highly readable and well equipped, but not overladen, with footnotes.  

I found The Moon-Spiners through a Disney movie of the same name (book was better). When I found out it was also a book, I went hunting at my local library and fell in love with the way Stewart immediately pulled me into her stories, evoking awe, fear, laughter ,and romance. She wafted me away to exotic places, and into exciting and romantic adventures with strong female characters. I went on to read all her books, even the Arthurian ones, but her romantic suspense books remain my favorites and the ones I turn to when I need a comfortable visit with old fictional friends. 

In a Celtic-feeling village the reader follows the story of an absolutely ordinary protagonist, Idris. He’s a poet who chooses great peril in order to discover the truth behind a growing despair plaguing the land.

It is the end of times, according to all the oracles. But Idris refuses to accept annihilation’s cold embrace. As the villagers scrape by despite sickness and blighted crops, the bard goes on a search for hope. In the haunted, banshee-infested moor, he discovers the door on half-bald hill.

I really loved this story because it was all my favorite things—a bleak, earthy landscape with a sharp sense of foreboding haunting every page, and in sharp relief, a group of very real persons, each fostering a flame of hope despite overwhelming burdens and gnawing griefs. 

This deck was one of my early introductions to Ancestral connection through card work and divination. I was drawn in by its vivid, respectful imagery and the way it offers actionable guidance rooted in traditions across the globe. I’ve used it to honor and engage with my ancestors during spiritual work, and it always shows up with grounded, heart-centered wisdom.

It’s a powerful entry point for anyone wanting to open dialogue with their lineage in a sacred, structured way. The cards give direct guidance to actionable steps from your Ancestors through the wording on the cards.

There are a group of leading thinkers in science and religion who simultaneously provoke fertile thought in their readers and irritate them at the same time! This group includes biologists Stephen Jay Gould, Richard Dawkins, and Edward O. Wilson, and physicists Carl Sagan, Stephen Hawking, and Steven Weinberg, who have become public intellectuals, articulating a much larger vision for science and what role it should play in the modern worldview. The scientific prestige and literary eloquence of each of these thinkers combines to transform them into what can only be called oracles of science. Curiously, these thinkers create a very misleading and culturally damaging impression that science as a whole is incompatible with religion. Giberson and Artigas offer an informed analysis of their views, carefully distinguishing science from philosophy and religion in the writings of the oracles. Overall, the book is a great introduction to many of the fascinating questions… show more.