Books like Death at Greenway — picked by fans

This is the best novel I’ve read about bubonic plague.

Student historian Kivrin travels back in time to England of the Middle Ages—unknowingly at the start of the Black Death. The cause of Black Death was the plague bacteria, unknown to people of that time.

What makes the book memorable is its depiction of everyday life, where children who get lost in the forest must find their way home by the tolling of the village church bell. Ultimately, the bell tolls for all the plague’s victims.

The vivid characterization makes me experience people of a time so distant their minds feel alien to us, yet still deeply human.

What I love about historical novels is their ability to transport me into a past that was beyond my imaginings before I read the book.

The harrowing opening scene of this novel is something I could not imagine. But the main character of the novel, a black woman living in the Jim Crow South, has no such luxury. She knows full well the perils of being a black woman in the South. She must fight against deadly sexism and racism to try to claim a life for herself and solve a mystery with ties to a true historical crime.

Wanda Morris writes in a style reminiscent of John Grisham (if he had the life experience of a black woman). Plan to read this over the weekend because once you start, you won’t be able to put it down. 

I loved delving into history in this meticulously researched, well-written novel about the young woman who was the Lindbergh baby’s nanny.

Although I started reading the novel looking for clues as to the kidnappers, the protagonist’s story was so engaging that when the kidnapping actually happened, I was shocked! I had become so wrapped up in the story I forgot I knew how it ended.

If you want a novel to transport you to another time and place, make you forget you have to get up the next day, and keep you up until 2 in the morning reading, this is the one!

This Agatha Christie doesn’t feature her famous Hercule Poirot or Miss Marple. Instead, it introduces a likable young couple, Bobby and Frankie, who fall into adventure by accident.

This book has the best one-line denouement of all mystery novels. It is a line that will give you chills when you read it. (Or re-read it. This mystery is so good that I have reread it many times in my life, and I get chills each time.)

One question ties the whole mystery together. As a mystery writer, I wish I could find that turning point question for each of my novels. But, alas, Agatha Christie was the queen. 

I was glued to every page of this book!

It’s a claustrophobic thriller with a startling visual image at its heart: an ultra-modern glass cabin in the middle of a deep, dark wood. At night, the light against the glass means you can’t see out – but anyone outside can see right in. I loved the way Ruth Ware turned the rickety old building cliché on its head, turning light from a source of comfort into a threat. 

I love this book! A famous female pianist in Boston who kills bad people, and she has quirks. She also changes boy toys during the story; that whole dynamic is sexy and unusual. 

One of my new favorite books. I hate heavy procedural books, and this is not one. The FBI is involved, but not how you think. The railroad killer was also very creative. She does have the FBI chasing her and has friends in the FBI, which is unique, too. The beginning is good, with lots of action and intrigue, and the middle holds up with a bang for an ending.

There are a few surprises here and there, but it is just a solid story.

When I was a kid, my Mum loved Upstairs Downstairs—a TV show about a household in Victorian England and the lives of the gentry upstairs and the servants downstairs. Nobody was allowed to even whisper when it was on. 

Well, the Mrs Jeffries Mysteries would have blown her mind. Because the servants in Detective Witherspoon’s household not only do regular servanting but also solve murders on the fly. 

There are loads of great characters: Mrs Goodge, the surly cook, Smythe, the fierce-looking coachman with a heart of gold, and of course Mrs Jeffries herself, who’s like a sherry-guzzling Sherlock Holmes who can tidy.

I love realistic heroes who are fallible yet, to their core, have a sense of morals. Throw in the verisimilitude of police procedurals (or military), plus a good mystery, and you’ve got me. Author Michael Connelly has juxtaposed an aging main character, retired LA Detective Harry Bosch, with a younger LA detective, Renée Ballard. In the old-school, patriarchal LAPD, Ballard had quite a challenge conducting the detective work she was passionate about.

I’m impressed with the three-dimensional characters of the two generations, each equally dedicated to getting justice in the cases they’re working on. Connelly's Bosch is far from perfect, and Ballard, the rising next-gen, are two characters I am compelled to follow.

I adore the character of Sam Holland. She is a badass cop, not willing to take crap from anyone, even her fellow officers, with a smart mouth that gets her into as much trouble as it gets her out of. Her character is written with such nuance and honesty that she’s someone I’ve willingly followed through 22 books (and counting).

Sam works twice as hard to make sure she’s living up to her own expectations as much as anyone else’s, always afraid of falling short, something I think we all tend to be too hard on ourselves about at times. The love interest throughout the series sometimes struggles with her strong personality, even as he admires her for it, which I think lends a depth of realism to their relationship as it grows and sometimes flounders.

Agatha Christie isn’t called “the Queen of Crime” for nothing. She invented many of the tropes that have characterized the mystery genre since, plus contributed two of the best-known detectives of all time. But this book features neither of them. Instead, it drops Charles Hayward, fiancé of a murdered millionaire’s granddaughter, into the midst of a family that is happy on the outside and is anything but on the inside.

I put this book at the top of Christie’s many fine works because the mystery has such a chilling resolution. Very few mystery authors, I suspect, would go to the place she did with this work.