Here are 100 books that Dear America fans have personally recommended if you like
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Iâm an American intellectual historian and professor at Vanderbilt University. Iâve long been fascinated by the history and politics of data: the question of how publicly available knowledge shapes societies as well as individual selves. Itâs led me to research the effects of popular polls and statistics on mid-century U.S. culture and to write about how ever-advancing techniques for âknowingâ citizens shaped modern privacy sensibilities. My current obsession is with official identity documentsâhow they infiltrate peopleâs lives in ways that are at once bureaucratic and curiously intimate. The books Iâve selected lay bare the promise and the peril of documentation in wonderfully vivid detail.
Torpeyâs book, first published in 2000, is now a classic. With it, he helped open up a whole field of inquiry into the history of official documents and identification techniques that both constrainâand make conceivableâmodern society. Here, think of street addresses, fingerprints, birth certificates, credit records, driverâs licenses, tax forms, and visas. For Torpey, the passport, âthat little paper booklet with the power to open international doors,â is a window into modern nation statesâ interest in regulating movement. For his readers, it is a bracing reminder of how recent those controls are and how habituated we denizens of the 21st century have become to showing our papers.
This book presents the first detailed history of the modern passport and why it became so important for controlling movement in the modern world. It explores the history of passport laws, the parliamentary debates about those laws, and the social responses to their implementation. The author argues that modern nation-states and the international state system have 'monopolized the 'legitimate means of movement',' rendering persons dependent on states' authority to move about - especially, though not exclusively, across international boundaries. This new edition reviews other scholarship, much of which was stimulated by the first edition, addressing the place of identification documentsâŠ
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn theâŠ
Iâm an American intellectual historian and professor at Vanderbilt University. Iâve long been fascinated by the history and politics of data: the question of how publicly available knowledge shapes societies as well as individual selves. Itâs led me to research the effects of popular polls and statistics on mid-century U.S. culture and to write about how ever-advancing techniques for âknowingâ citizens shaped modern privacy sensibilities. My current obsession is with official identity documentsâhow they infiltrate peopleâs lives in ways that are at once bureaucratic and curiously intimate. The books Iâve selected lay bare the promise and the peril of documentation in wonderfully vivid detail.
Whatâs not to like about a book on âthe psychic life of paperworkâ? The Demon of Writing is a meditation on the rise of a modern âculture of paperworkâ from the French Revolution onward. It brings to the foreground things we donât tend to think about until we are caught up in some sort of bureaucratic morass: memos, forms, reports, and files. And it probes the ideologies buried under all that official paper. Linking the rise of paperwork to the rise of political representation, Kafka is interested in the way record-keeping promises uniformity or predictability but just as often produces an error, friction, and resistance. This is a witty and illuminating account of the rule of documents, packed with stories drawn from the bureaucratic archive.
Since the middle of the eighteenth century, political thinkers of all kinds â radical and reactionary, professional and amateur â have been complaining about âbureaucracy.â But what, exactly, is all this complaining about?
The Demon of Writing is a critical history and theory of one of the most ubiquitous, least understood forms of media: paperwork. States rely on records to tax and spend, protect and serve, discipline and punish. But time and again this paperwork proves to be unreliable. Examining episodes from the story of a clerk who lost his job and then his mind in the French Revolution toâŠ
She really gets at the heart of how Brown and Black bodies are seen, and what is fascinating to me is the approach through current âtechnical artâ and a good discussion of architecture. I had a class focus on her discussionâlengthyâabout surveillance and race. Itâs extremely poignant, and something whites especially just donât think about. I will never again go through an airport without thinking about her book.Â
In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of theâŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
Iâm an American intellectual historian and professor at Vanderbilt University. Iâve long been fascinated by the history and politics of data: the question of how publicly available knowledge shapes societies as well as individual selves. Itâs led me to research the effects of popular polls and statistics on mid-century U.S. culture and to write about how ever-advancing techniques for âknowingâ citizens shaped modern privacy sensibilities. My current obsession is with official identity documentsâhow they infiltrate peopleâs lives in ways that are at once bureaucratic and curiously intimate. The books Iâve selected lay bare the promise and the peril of documentation in wonderfully vivid detail.
Although it reads like a spy novel, this is the real-life account of a noted English journalistâs encounter with his own Stasi surveillance file. The file in question was compiled in the early 1980s by the East German secret police on Garton Ash (code name âRomeoâ), then a young man living in Berlin and writing about Central European communism. Garton Ash opened his file fifteen years later, after the former German Democratic Republic made Stasi records accessible. Tracking those who tailed him, the book explores the uneasy sensation of reading oneâs past life through the photographs, informant reports, surveillance notes, and speculations of those tasked with observing a target of suspicion. Itâs a compelling and often chilling chronicle of the costs both of watching and being watched.
In 1978 Timothy Garton Ash went to live in Berlin to see what that divided city could teach him about tyranny and freedom. Fifteen years later, by then internationally famous for his reportage of the downfall of communism in Central Europe, he returned to look at his Stasi file which bore the code-name 'Romeo'. Compiled by the East German secret police, with the assistance of both professional spies and ordinary people turned informer, it contained a meticulous record of his earlier life in Berlin.
In this memoir, he describes rediscovering his younger self through the eyes of the Stasi, andâŠ
I had a difficult past; from living in war, poverty, and doing various jobs to help with the family economy, to losing my life, imprisonment, and exile. I was one of millions of Iranians who were trapped in a prison called âoppressionâ by a dictatorial and totalitarian regime. They called us âthe burnt generation.â Despite all the hardships, I immigrated to America, became a successful scientist, and achieved all my goals. Then I told myself to write my biography to inspire and motivate people all around the world and convey this universal message to them: protect your freedom, cherish your democracy, and never forget the ones left behind.
Behrouz described his journey with beauty and exemplary courage in the Manus prison. This book is reiminisent of my life story and the lives of millions of Iranians trapped in a prison called âoppression.â This biography speaks of the importance of life and the need for every human being to tell their own story.
I narrated life in Iran in shocking detail of cruelty, destruction, discrimination, humiliation, and constant surveillance, and like many Iranians, found beauty in simple things like rain and paper flowers that soothed us in our loneliness and misery.
This is a testament to the power of writing to overcome difficulties and loneliness.
The Award-winning International Bestselling Story of One Man's Six Year Detention in Australia
'A powerfully vivid account of the experiences of a refugee: desperation, brutality, suffering, and all observed with an eye that seems to see everything and told in a voice that's equal to the task.' - Phillip Pullman
In 2013, Kurdish journalist Behrouz Boochani sought asylum in Australia but was instead illegally imprisoned in the country's most notorious detention centre on Manus Island. This book is the result.
Boochani spent nearly five years typing passages of this book one text at a time from a secret mobile phoneâŠ
As a Jamaican migrant, I often read Jamaican fiction to feel recognized, but I struggle with the word âbest,â so consider this an exceedingly tentative ranking. I read each of these texts to learn about what it means to be a part of the Jamaican diaspora and to write a Jamaican novel, and each one elicited in me something that I often did not know about myself. Their attention to gender, to migration, to family, and more are as enlightening as they are captivating. And if that is not enough, then come for the plots, all of which are gripping, and the prose, all of which delights.
If you have not yet read Patsy, just read it. I wonât regale you with tales of its critical and commercial success, as you may already have heard about it. What I will say is that this is a book that will stick with you. Its portrait of longing, of love, of motherhood, and of childhood is so attentive to the thought of its central two charactersâa mother and childâthat they will feel so real to you that you will think of them when you encounter their facsimiles in your own life.Â
Heralded for writing "deeply memorable . . . women" (Jennifer Senior, New York Times), Nicole Dennis-Benn introduces readers to an unforgettable heroine for our times: the eponymous Patsy, who leaves her young daughter behind in Jamaica to follow Cicely, her oldest friend, to New York. Beating with the pulse of a long-withheld confession and peppered with lilting patois, Patsy gives voice to a woman who looks to America for the opportunity to love whomever she chooses, bravely putting herself first. But to survive as an undocumented immigrant, Patsy is forced to work as a nanny, while back in Jamaica herâŠ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŠ
My writing career has been in middle grade and YA, but as a reader Iâm always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, Iâm still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from Spanish and 128 pages in length, Herreraâs short novel is a beautiful evocation of one woman's journey from Latin America to the US. Evoked with the brushstrokes of a fairy tale and suffused with a luminous surreality, the book has stuck with me. This is Herreraâs first novel to be published in English, and it has made quite a splash, giving me hope that more will soon follow.
Signs Preceding the End of the World is one of the most arresting novels to be published in Spanish in the last ten years. Yuri Herrera does not simply write about the border between Mexico and the United States and those who cross it. He explores the crossings and translations people make in their minds and language as they move from one country to another, especially when there's no going back. Traversing this lonely territory is Makina, a young woman who knows only too well how to survive in a violent, macho world. Leaving behind her life in Mexico toâŠ
Growing up in Brooklyn, New York, I was acutely aware of the way my non-white and non-citizen classmates were treated differently by police and other authorities. Studying racial inequality in the War on Drugs as an undergraduate and graduate-level Sociology student, I began to understand the many links between the criminal and immigration systems, and how often the stories of criminalized people are left behind. I became committed to bringing attention to the racially inequalities that shape these systems. In doing so, I aim to uplift resistance to the âgood immigrant/bad immigrantâ binary that frames non-citizens with criminal records as undeserving and disposable.
Deported was one of the first books I read that fully explained the links between deportation and inequality, in both readable and evidence-backed ways.
I appreciate it for the way it uses riveting narratives from deportees themselves, to demonstrate how the unequal conditions of global capitalism spur migration in the first place, while inequality in the United States leads to the criminalization and deportation of men of color.
This book stands out to me in its focus on Black and Afro-Latinx immigrants from the Caribbean, a group known to be targeted by the US War on Drugs, who are often left out of the literature on immigration enforcement and deportation.
Winner, 2016 Distinguished Contribution to Research Book Award, given by the American Sociological Association Latino/a Section
The intimate stories of 147 deportees that exposes the racialized and gendered dimensions of mass deportations in the U.S.
The United States currently is deporting more people than ever before: 4 million people have been deported since 1997 -twice as many as all people deported prior to 1996. There is a disturbing pattern in the population deported: 97% of deportees are sent to Latin America or the Caribbean, and 88% are men, many of whom were originally detained through the U.S. criminal justice system.âŠ
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, Iâm lucky to love what I doâand so I enjoy most of what I read. But these books are special. They drew me in and wouldnât let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
Much of âthe line,â as Border Patrol agents and migrants sometimes call the border, is far from big cities and curious journalists. And a lot of what happens there, happens under cover of darkness or behind the secured doors of Border Patrol stations.
As a former Border Patrol agent, CantĂș saw what happened when no one else was looking. His memoir shares it with the rest of us.
Shortlisted for the Orwell Prize for Political Writing 2019, an electrifying memoir from a Mexican-American US Border Patrol guard
'Stunningly good... The best thing I've read for ages' James Rebanks, author of The Shepherd's Life
Francisco Cantu was a US Border Patrol agent from 2008 to 2012.
In this extraordinary account, he describes his work in the desert along the Mexican border. He tracks humans through blistering days and frigid nights. He detains the exhausted and hauls in the dead. The line he is sworn to defend, however, begins to dissolve. Haunted by nightmares, Cantu abandons the Patrol for civilianâŠ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŠ
Growing up in Brooklyn, New York, I was acutely aware of the way my non-white and non-citizen classmates were treated differently by police and other authorities. Studying racial inequality in the War on Drugs as an undergraduate and graduate-level Sociology student, I began to understand the many links between the criminal and immigration systems, and how often the stories of criminalized people are left behind. I became committed to bringing attention to the racially inequalities that shape these systems. In doing so, I aim to uplift resistance to the âgood immigrant/bad immigrantâ binary that frames non-citizens with criminal records as undeserving and disposable.
Behind Crimmigration stands out for the way it helped me to better understand the âcrimmigrationâ connections that have increasingly intertwined systems of immigration enforcement and criminal justice over the past forty years.
I learned so much from this book about the processes through which local police assist in the rounding up of immigrants for immigration authorities, and the key role of racial profiling in deciding who is apprehended for detention and deportation.
It inspires me in my own work by not just explaining oppression, but also the ways that immigrants fight against these unequal systems, and in doing so, work towards intersectional resistance that combines immigrant rights advocacy with overarching battles for racial justice.
In recent years, dozens of counties in North Carolina have partnered with federal law enforcement in the criminalization of immigration-what many have dubbed "crimmigration." Southern border enforcement still monopolizes the national immigration debate, but immigration enforcement has become common within the United States as well. While Immigration and Customs Enforcement (ICE) operations are a major part of American immigration enforcement, Felicia Arriaga maintains that ICE relies on an already well-established system-the use of local law enforcement and local governments to identify, incarcerate, and deport undocumented immigrants.
Arriaga contends that the long-term partnership between local sheriffs and immigration law enforcement inâŠ
